{"id":10257,"date":"2026-09-04T16:28:28","date_gmt":"2026-09-04T14:28:28","guid":{"rendered":"https:\/\/great-artmag.com\/?p=10257"},"modified":"2026-09-04T16:31:13","modified_gmt":"2026-09-04T14:31:13","slug":"porquerolles-fondation-carmignac-2026","status":"publish","type":"post","link":"https:\/\/great-artmag.com\/en\/porquerolles-fondation-carmignac-2026\/","title":{"rendered":"Porquerolles \u00e0 l\u2019heure Pop : la vague solaire de la Fondation Carmignac"},"content":{"rendered":"

La Villa Carmignac transforme Porquerolles en territoire Pop jusqu’au 1er novembre 2026. Avec Sea, Pop & Sun<\/em>, la Fondation Carmignac r\u00e9unit plus de 80 \u0153uvres pour revisiter l\u2019\u00e9nergie, les fantasmes et les contradictions des ann\u00e9es 1960-1970. Sous le commissariat de Dieter Buchhart et Anna Karina Hofbauer, le parcours fait dialoguer les grandes figures du Pop Art avec des artistes contemporains tels qu\u2019Olafur Eliasson, Tschabalala Self, ou Th\u00e9o Mercier.<\/strong><\/p>\n

\"\"Un Pop art solaire, sensuel et m\u00e9diterran\u00e9en<\/h3>\n

Le titre de l’exposition, inspir\u00e9 du c\u00e9l\u00e8bre Sea, Sex and Sun<\/em> de Serge Gainsbourg, donne imm\u00e9diatement le ton. Ici, le Pop Art quitte ses d\u00e9cors urbains et ses vitrines commerciales pour gagner les rivages m\u00e9diterran\u00e9ens. Sur l’\u00eele de Porquerolles, la mer, le soleil et le corps deviennent les nouveaux objets de fascination. Les artistes des ann\u00e9es 1960 et 1970 captent une soci\u00e9t\u00e9 en pleine mutation : d\u00e9veloppement des loisirs et mont\u00e9e en puissance de la culture de masse. Le paysage baln\u00e9aire incarne un id\u00e9al de libert\u00e9, de plaisir et d’\u00e9vasion.<\/p>\n

\u00c0 l’entr\u00e9e de l’exposition, le Sunset<\/em> d’Andy Warhol, r\u00e9alis\u00e9 en 1972, condense \u00e0 lui seul cette fascination pour le soleil et l’image. Face \u00e0 lui, le lever du soleil de Roy Lichtenstein, les corps d’Evelyne Axell ou les sc\u00e8nes de plage et de piscine composent une mythologie estivale. Mais derri\u00e8re cette euphorie chromatique se dessine d\u00e9j\u00e0 une question essentielle : que reste-t-il de ce paradis lorsque le r\u00eave de loisirs et de consommation devient lui-m\u00eame un mod\u00e8le satur\u00e9 ?<\/p>\n

Olafur Eliasson : quand la lumi\u00e8re devient mati\u00e8re<\/h3>\n

C’est pr\u00e9cis\u00e9ment \u00e0 cet endroit que la pr\u00e9sence d’Olafur Eliasson<\/a> prend toute son importance. Avec A day of changing perspectives<\/em> (2024), l’artiste danois introduit dans le parcours une approche radicalement diff\u00e9rente de la lumi\u00e8re. R\u00e9alis\u00e9e \u00e0 partir de verre color\u00e9, une composition \u00e9volutive de jaune, jaune p\u00e2le et violet, d’argent et de bois flott\u00e9, l’\u0153uvre fait de la lumi\u00e8re une exp\u00e9rience \u00e0 part enti\u00e8re. Chez Warhol, le coucher de soleil est presque iconique. Chez Eliasson, la lumi\u00e8re \u00e9chappe au contraire \u00e0 l’image pour revenir \u00e0 l’exp\u00e9rience physique. Le rapprochement est particuli\u00e8rement pertinent \u00e0 Porquerolles. Dans un paysage o\u00f9 la lumi\u00e8re m\u00e9diterran\u00e9enne constitue d\u00e9j\u00e0 une exp\u00e9rience esth\u00e9tique, Olafur Eliasson en r\u00e9v\u00e8le la dimension instable et subjective. Cette pr\u00e9sence contemporaine donne aussi une profondeur nouvelle au titre Sea, Pop & Sun<\/em>. Le soleil qui fascinait les artistes Pop comme symbole de plaisir et d’\u00e9vasion devient, chez Eliasson, est un ph\u00e9nom\u00e8ne \u00e0 observer, \u00e0 \u00e9prouver et \u00e0 questionner.<\/p>\n

