{"version":"1.0","provider_name":"GREAT-ARTMAG","provider_url":"https:\/\/great-artmag.com\/en\/","author_name":"Alexia Gugg\u00e9mos","author_url":"https:\/\/great-artmag.com\/en\/author\/admin5782\/","title":"Guillaume Bresson a la rage d\u2019un Caravage - GREAT-ARTMAG","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"BU7JYgbvum\"><a href=\"https:\/\/great-artmag.com\/en\/guillaume-bresson-a-la-rage-dun-caravage\/\">Guillaume Bresson a la rage d\u2019un Caravage<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/great-artmag.com\/en\/guillaume-bresson-a-la-rage-dun-caravage\/embed\/#?secret=BU7JYgbvum\" width=\"600\" height=\"338\" title=\"&#8220;Guillaume Bresson a la rage d\u2019un Caravage&#8221; &#8212; GREAT-ARTMAG\" data-secret=\"BU7JYgbvum\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/great-artmag.com\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/great-artmag.com\/wp-content\/uploads\/2010\/05\/1113765106.jpg","thumbnail_width":500,"thumbnail_height":411,"description":"&#8220;C&#8217;est plus le mouvement que la violence qui m&#8217;int\u00e9resse. Et dans la violence, c&#8217;est la chor\u00e9graphie&#8221;, confie Guillaume Bresson, dipl\u00f4m\u00e9 des Beaux-Arts de Paris en 2007. Remarqu\u00e9 \u00e0 Bruxelles en 2009 lors d\u2019une exposition \u00e0 la galerie \u00ab Sorry we\u2019re closed \u00bb, Guillaume Bresson est le grand laur\u00e9at 2010 du Prix Sciences Po pour l\u2019art [&hellip;]"}