{"id":10719,"date":"2026-10-23T09:41:11","date_gmt":"2026-10-23T07:41:11","guid":{"rendered":"https:\/\/great-artmag.com\/?p=10719"},"modified":"2026-10-23T09:56:01","modified_gmt":"2026-10-23T07:56:01","slug":"coulisses-collection-neuflize-obc","status":"publish","type":"post","link":"https:\/\/great-artmag.com\/en\/coulisses-collection-neuflize-obc\/","title":{"rendered":"Dans les coulisses de la Collection Neuflize OBC pour les arts visuels"},"content":{"rendered":"
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\u00c0 l\u2019invitation de la Maison des Artistes, les portes du 121 boulevard Haussmann se sont ouvertes pour quelques privil\u00e9gi\u00e9s dans le cadre de la Semaine de l’art 2026. Au c\u0153ur des salons feutr\u00e9s de la banque Neuflize OBC, loin du tumulte parisien, les photographies c\u00f4toient le quotidien des collaborateurs avec une discr\u00e9tion presque complice. La visite, guid\u00e9e par la voix passionn\u00e9e de Caroline Stein, directrice du m\u00e9c\u00e9nat, prend vite les allures d\u2019un itin\u00e9raire intime.<\/strong><\/p>\n<\/div>\n

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N\u00e9e en 1997 et riche de plus d\u2019un millier d\u2019\u0153uvres, cette Collection de la fondation d’entreprise Neuflize OBC pour les arts visuels explore sans rel\u00e2che la figure humaine, l\u2019identit\u00e9 et les empreintes du temps. Caroline Stein, qui en veille sur la m\u00e9moire et les acquisitions depuis pr\u00e8s de trente ans, d\u00e9voile les gestes de fabrication, tout en rappelant la dimension collective du projet : \u00ab Les collaborateurs de la banque participent activement au processus de pr\u00e9s\u00e9lection des \u0153uvres pour les int\u00e9grer \u00e0 la dynamique de la collection \u00bb, pr\u00e9cise t-elle. C\u2019est au cinqui\u00e8me \u00e9tage, refuge des acquisitions r\u00e9centes, que le parcours prend toute sa dimension plastique.<\/p>\n<\/div>\n

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Sur les photos de Sophie Z\u00e9non les interventions au fil d\u2019or ou d\u2019argent re\u0301alise\u0301es par la Mai\u0302tre d\u2019Art Sylvie Deschamps, brodeuse au fil d\u2019or, participent a\u0300 une forme de de\u0301banalisation de la plante.<\/figcaption><\/figure>\n

Dans les \u0153uvres de Sophie Z\u00e9non, la botanique se m\u00eale \u00e0 la cartographie pour raviver la m\u00e9moire coloniale. Ses s\u00e9ries Cara\u00efbes 1<\/i> et Cara\u00efbes 2<\/i>, acquises aupr\u00e8s de la galerie Photo 12, superposent d’\u00e9tranges cyanotypes sur verre \u00e0 la g\u00e9om\u00e9trie rigide de cartes marines d’autrefois. Les herbiers imaginaires croisent les anciennes routes de mer, et le grand voyage des plantes fait \u00e9cho aux migrations forc\u00e9es des hommes. Le paysage s\u2019\u00e9veille alors comme une archive vivante, sillonn\u00e9e par les fant\u00f4mes de l’Histoire.<\/p>\n<\/div>\n

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Dans une autre salle, le Japonais Hideyuki Ishibashi ravive l’histoire d’une manufacture japonaise r\u00e9quisitionn\u00e9e durant la Seconde Guerre mondiale pour produire des grenades en c\u00e9ramique. \u00ab Pour composer ses tirages \u00e0 la gomme arabique, l’artiste m\u00e9lange \u00e0 ses pigments la poudre m\u00eame qui servait \u00e0 fa\u00e7onner ces armes \u00bb, explique Caroline Stein. Cette mati\u00e8re min\u00e9rale alt\u00e8re la densit\u00e9 des noirs et infuse le souvenir de l’industrie militaire directement dans la chimie du tirage.<\/p>\n<\/div>\n

