{"version":"1.0","provider_name":"GREAT-ARTMAG","provider_url":"https:\/\/great-artmag.com\/en\/","author_name":"Alexia Gugg\u00e9mos","author_url":"https:\/\/great-artmag.com\/en\/author\/admin5782\/","title":"Fran\u00e7oise P\u00e9trovitch : l\u2019amour \u00e0 hauteur d\u2019adolescents - GREAT-ARTMAG","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"AbOQcFcbmk\"><a href=\"https:\/\/great-artmag.com\/en\/francoise-petrovitch-lamour-a-hauteur-dadolescents\/\">Fran\u00e7oise P\u00e9trovitch : l\u2019amour \u00e0 hauteur d\u2019adolescents<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/great-artmag.com\/en\/francoise-petrovitch-lamour-a-hauteur-dadolescents\/embed\/#?secret=AbOQcFcbmk\" width=\"600\" height=\"338\" title=\"&#8220;Fran\u00e7oise P\u00e9trovitch : l\u2019amour \u00e0 hauteur d\u2019adolescents&#8221; &#8212; GREAT-ARTMAG\" data-secret=\"AbOQcFcbmk\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/great-artmag.com\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/great-artmag.com\/wp-content\/uploads\/2025\/10\/francoise-petrovitch-2025.png","thumbnail_width":1082,"thumbnail_height":874,"description":"Chez Guerlain, dans l\u2019exposition collective \u00ab En plein c\u0153ur \u00bb, Fran\u00e7oise P\u00e9trovitch pr\u00e9sente un tableau o\u00f9 deux adolescents s\u2019enlacent, suspendus dans un moment d\u2019intimit\u00e9 fragile. Sur une nu\u00e9e rose, l\u00e9g\u00e8rement troubl\u00e9e de vert et de bleu, deux figures se tiennent. L\u2019un, les yeux clos, s\u2019abandonne \u00e0 l\u2019autre qui, t\u00eate lev\u00e9e, regarde le spectateur. Ce face-\u00e0-face [&hellip;]"}