{"version":"1.0","provider_name":"GREAT-ARTMAG","provider_url":"https:\/\/great-artmag.com\/en\/","author_name":"Alexia Gugg\u00e9mos","author_url":"https:\/\/great-artmag.com\/en\/author\/admin5782\/","title":"Le Tr\u00e9sor des B\u00e2tisseurs, l'\u00c9gypte antique en r\u00e9alit\u00e9 virtuelle - GREAT-ARTMAG","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"ZXd4JDN4aW\"><a href=\"https:\/\/great-artmag.com\/en\/realite-virtuelle-tresor-des-batisseurs-eclipso\/\">Le Tr\u00e9sor des B\u00e2tisseurs, l&#8217;\u00c9gypte antique en r\u00e9alit\u00e9 virtuelle<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/great-artmag.com\/en\/realite-virtuelle-tresor-des-batisseurs-eclipso\/embed\/#?secret=ZXd4JDN4aW\" width=\"600\" height=\"338\" title=\"&#8220;Le Tr\u00e9sor des B\u00e2tisseurs, l&#8217;\u00c9gypte antique en r\u00e9alit\u00e9 virtuelle&#8221; &#8212; GREAT-ARTMAG\" data-secret=\"ZXd4JDN4aW\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/great-artmag.com\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/great-artmag.com\/wp-content\/uploads\/2026\/01\/eclipso-scaled.jpeg","thumbnail_width":2560,"thumbnail_height":1702,"description":"Avec Le Tr\u00e9sor des B\u00e2tisseurs, la r\u00e9alit\u00e9 virtuelle franchit un cap. Loin d\u2019un simple dispositif spectaculaire, l\u2019exp\u00e9rience s\u2019affirme comme un outil de m\u00e9diation culturelle \u00e0 part enti\u00e8re. Vivre le savoir plut\u00f4t que le contempler La fr\u00e9quentation des exp\u00e9riences immersives a progress\u00e9 de 20 \u00e0 30 % en 2024. Longtemps cantonn\u00e9e \u00e0 l\u2019\u00e9v\u00e9nementiel ou au divertissement, [&hellip;]"}