Plus loin, G\u00e1bor \u0150sz, quant \u00e0 lui, \u00e9tire la photographie jusqu’aux limites du silence. Avec Permanent Daylight<\/i> (2004), l’artiste transforme une caravane aveugle en un vaste st\u00e9nop\u00e9 ambulant. Du papier Cibachrome tapisse l’obscurit\u00e9 du lieu, pr\u00eat \u00e0 boire le paysage ext\u00e9rieur par un simple trou d’aiguille. Durant trois nuits cons\u00e9cutives, de 17 h 30 \u00e0 8 h du matin, la lumi\u00e8re infuse lentement la surface sensible. L’image ne fige plus un instant vol\u00e9 : elle se th\u00e9saurise avec lenteur.<\/div>\n
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Patrick Tosani, “cdd XXII” (1996) Collection Neuflize OBC \u00a9 Patrick Tosani<\/figcaption><\/figure>\n

En r\u00e9unissant ces d\u00e9marches vari\u00e9es, la Collection de la fondation d\u2019entreprise Neuflize OBC pour les arts visuels transforme ainsi l’acte photographique en un territoire de s\u00e9dimentation. Les empreintes v\u00e9g\u00e9tales de Sophie Z\u00e9non r\u00e9v\u00e8lent les stratifications du monde ; la poudre d\u2019Hideyuki Ishibashi porte la gravit\u00e9 de la guerre ; ou encore la p\u00e9nombre capt\u00e9e par G\u00e1bor \u0150sz retient la travers\u00e9e des heures. Chaque \u0153uvre garde ainsi en elle le souffle de sa propre naissance. Ces tr\u00e9sors ne restent pas fig\u00e9s entre les murs de la banque priv\u00e9e. A l\u2019occasion du bicentenaire de la photographie, l\u2019exposition La photographie en toutes lettres<\/i><\/a> \u00e0 la Maison Europ\u00e9enne de la Photographie, de juin \u00e0 septembre 2026, a notamment \u00e9t\u00e9 con\u00e7ue en \u00e9troite collaboration avec la Collection.<\/p>\n<\/div>\n

En arpentant les bureaux du 121 boulevard Haussmann, on voit combien ces photographies accompagnent le quotidien sans jamais s\u2019imposer. Elles patientent dans la p\u00e9nombre d’un couloir, surprennent le regard au d\u00e9tour d’un palier d’escalier, et offrent \u00e0 qui sait s’arr\u00eater une \u00e9chapp\u00e9e po\u00e9tique. \u00c0 l\u2019initiative de la Maison des Artistes<\/a>, cette travers\u00e9e priv\u00e9e aura offert le pr\u00e9cieux t\u00e9moignage d\u2019une Collection patiemment tiss\u00e9e au fil des d\u00e9cennies.<\/div>\n<\/div>\n
<\/div>\n
> D\u00e9couvrez tous les artistes de la Collection Neuflize OBC<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"

\u00c0 l\u2019invitation de la Maison des Artistes, les portes du 121 boulevard Haussmann se sont ouvertes pour quelques privil\u00e9gi\u00e9s dans le cadre de la Semaine de l’art 2026. Au c\u0153ur des salons feutr\u00e9s de la banque Neuflize OBC, loin du tumulte parisien, les photographies c\u00f4toient le quotidien des collaborateurs avec une discr\u00e9tion presque complice. La […]<\/p>\n","protected":false},"author":1,"featured_media":10721,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[1197],"tags":[1176,1169],"class_list":["post-10719","post","type-post","status-publish","format-standard","has-post-thumbnail","category-portrait-artiste","tag-collection","tag-photographie"],"yoast_head":"\nDans les coulisses de la Collection Neuflize OBC pour les arts visuels - GREAT-ARTMAG<\/title>\n<meta name=\"description\" content=\"Les portes du 121 boulevard Haussmann de la banque Neuflize OBC se sont ouvertes pour quelques privil\u00e9gi\u00e9s amateurs de photos contemporaines.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/great-artmag.com\/en\/coulisses-collection-neuflize-obc\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Dans les coulisses de la Collection Neuflize OBC pour les arts visuels - 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