{"version":"1.0","provider_name":"GREAT-ARTMAG","provider_url":"https:\/\/great-artmag.com\/en\/","author_name":"Alexia Gugg\u00e9mos","author_url":"https:\/\/great-artmag.com\/en\/author\/admin5782\/","title":"Paysages de ruine selon Duncan Wylie - GREAT-ARTMAG","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"W3Meecuq1h\"><a href=\"https:\/\/great-artmag.com\/en\/paysages-de-ruine-selon-duncan-wylie\/\">Paysages de ruine selon Duncan Wylie<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/great-artmag.com\/en\/paysages-de-ruine-selon-duncan-wylie\/embed\/#?secret=W3Meecuq1h\" width=\"600\" height=\"338\" title=\"&#8220;Paysages de ruine selon Duncan Wylie&#8221; &#8212; GREAT-ARTMAG\" data-secret=\"W3Meecuq1h\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/great-artmag.com\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/great-artmag.com\/wp-content\/uploads\/2011\/03\/712802888.jpg","thumbnail_width":500,"thumbnail_height":341,"description":"Sc\u00e8nes de d\u00e9vastation, maisons flottant dans les d\u00e9bris, b\u00e2timents \u00e9ventr\u00e9s, fa\u00e7ades lac\u00e9r\u00e9es\u2026 ces images d\u2019apocalypse auraient pu \u00eatre celles des c\u00f4tes japonaises apr\u00e8s le tremblement de terre et le tsunami qui a d\u00e9vast\u00e9 le nord-est du pays. Il s\u2019agit en r\u00e9alit\u00e9 des paysages peints par Duncan Wylie, un artiste zimbabwe de 36 ans, faisant r\u00e9f\u00e9rence [&hellip;]"}