{"id":10651,"date":"2026-10-17T14:36:53","date_gmt":"2026-10-17T12:36:53","guid":{"rendered":"https:\/\/great-artmag.com\/?p=10651"},"modified":"2026-10-17T17:50:27","modified_gmt":"2026-10-17T15:50:27","slug":"musee-matisse-cateau-cambresis-expo-fernand-leger","status":"publish","type":"post","link":"https:\/\/great-artmag.com\/en\/musee-matisse-cateau-cambresis-expo-fernand-leger\/","title":{"rendered":"Mus\u00e9e Matisse au Cateau-Cambr\u00e9sis: une histoire de transmission et de couleurs"},"content":{"rendered":"

Fond\u00e9 en 1952 \u00e0 l\u2019initiative du peintre, le Mus\u00e9e d\u00e9partemental Henri-Matisse du Cateau-Cambr\u00e9sis dans le Nord est n\u00e9 d\u2019un geste de fid\u00e9lit\u00e9 \u00e0 sa ville natale. Enrichi par de la donation de l’\u00e9diteur T\u00e9riade, il est devenu un lieu privil\u00e9gi\u00e9 pour d\u00e9couvrir les artistes qui ont renouvel\u00e9 l\u2019art moderne. Aujourd\u2019hui, le dialogue entre Matisse et Fernand L\u00e9ger prolonge cette histoire. L’exposition “Fernand L\u00e9ger : Corps en f\u00eate, monde en couleurs” se tient jusqu’au 31 janvier 2027.<\/strong><\/p>\n

\"Henri
Henri Matisse, Autoportrait (1918) : “je suis rentr\u00e9 \u00e0 l’h\u00f4tel et j’ai fait mon portrait dans mon armoire \u00e0 glace” – photo AG<\/figcaption><\/figure>\n

Henri Matisse, un mus\u00e9e imagin\u00e9 \u00e0 distance<\/h3>\n

N\u00e9 au Cateau-Cambr\u00e9sis en 1869, Henri Matisse n\u2019a jamais oubli\u00e9 ses racines nordistes. En 1952, \u00e2g\u00e9 de 83 ans, malgr\u00e9 une sant\u00e9 fragile et install\u00e9 \u00e0 Nice, il d\u00e9cide d\u2019offrir 82 \u0153uvres \u00e0 sa ville natale et participe personnellement \u00e0 la cr\u00e9ation du mus\u00e9e dans le palais F\u00e9nelon. Par correspondance, le peintre choisit les \u0153uvres et pr\u00e9cise leur accrochage. Lydia Delectorskaya, son assistante et collaboratrice, assure le relais entre l\u2019artiste et les responsables du projet. Cette implication t\u00e9moigne de son d\u00e9sir de transmettre son travail au territoire qui l\u2019a vu grandir. Dessins de jeunesse, premiers croquis aux Beaux-Arts de Paris et \u0153uvres embl\u00e9matiques retracent ainsi la naissance d\u2019un langage artistique qui transformera profond\u00e9ment l\u2019art du XXe si\u00e8cle.<\/p>\n

T\u00e9riade, le passeur de l\u2019art moderne<\/h3>\n

L\u2019histoire du mus\u00e9e Matisse \u00e0 Cateau-Cambr\u00e9sis prend une nouvelle dimension avec T\u00e9riade, de son vrai nom Stratis Eleftheriadis. Critique et \u00e9diteur d\u2019art d\u2019origine grecque, il d\u00e9fend les artistes novateurs \u00e0 travers la revue Verve<\/em>, et ses livres illustr\u00e9s, pentre 1937 et 1960. <\/span>Pour lui, le livre constitue un v\u00e9ritable espace de cr\u00e9ation, o\u00f9 texte et image se r\u00e9pondent. Henri Matisse y exp\u00e9rimente de nouvelles formes d\u2019expression, tandis que Fernand L\u00e9ger d\u00e9veloppe un univers graphique marqu\u00e9 par les contrastes, les volumes et le mouvement. En 2000, la donation d\u2019Alice T\u00e9riade enrichit les collections du mus\u00e9e et permet de r\u00e9unir des \u0153uvres de Chagall, Picasso, L\u00e9ger, Giacometti, ou encore Mir\u00f3.<\/p>\n

