{"version":"1.0","provider_name":"GREAT-ARTMAG","provider_url":"https:\/\/great-artmag.com\/en\/","author_name":"Alexia Gugg\u00e9mos","author_url":"https:\/\/great-artmag.com\/en\/author\/admin5782\/","title":"Duy Anh Nhan Duc, la po\u00e9sie du souffle s'\u00e9l\u00e8ve dans \u00c9chapp\u00e9es - GREAT-ARTMAG","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"kOsu2Rj53u\"><a href=\"https:\/\/great-artmag.com\/en\/exposition-echappees-duy-anh-nhan-duc\/\">Duy Anh Nhan Duc, la po\u00e9sie du souffle s&#8217;\u00e9l\u00e8ve dans \u00c9chapp\u00e9es<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/great-artmag.com\/en\/exposition-echappees-duy-anh-nhan-duc\/embed\/#?secret=kOsu2Rj53u\" width=\"600\" height=\"338\" title=\"&#8220;Duy Anh Nhan Duc, la po\u00e9sie du souffle s&#8217;\u00e9l\u00e8ve dans \u00c9chapp\u00e9es&#8221; &#8212; GREAT-ARTMAG\" data-secret=\"kOsu2Rj53u\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/great-artmag.com\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/great-artmag.com\/wp-content\/uploads\/2025\/11\/DuyAnhNhanDuc_LeParloirDesSouhaits_\u00a9IsabelleChapuis-1024x635.png","thumbnail_width":1024,"thumbnail_height":635,"description":"Dans &#8220;\u00c9chapp\u00e9es&#8221;, l\u2019exposition imagin\u00e9e par l&#8217;artiste Al\u00ebxone Dizac pour la Fondation Desperados \u00e0 la Poste Rodier, dans le 9e arrondissement de Paris, chaque \u0153uvre semble raconter un fragment d\u2019histoire. Celle de Duy Anh Nhan Duc parle bas. Elle ne revendique rien, n\u2019envahit pas le mur. Au c\u0153ur du tumulte urbain, Le Parloir des souhaits (2021) [&hellip;]"}