\"\"
Tschabalala Self<\/figcaption><\/figure>\n

Du corps fantasm\u00e9 au corps r\u00e9appropri\u00e9<\/h3>\n

L’autre grande force de l’exposition Sea, Sex and Sun<\/em> r\u00e9side dans le dialogue entre les repr\u00e9sentations historiques du corps et celles d’artistes contemporains. Avec Tschabalala Self, le corps f\u00e9minin et racis\u00e9 sort des canons traditionnels de l’imagerie occidentale. Dans Red-Headed<\/em> (2025), comme dans R\u00eaverie<\/em> (2025), peinture, tissu, fil et dessin s’entrem\u00ealent pour construire des figures \u00e0 la pr\u00e9sence physique affirm\u00e9e. Son travail d\u00e9place ainsi l’un des grands motifs du Pop : la femme comme objet de consommation ou de repr\u00e9sentation. Le corps affirme sa propre pr\u00e9sence. Cette relecture entre directement en r\u00e9sonance avec les \u0153uvres d’Evelyne Axell, dont les figures sensuelles et les exp\u00e9rimentations sur le plexiglas avaient contribu\u00e9 \u00e0 d\u00e9placer les fronti\u00e8res de la repr\u00e9sentation f\u00e9minine dans les ann\u00e9es 1960-1970. Derrick Adams apporte lui aussi une autre lecture du loisir. Son Floater 104<\/em> (2020), consacr\u00e9 \u00e0 une figure afro-am\u00e9ricaine flottant dans un univers de d\u00e9tente, rappelle que l’acc\u00e8s au loisir baln\u00e9aire n’a jamais \u00e9t\u00e9 v\u00e9ritablement partag\u00e9.<\/p>\n

\"\"Le paradis baln\u00e9aire face \u00e0 ses propres contradictions<\/h3>\n

Avec Sea Clock<\/em> (2026), installation monumentale en sable, Th\u00e9o Mercier fait entrer la plage au c\u0153ur de la Villa Carmignac. Sous un plafond d\u2019eau, cette mati\u00e8re famili\u00e8re des vacances devient le th\u00e9\u00e2tre d\u2019un monde hybride, o\u00f9 nature et traces de l\u2019activit\u00e9 humaine se m\u00ealent. Le sable n\u2019est plus seulement celui de l\u2019insouciance baln\u00e9aire : il \u00e9voque l\u2019\u00e9rosion, l\u2019artificialisation des littoraux et les exc\u00e8s d\u2019une soci\u00e9t\u00e9 de consommation.<\/p>\n

Inspir\u00e9e des M\u00e9tamorphoses<\/em> d\u2019Ovide, l\u2019\u0153uvre transforme progressivement le rivage en un paysage hybride, \u00e0 mi-chemin entre le monde min\u00e9ral, le vivant et les r\u00e9sidus de l\u2019industrie. Sea Clock<\/em> est vou\u00e9e \u00e0 dispara\u00eetre. Le compte \u00e0 rebours est lanc\u00e9. Une mani\u00e8re, pour Th\u00e9o Mercier, de refermer Sea, Pop & Sun<\/em> sur son paradoxe essentiel : c\u00e9l\u00e9brer le paradis tout en rappelant qu\u2019il est fragile et peut-\u00eatre d\u00e9j\u00e0 en train de nous filer entre les doigts.<\/p>\n

> fondationcarmignac.com<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

La Villa Carmignac transforme Porquerolles en territoire Pop jusqu’au 1er novembre 2026. Avec Sea, Pop & Sun, la Fondation Carmignac r\u00e9unit plus de 80 \u0153uvres pour revisiter l\u2019\u00e9nergie, les fantasmes et les contradictions des ann\u00e9es 1960-1970. Sous le commissariat de Dieter Buchhart et Anna Karina Hofbauer, le parcours fait dialoguer les grandes figures du Pop […]<\/p>\n","protected":false},"author":1,"featured_media":10259,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[1163],"tags":[1646],"class_list":["post-10257","post","type-post","status-publish","format-standard","has-post-thumbnail","category-exposition","tag-pop-art"],"yoast_head":"\nPorquerolles \u00e0 l\u2019heure Pop : la vague solaire de la Fondation Carmignac - GREAT-ARTMAG<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/great-artmag.com\/en\/porquerolles-fondation-carmignac-2026\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Porquerolles \u00e0 l\u2019heure Pop : la vague solaire de la Fondation Carmignac - GREAT-ARTMAG\" \/>\n<meta property=\"og:description\" content=\"La Villa Carmignac transforme Porquerolles en territoire Pop jusqu’au 1er novembre 2026. 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