\"La
“La Ville” par Fernand L\u00e9ger (\u00c9ditions T\u00e9riade, 1959). Livre d’artiste comprenant 29 lithographies originales en couleurs grav\u00e9es par Mourlot – photo AG<\/figcaption><\/figure>\n

Matisse et L\u00e9ger : deux visions de la couleur<\/h3>\n

Henri Matisse privil\u00e9gie la souplesse de la ligne, les arabesques et l\u2019harmonie des couleurs. Il s’essaye sommairement au pointillisme. Plus tardivement, avec ses gouaches d\u00e9coup\u00e9es, il simplifie les formes jusqu\u2019\u00e0 faire de la couleur une mati\u00e8re expressive \u00e0 part enti\u00e8re.<\/p>\n

Fernand L\u00e9ger, quant \u00e0 lui, adopte une approche diff\u00e9rente. Ses contrastes francs et ses figures en mouvement traduisent l\u2019\u00e9nergie du monde moderne, marqu\u00e9 par l\u2019industrie, les machines et la vie urbaine. Pourtant, les deux artistes partagent une m\u00eame volont\u00e9 de renouveler le langage visuel et de rendre leurs \u0153uvres accessibles \u00e0 un public \u00e9largi.<\/p>\n

Leurs livres illustr\u00e9s chez T\u00e9riade incarnent cette recherche. Dans Jazz<\/em>, paru en 1947, Matisse associe gouaches d\u00e9coup\u00e9es et textes manuscrits pour cr\u00e9er un univers rythm\u00e9 et libre. Avec Cirque<\/em>, publi\u00e9 en 1950, L\u00e9ger c\u00e9l\u00e8bre les corps en mouvement, le spectacle et la puissance graphique des couleurs. Si les deux artistes partagent le go\u00fbt des formes simplifi\u00e9es et des couleurs franches, ils d\u00e9veloppent chacun une vision singuli\u00e8re de la modernit\u00e9. C\u2019est cette richesse que met en lumi\u00e8re l\u2019exposition Fernand L\u00e9ger : Corps en f\u00eate, monde en couleurs<\/em>.<\/p>\n

> R\u00e9servations https:\/\/museematisse.fr\/fernand-leger-corps-en-fete-monde-en-couleurs<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Fond\u00e9 en 1952 \u00e0 l\u2019initiative du peintre, le Mus\u00e9e d\u00e9partemental Henri-Matisse du Cateau-Cambr\u00e9sis dans le Nord est n\u00e9 d\u2019un geste de fid\u00e9lit\u00e9 \u00e0 sa ville natale. Enrichi par de la donation de l’\u00e9diteur T\u00e9riade, il est devenu un lieu privil\u00e9gi\u00e9 pour d\u00e9couvrir les artistes qui ont renouvel\u00e9 l\u2019art moderne. Aujourd\u2019hui, le dialogue entre Matisse et […]<\/p>\n","protected":false},"author":1,"featured_media":10652,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[1468],"tags":[1376],"class_list":["post-10651","post","type-post","status-publish","format-standard","has-post-thumbnail","category-musees","tag-matisse"],"yoast_head":"\nMus\u00e9e Matisse au Cateau-Cambr\u00e9sis: une histoire de transmission et de couleurs - GREAT-ARTMAG<\/title>\n<meta name=\"description\" content=\"Au Mus\u00e9e Matisse au Cateau-Cambr\u00e9sis, l'exposition "Fernand L\u00e9ger : Corps en f\u00eate, monde en couleurs" se tient jusqu'au 31 janvier 2027.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/great-artmag.com\/en\/musee-matisse-cateau-cambresis-expo-fernand-leger\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Mus\u00e9e Matisse au Cateau-Cambr\u00e9sis: une histoire de transmission et de couleurs - 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