{"version":"1.0","provider_name":"GREAT-ARTMAG","provider_url":"https:\/\/great-artmag.com\/en\/","author_name":"Alexia Gugg\u00e9mos","author_url":"https:\/\/great-artmag.com\/en\/author\/admin5782\/","title":"Le sourire de Vallauris : quand Picasso modelait le bonheur familial - GREAT-ARTMAG","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"Ep1MkrzOQe\"><a href=\"https:\/\/great-artmag.com\/en\/le-sourire-de-vallauris-picasso\/\">Le sourire de Vallauris : quand Picasso modelait le bonheur familial<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/great-artmag.com\/en\/le-sourire-de-vallauris-picasso\/embed\/#?secret=Ep1MkrzOQe\" width=\"600\" height=\"338\" title=\"&#8220;Le sourire de Vallauris : quand Picasso modelait le bonheur familial&#8221; &#8212; GREAT-ARTMAG\" data-secret=\"Ep1MkrzOQe\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/great-artmag.com\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/great-artmag.com\/wp-content\/uploads\/2026\/06\/tete-picasso-paloma-1956.jpeg","thumbnail_width":1045,"thumbnail_height":1049,"description":"Apr\u00e8s les traumatismes de la Seconde Guerre mondiale, Pablo Picasso entame une renaissance artistique et personnelle sur la C\u00f4te d\u2019Azur. Ce renouveau co\u00efncide avec sa relation avec Fran\u00e7oise Gilot et la naissance de leurs deux enfants, Claude (1945) et Paloma (1947). Install\u00e9 \u00e0 Vallauris, le ma\u00eetre espagnol d\u00e9couvre la poterie. C\u00e9cile Graziani, directrice du Mus\u00e9e [&hellip;]"}