{"version":"1.0","provider_name":"GREAT-ARTMAG","provider_url":"https:\/\/great-artmag.com\/en\/","author_name":"Alexia Gugg\u00e9mos","author_url":"https:\/\/great-artmag.com\/en\/author\/admin5782\/","title":"Le Grand Palais s\u2019offre une seconde peau digitale avec Visual System - GREAT-ARTMAG","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"kUCRbD8dAt\"><a href=\"https:\/\/great-artmag.com\/en\/visual-system\/\">Le Grand Palais s\u2019offre une seconde peau digitale avec Visual System<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/great-artmag.com\/en\/visual-system\/embed\/#?secret=kUCRbD8dAt\" width=\"600\" height=\"338\" title=\"&#8220;Le Grand Palais s\u2019offre une seconde peau digitale avec Visual System&#8221; &#8212; GREAT-ARTMAG\" data-secret=\"kUCRbD8dAt\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/great-artmag.com\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/great-artmag.com\/wp-content\/uploads\/2025\/12\/Ciels-\u00a9-Visual-System-pour-le-GrandPalaisRmn-2025-1024x502.png","thumbnail_width":1024,"thumbnail_height":502,"description":"Sous la verri\u00e8re du Grand Palais \u00e0 Paris, le collectif Visual System a d\u00e9voil\u00e9 une installation pens\u00e9e comme une seconde peau architecturale. S\u00e9lectionn\u00e9 \u00e0 l\u2019issue d\u2019un appel \u00e0 projets international, le groupe est compos\u00e9 de Pierre Gufflet, Val\u00e8re Terrier, Ambroise Mouline et Julien Guinard.\u00a0 Une prouesse technique Int\u00e9gration de 1600 barres LED r\u00e9parties sur 64 [&hellip;]"}