{"id":10344,"date":"2026-09-21T08:14:00","date_gmt":"2026-09-21T06:14:00","guid":{"rendered":"https:\/\/great-artmag.com\/?p=10344"},"modified":"2026-09-21T08:44:12","modified_gmt":"2026-09-21T06:44:12","slug":"cezanne-sollers","status":"publish","type":"post","link":"https:\/\/great-artmag.com\/en\/cezanne-sollers\/","title":{"rendered":"Sollers : “Tous les arbres sont des C\u00e9zanne”"},"content":{"rendered":"

Pourquoi un \u00e9crivain comme Philippe Sollers est-il encore pertinent pour parler de C\u00e9zanne en 2026 ? La question se pose avec la parution, chez Gallimard, d\u2019une nouvelle \u00e9dition du Paradis de C\u00e9zanne<\/em>. Raffin\u00e9, illustr\u00e9 de 60 reproductions couleur, le livre accompagne l\u2019exposition \u00ab C\u00e9zanne et nous \u00bb, pr\u00e9sent\u00e9e au Grand Palais \u00e0 Paris du 23 septembre au 17 janvier. <\/strong><\/p>\n

L\u2019enjeu d\u00e9passe le simple livre d\u2019accompagnement. Philippe Sollers ne fut ni historien de l\u2019art ni conservateur. D\u00e9c\u00e9d\u00e9 en 2023, il fut un \u00e9crivain qui a fait de la peinture un territoire majeur de sa r\u00e9flexion. C\u2019est pr\u00e9cis\u00e9ment cette position qui donne aujourd\u2019hui son int\u00e9r\u00eat \u00e0 son regard sur C\u00e9zanne.<\/p>\n

Regarder autrement<\/h3>\n

Philippe Sollers s\u2019est int\u00e9ress\u00e9 \u00e0 de nombreux artistes, de Watteau \u00e0 Picasso, de Fragonard \u00e0 Francis Bacon ou Willem de Kooning. La peinture traverse ses essais et sa pens\u00e9e. Il ne cherche pas \u00e0 produire une lecture acad\u00e9mique des \u0153uvres. Ce sont des exp\u00e9riences personnelles du regard, du d\u00e9sir, du temps et de la pens\u00e9e. Chez C\u00e9zanne, une montagne, un arbre, un visage ou une orange deviennent ainsi les \u00e9l\u00e9ments d\u2019un monde \u00e0 reconstruire. Cette lecture permet de sortir d\u2019une vision souvent scolaire du peintre, r\u00e9duit au r\u00f4le de P\u00e8re de l\u2019art moderne.<\/p>\n

C\u00e9zanne contre les cat\u00e9gories<\/h3>\n

C\u2019est ici que la voix de Sollers conserve sa force. Il se m\u00e9fie des classifications qui enferment les artistes dans une succession de mouvements. C\u00e9zanne serait-il impressionniste, postimpressionniste, moderne ? Sollers d\u00e9place la question. C\u00e9zanne lui appara\u00eet comme un peintre qui \u00e9chappe aux cat\u00e9gories et oblige \u00e0 modifier notre mani\u00e8re de voir. \u00ab Tous les arbres sont des C\u00e9zanne \u00bb, affirme-t-il. La formule est moins une d\u00e9finition qu\u2019une invitation \u00e0 regarder. Elle dit aussi quelque chose de notre \u00e9poque. En 2026, alors que les mus\u00e9es multiplient les expositions, les rapprochements et les lectures historiques, la parole d\u2019un \u00e9crivain peut rappeler que l\u2019\u0153uvre ne se r\u00e9duit pas \u00e0 son classement. Elle demeure une exp\u00e9rience.<\/p>\n

\"\"<\/a>Une autre voix dans le d\u00e9bat<\/h3>\n

La pertinence du Paradis de C\u00e9zanne<\/em> tient donc moins \u00e0 une pr\u00e9tendue expertise de Sollers qu\u2019\u00e0 son point de vue. Il \u00e9crit depuis la litt\u00e9rature, avec ses outils et ses libert\u00e9s. Son C\u00e9zanne n\u2019est pas celui d\u2019un catalogue raisonn\u00e9. C\u2019est celui d\u2019un \u00e9crivain qui cherche ce que la peinture change dans notre rapport au r\u00e9el. La nouvelle \u00e9dition publi\u00e9e par Gallimard intervient ainsi \u00e0 un moment opportun. L\u2019exposition du Grand Palais remet C\u00e9zanne au centre du regard public.<\/p>\n

> www.gallimard.fr<\/a><\/p>\n

> Aix-en-Provence : C\u00e9zanne et Zola<\/a>, l\u2019amiti\u00e9 qui a r\u00e9volutionn\u00e9 l’art<\/p>\n","protected":false},"excerpt":{"rendered":"

Pourquoi un \u00e9crivain comme Philippe Sollers est-il encore pertinent pour parler de C\u00e9zanne en 2026 ? La question se pose avec la parution, chez Gallimard, d\u2019une nouvelle \u00e9dition du Paradis de C\u00e9zanne. Raffin\u00e9, illustr\u00e9 de 60 reproductions couleur, le livre accompagne l\u2019exposition \u00ab C\u00e9zanne et nous \u00bb, pr\u00e9sent\u00e9e au Grand Palais \u00e0 Paris du 23 […]<\/p>\n","protected":false},"author":1,"featured_media":10345,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[1163],"tags":[1403],"class_list":["post-10344","post","type-post","status-publish","format-standard","has-post-thumbnail","category-exposition","tag-cezanne"],"yoast_head":"\nSollers : "Tous les arbres sont des C\u00e9zanne" - GREAT-ARTMAG<\/title>\n<meta name=\"description\" content=\""Le Paradis de C\u00e9zanne" par Philippe Sollers r\u00e9\u00e9dit\u00e9 par Gallimard \u00e0 l'occasion de l'expo "C\u00e9zanne et nous" au Grand Paris \u00e0 Paris.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/great-artmag.com\/en\/cezanne-sollers\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Sollers : "Tous les arbres sont des C\u00e9zanne" - 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