{"version":"1.0","provider_name":"GREAT-ARTMAG","provider_url":"https:\/\/great-artmag.com\/en\/","author_name":"Alexia Gugg\u00e9mos","author_url":"https:\/\/great-artmag.com\/en\/author\/admin5782\/","title":"Libert\u00e9 de cr\u00e9ation artistique : comment r\u00e9sister \u00e0 la censure et l'auto-censure - GREAT-ARTMAG","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"jDFzZV1sS9\"><a href=\"https:\/\/great-artmag.com\/en\/liberte-creation-artistique-lcap\/\">Libert\u00e9 de cr\u00e9ation artistique : comment  r\u00e9sister \u00e0 la censure et l&#8217;auto-censure<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/great-artmag.com\/en\/liberte-creation-artistique-lcap\/embed\/#?secret=jDFzZV1sS9\" width=\"600\" height=\"338\" title=\"&#8220;Libert\u00e9 de cr\u00e9ation artistique : comment  r\u00e9sister \u00e0 la censure et l&#8217;auto-censure&#8221; &#8212; GREAT-ARTMAG\" data-secret=\"jDFzZV1sS9\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/great-artmag.com\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/great-artmag.com\/wp-content\/uploads\/2026\/01\/IMG_1393-15.18.34.jpg","thumbnail_width":1087,"thumbnail_height":553,"description":"Depuis le 7 juillet 2016, la loi relative \u00e0 la libert\u00e9 de cr\u00e9ation, \u00e0 l\u2019architecture et au patrimoine (LCAP), est inscrite dans le droit fran\u00e7ais. Dix ans plus tard, la cr\u00e9ation artistique continue d\u2019\u00eatre l\u2019objet de pressions sur les plateformes num\u00e9riques. Quelles dynamiques de r\u00e9sistance serait-il urgent d&#8217;adopter ? Anticiper la pol\u00e9mique Face aux risques [&hellip;]"}