{"version":"1.0","provider_name":"GREAT-ARTMAG","provider_url":"https:\/\/great-artmag.com\/en\/","author_name":"Alexia Gugg\u00e9mos","author_url":"https:\/\/great-artmag.com\/en\/author\/admin5782\/","title":"Vuln\u00e9rables : la fragilit\u00e9 \u00e0 d\u00e9couvert \u00e0 la Piti\u00e9-Salp\u00eatri\u00e8re - GREAT-ARTMAG","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"a2lQbHcOre\"><a href=\"https:\/\/great-artmag.com\/en\/vulnerables-expo-salpetriere\/\">Vuln\u00e9rables : la fragilit\u00e9 \u00e0 d\u00e9couvert \u00e0 la Piti\u00e9-Salp\u00eatri\u00e8re<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/great-artmag.com\/en\/vulnerables-expo-salpetriere\/embed\/#?secret=a2lQbHcOre\" width=\"600\" height=\"338\" title=\"&#8220;Vuln\u00e9rables : la fragilit\u00e9 \u00e0 d\u00e9couvert \u00e0 la Piti\u00e9-Salp\u00eatri\u00e8re&#8221; &#8212; GREAT-ARTMAG\" data-secret=\"a2lQbHcOre\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/great-artmag.com\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/great-artmag.com\/wp-content\/uploads\/2025\/08\/creten_salpetriere-1024x861.png","thumbnail_width":1024,"thumbnail_height":861,"description":"La Chapelle Saint-Louis de la Piti\u00e9-Salp\u00eatri\u00e8re accueille \u00ab\u202fVuln\u00e9rables\u202f\u00bb, une exposition manifeste au croisement de l\u2019art contemporain, de l\u2019histoire de la psychiatrie et de la m\u00e9moire hospitali\u00e8re. Une invitation \u00e0 penser et \u00e9prouver la vuln\u00e9rabilit\u00e9 comme lien essentiel. Jusqu\u2019au 21 septembre 2025. \u00c0 la crois\u00e9e de la m\u00e9decine, de l\u2019histoire de l\u2019art et de la cr\u00e9ation [&hellip;]"}