{"id":10563,"date":"2026-10-09T09:37:07","date_gmt":"2026-10-09T07:37:07","guid":{"rendered":"https:\/\/great-artmag.com\/?p=10563"},"modified":"2026-10-09T09:40:10","modified_gmt":"2026-10-09T07:40:10","slug":"eclats-du-rire-tripostal-lille","status":"publish","type":"post","link":"https:\/\/great-artmag.com\/en\/eclats-du-rire-tripostal-lille\/","title":{"rendered":"\u00ab \u00c9clats du rire ! \u00bb Au Tripostal de Lille, l\u2019art fait de l\u2019ironie une philosophie de r\u00e9sistance"},"content":{"rendered":"

Rire du monde, est-ce le prendre \u00e0 la l\u00e9g\u00e8re ou le regarder avec une lucidit\u00e9 si aigu\u00eb qu\u2019il devient impossible de le prendre tout \u00e0 fait au s\u00e9rieux ? Au Tripostal de Lille, l\u2019exposition \u00ab \u00c9clats du rire ! \u00bb, port\u00e9e par lille3000, explore cette ligne de cr\u00eate o\u00f9 l\u2019humour devient un outil de pens\u00e9e et de r\u00e9sistance. Jusqu\u2019au 3 janvier 2027, pr\u00e8s de 150 \u0153uvres d\u00e9clinent toutes les nuances du rire : ironie mordante, absurdit\u00e9 jubilatoire, d\u00e9tournement des codes et po\u00e9sie de l\u2019incongru.<\/strong><\/p>\n

40 ans de collections des Frac : une m\u00e9moire de l\u2019insolence<\/h3>\n

Trois plateaux de 2 000 m\u00b2 chacun, pr\u00e8s de 150 \u0153uvres et 4 d\u00e9cennies de cr\u00e9ation : au Tripostal, l\u2019exposition puise dans les collections des Fonds r\u00e9gionaux d\u2019art contemporain (Frac), riches de plus de 35 000 pi\u00e8ces. D\u2019une g\u00e9n\u00e9ration d\u2019artistes \u00e0 l\u2019autre, un m\u00eame fil rouge se dessine : l\u2019humour est aussi une mani\u00e8re de comprendre le monde.<\/p>\n

\u00ab\u00a0Les collections publiques racontent notre \u00e9poque \u00e0 travers ses obsessions, ses angoisses et ses r\u00eaves inavou\u00e9s<\/em>\u00bb, d\u00e9clare Caroline David, commissaire de l\u2019exposition, ancienne directrice du FRAC Nord-Pas de Calais, de sa cr\u00e9ation en 1982 jusqu’en 1996.<\/p>\n

Parmi les 150 \u0153uvres, la photographie Sans titre n\u00b020<\/em> (1996) de Val\u00e9rie Jouve donne le ton. Depuis les ann\u00e9es 90, l’artiste construit une \u0153uvre o\u00f9 le corps humain vient perturber l\u2019ordre strict de l\u2019architecture urbaine. Comment occupons-nous l\u2019espace ? Derri\u00e8re la banalit\u00e9 apparente des sc\u00e8nes de rue se dessine une question politique : quelle soci\u00e9t\u00e9 construisons-nous \u00e0 travers nos usages du quotidien ?<\/p>\n

\"Thierry
Thierry Fontaine, “La fabrique de r\u00eave” (2008)<\/figcaption><\/figure>\n

Autre photographie \u00e0 la port\u00e9e tout aussi r\u00e9jouissante : celle de <\/span>La fabrique de r\u00eave<\/em> (2008) de Thierry Fontaine qui nous entra\u00eene \u00e0 la fronti\u00e8re de l\u2019art, de l\u2019artisanat et de l\u2019imaginaire. Le titre ouvre une br\u00e8che : peut-on fabriquer le r\u00eave, donner une forme tangible \u00e0 ce qui \u00e9chappe par essence \u00e0 toute ma\u00eetrise ? C\u2019est dans cet \u00e9cart entre le visible et l\u2019insaisissable que la po\u00e9sie prend forme. L\u2019\u0153uvre trouble nos rep\u00e8res et nous invite \u00e0 suspendre, un instant, nos certitudes.<\/span><\/p>\n

Chez Alain S\u00e9chas, le rire prend les traits de figures f\u00e9lines aussi famili\u00e8res que d\u00e9routantes. Ses chats semblent observer notre agitation avec le d\u00e9tachement amus\u00e9 de ceux qui n\u2019ont plus rien \u00e0 prouver. C\u2019est l\u00e0 toute la force de l\u2019humour : nous faire reconna\u00eetre nos propres travers sans nous enfermer dans la culpabilit\u00e9. Un pas de c\u00f4t\u00e9, un d\u00e9calage, et le monde familier se met \u00e0 vaciller.<\/p>\n

\"Alain
Alain S\u00e9chas, “Le chat bowling”, 1998<\/figcaption><\/figure>\n

De l\u2019humour \u00e0 la d\u00e9rision : l\u2019art, laboratoire de nos \u00e9motions<\/h3>\n

\u00c0 l\u2019heure o\u00f9 l\u2019intelligence artificielle pr\u00e9tend imiter toujours davantage les capacit\u00e9s humaines, une question s\u2019invite dans le d\u00e9bat : peut-on v\u00e9ritablement programmer l\u2019humour, son sens du d\u00e9calage, son intuition de l\u2019absurde et cette complicit\u00e9 qui fait na\u00eetre un rire partag\u00e9 ?<\/p>\n

D\u2019autres expositions explorent, chacune \u00e0 leur mani\u00e8re, ces territoires du sensible. Au Louvre-Lens, Trop mignon !<\/em><\/a> s\u2019int\u00e9resse aux m\u00e9canismes de l\u2019attendrissement et \u00e0 notre besoin de r\u00e9confort. \u00c0 Paris, dans le 17e arrondissement, une exposition consacr\u00e9e au sourire dans l\u2019art contemporain met \u00e9galement \u00e0 l\u2019honneur la collection du Mus\u00e9e du sourire<\/a> et ses trente ans d\u2019existence. Ces initiatives t\u00e9moignent d\u2019un m\u00eame int\u00e9r\u00eat pour ce qui nous touche, nous rapproche et d\u00e9joue parfois la raison.<\/p>\n

> https:\/\/lille3000.com\/evenement\/exposition-eclats-du-rire\/<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Rire du monde, est-ce le prendre \u00e0 la l\u00e9g\u00e8re ou le regarder avec une lucidit\u00e9 si aigu\u00eb qu\u2019il devient impossible de le prendre tout \u00e0 fait au s\u00e9rieux ? Au Tripostal de Lille, l\u2019exposition \u00ab \u00c9clats du rire ! \u00bb, port\u00e9e par lille3000, explore cette ligne de cr\u00eate o\u00f9 l\u2019humour devient un outil de pens\u00e9e […]<\/p>\n","protected":false},"author":1,"featured_media":10564,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[1163],"tags":[1450,1314],"class_list":["post-10563","post","type-post","status-publish","format-standard","has-post-thumbnail","category-exposition","tag-musee-du-sourire","tag-sourire"],"yoast_head":"\n\u00ab \u00c9clats du rire ! \u00bb Au Tripostal de Lille, l\u2019art fait de l\u2019ironie une philosophie de r\u00e9sistance - GREAT-ARTMAG<\/title>\n<meta name=\"description\" content=\"Au Tripostal de Lille, l\u2019exposition \u00ab \u00c9clats du rire ! \u00bb explore l\u2019humour comme outil de pens\u00e9e et de r\u00e9sistance. 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