{"version":"1.0","provider_name":"GREAT-ARTMAG","provider_url":"https:\/\/great-artmag.com\/en\/","author_name":"Alexia Gugg\u00e9mos","author_url":"https:\/\/great-artmag.com\/en\/author\/admin5782\/","title":"Jan Favre et ses colombes ont envahi le Louvre - GREAT-ARTMAG","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"huNB0PiZ8d\"><a href=\"https:\/\/great-artmag.com\/en\/jan-favre-au-louvre-trompe-oeil-sculpture\/\">Jan Favre et ses colombes ont envahi le Louvre<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/great-artmag.com\/en\/jan-favre-au-louvre-trompe-oeil-sculpture\/embed\/#?secret=huNB0PiZ8d\" width=\"600\" height=\"338\" title=\"&#8220;Jan Favre et ses colombes ont envahi le Louvre&#8221; &#8212; GREAT-ARTMAG\" data-secret=\"huNB0PiZ8d\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/great-artmag.com\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/great-artmag.com\/wp-content\/uploads\/2008\/04\/jan-favre_louvre.jpg","thumbnail_width":640,"thumbnail_height":480,"description":"Les visiteurs du Mus\u00e9e du Louvre s\u2019arr\u00eatent net, intrigu\u00e9s par une sc\u00e8ne aussi incongrue que d\u00e9routante. Sous une nature morte du peintre flamand Frans Snyders, c\u00e9l\u00e8bre pour ses \u00e9tals foisonnants de gibier et de poissons, une dizaine de pigeons semblent avoir \u00e9lu domicile. L\u2019illusion est parfaite : les volatiles paraissent salir sans vergogne ce perchoir [&hellip;]"}