{"version":"1.0","provider_name":"GREAT-ARTMAG","provider_url":"https:\/\/great-artmag.com\/en\/","author_name":"Alexia Gugg\u00e9mos","author_url":"https:\/\/great-artmag.com\/en\/author\/admin5782\/","title":"Jean-Michel Othoniel : \"Portrait du torero mort\" ou la survivance du geste - GREAT-ARTMAG","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"mVv05OxqyR\"><a href=\"https:\/\/great-artmag.com\/en\/othoniel-cape-du-torero-mort-rivau\/\">Jean-Michel Othoniel : &#8220;Portrait du torero mort&#8221; ou la survivance du geste<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/great-artmag.com\/en\/othoniel-cape-du-torero-mort-rivau\/embed\/#?secret=mVv05OxqyR\" width=\"600\" height=\"338\" title=\"&#8220;Jean-Michel Othoniel : &#8220;Portrait du torero mort&#8221; ou la survivance du geste&#8221; &#8212; GREAT-ARTMAG\" data-secret=\"mVv05OxqyR\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/great-artmag.com\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/great-artmag.com\/wp-content\/uploads\/2026\/10\/cape-torero-othoniel-1.jpg","thumbnail_width":1179,"thumbnail_height":966,"description":"En 1992, au Carr\u00e9 d\u2019Art de N\u00eemes, Jean-Michel Othoniel expose une cape de torero recouverte de soufre. Rigide, elle a perdu toute l\u00e9g\u00e8ret\u00e9. Ses plis semblent conserver la trace d\u2019un rituel dont il ne subsisterait que la d\u00e9pouille. Avec Portrait du torero mort (1991), entr\u00e9 dans la collection du ch\u00e2teau du Rivau d\u00e8s 1993, l\u2019artiste [&hellip;]"}