{"version":"1.0","provider_name":"GREAT-ARTMAG","provider_url":"https:\/\/great-artmag.com\/en\/","author_name":"Alexia Gugg\u00e9mos","author_url":"https:\/\/great-artmag.com\/en\/author\/admin5782\/","title":"Moderne Art Fair 2025 : le bleu en tension sur le stand de la galerie Smagghe - GREAT-ARTMAG","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"PNmLNeaLZg\"><a href=\"https:\/\/great-artmag.com\/en\/moderne-art-fair-2025-galerie-smagghe\/\">Moderne Art Fair 2025 : le bleu en tension sur le stand de la galerie Smagghe<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/great-artmag.com\/en\/moderne-art-fair-2025-galerie-smagghe\/embed\/#?secret=PNmLNeaLZg\" width=\"600\" height=\"338\" title=\"&#8220;Moderne Art Fair 2025 : le bleu en tension sur le stand de la galerie Smagghe&#8221; &#8212; GREAT-ARTMAG\" data-secret=\"PNmLNeaLZg\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/great-artmag.com\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/great-artmag.com\/wp-content\/uploads\/2025\/10\/Raymond-HAINS-Bleu-dans-rouge-1970--scaled.jpg","thumbnail_width":2560,"thumbnail_height":1505,"description":"A l&#8217;occasion du salon Moderne Art Fair 2025 (ex Art Elys\u00e9es), install\u00e9 place de la Concorde \u00e0 Paris, la galeriste V\u00e9ronique Smagghe a mis la couleur en tension. Au centre du stand, un morceau de palissage et une affiche arrach\u00e9e de Raymond Hains, Bleu dans le rouge, dialoguent avec une s\u00e9rie de toiles de No\u00ebl [&hellip;]"}