{"id":10741,"date":"2026-10-23T18:10:40","date_gmt":"2026-10-23T16:10:40","guid":{"rendered":"https:\/\/great-artmag.com\/?p=10741"},"modified":"2026-10-23T18:25:15","modified_gmt":"2026-10-23T16:25:15","slug":"espace-entre-nous-bal-paris","status":"publish","type":"post","link":"https:\/\/great-artmag.com\/en\/espace-entre-nous-bal-paris\/","title":{"rendered":"&#8220;L&#8217;Espace entre nous&#8221; au BAL : plong\u00e9e dans la mythique collection photographique de Michael Wilson"},"content":{"rendered":"<p id=\"p-rc_bd1546295fd8a8f1-30\" data-path-to-node=\"3\"><strong>\u00c0 Paris, LE BAL pr\u00e9sente l\u2019exposition \u00ab L&#8217;Espace entre nous \u00bb, une immersion dans la prestigieuse collection du <i data-path-to-node=\"3,0\" data-index-in-node=\"112\">Wilson Centre for Photography<\/i>. Fond\u00e9 \u00e0 Londres en 1998 par Jane et Michael Wilson, ce fonds rassemble des pi\u00e8ces rares couvrant des d\u00e9cennies d\u2019histoire photographique, des ann\u00e9es 1920 jusqu&#8217;\u00e0 aujourd&#8217;hui. DU 20 juin au 3 janvier 2027.<\/strong><\/p>\n<h3 data-path-to-node=\"3\">Une sc\u00e9nographie d&#8217;une grande \u00e9l\u00e9gance<\/h3>\n<p data-path-to-node=\"3\"><span data-path-to-node=\"5,0\">D\u00e8s l\u2019entr\u00e9e du BAL, le centre d\u00e9di\u00e9 \u00e0 la photographie situ\u00e9 non loin de la Place de Clichy, le coup de c\u0153ur est imm\u00e9diat : la sc\u00e9nographie sign\u00e9e Cyril Delhomme<\/span><span data-path-to-node=\"5,2\"> dialogue magnifiquement avec le commissariat assur\u00e9 par Diane Dufour et Julie H\u00e9raut<\/span><span data-path-to-node=\"5,4\">. Avec une grande sobri\u00e9t\u00e9, l&#8217;am\u00e9nagement met en valeur chaque \u00e9preuve sans jamais \u00e9touffer le regard, offrant une circulation fluide o\u00f9 l&#8217;\u00ab espace \u00bb trouve tout son sens. <\/span>Pr\u00e9sent\u00e9e sur un mode non th\u00e9matique afin de privil\u00e9gier les rencontres fortuites, les rebonds et les affinit\u00e9s, la s\u00e9lection de 120 tirages m\u00eale sans hi\u00e9rarchie grands ma\u00eetres historiques et figures contemporaines. Ainsi, le regard inquiet du po\u00e8te russe Vladimir Ma\u00efakovski, photographi\u00e9 par Al<span class=\"citation-5 citation-end-5\">exander Rodchenko, se confronte aux mains de g\u00e9ant saisies par August Sander ; <\/span><span class=\"citation-4 citation-end-4\">Un portrait de femme r\u00e9alis\u00e9 par Andr\u00e9 Kert\u00e9sz fait face \u00e0 un sculptural nu d\u2019Imogen Cunningham ; <\/span><span class=\"citation-3 citation-end-3\">La fragile proth\u00e8se bott\u00e9e de Frida Kahlo, ab<\/span>andonn\u00e9e au fond d\u2019une improbable baignoire, vient contraster avec un puissant dos masculin tatou\u00e9, tous deux saisis par Graciela Iturbide.<\/p>\n<figure id=\"attachment_10743\" aria-describedby=\"caption-attachment-10743\" style=\"width: 2560px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" class=\"size-full wp-image-10743\" src=\"https:\/\/great-artmag.com\/wp-content\/uploads\/2026\/10\/Espace-entre-nous-_-LE-BAL-scaled.jpeg\" alt=\"\" width=\"2560\" height=\"1514\" srcset=\"https:\/\/great-artmag.com\/wp-content\/uploads\/2026\/10\/Espace-entre-nous-_-LE-BAL-scaled.jpeg 2560w, https:\/\/great-artmag.com\/wp-content\/uploads\/2026\/10\/Espace-entre-nous-_-LE-BAL-300x177.jpeg 300w, https:\/\/great-artmag.com\/wp-content\/uploads\/2026\/10\/Espace-entre-nous-_-LE-BAL-1024x606.jpeg 1024w, https:\/\/great-artmag.com\/wp-content\/uploads\/2026\/10\/Espace-entre-nous-_-LE-BAL-768x454.jpeg 768w, https:\/\/great-artmag.com\/wp-content\/uploads\/2026\/10\/Espace-entre-nous-_-LE-BAL-1536x909.jpeg 1536w, https:\/\/great-artmag.com\/wp-content\/uploads\/2026\/10\/Espace-entre-nous-_-LE-BAL-2048x1211.jpeg 2048w, https:\/\/great-artmag.com\/wp-content\/uploads\/2026\/10\/Espace-entre-nous-_-LE-BAL-710x420.jpeg 710w, https:\/\/great-artmag.com\/wp-content\/uploads\/2026\/10\/Espace-entre-nous-_-LE-BAL-696x412.jpeg 696w, https:\/\/great-artmag.com\/wp-content\/uploads\/2026\/10\/Espace-entre-nous-_-LE-BAL-1068x632.jpeg 1068w\" sizes=\"(max-width: 2560px) 100vw, 2560px\" \/><figcaption id=\"caption-attachment-10743\" class=\"wp-caption-text\">&#8220;L&#8217;Espace entre nous&#8221; au BAL &#8211; Manuel Alvarez Bravo (1902-2002) &#8211; photo AG<\/figcaption><\/figure>\n<h3 data-path-to-node=\"6\">Michael G. Wilson : du cin\u00e9ma James Bond \u00e0 la passion de la photographie<\/h3>\n<p data-path-to-node=\"13\">Qui est Michael G. Wilson ? Producteur, sc\u00e9nariste et collectionneur am\u00e9ricain, Michael G. Wilson est principalement connu pour son r\u00f4le majeur dans la franchise cin\u00e9matographique James Bond, qu\u2019il a d\u00e9velopp\u00e9e aux c\u00f4t\u00e9s de sa demi-s\u0153ur Barbara Broccoli. Juriste et ing\u00e9nieur de formation, il se passionne pour la photographie \u00e0 la fin des ann\u00e9es 1970 et constitue au fil des d\u00e9cennies une collection priv\u00e9e de r\u00e9f\u00e9rence mondiale. En 1998, il fonde avec son \u00e9pouse Jane le <em>Wilson Centre for Photography<\/em> \u00e0 Londres, une institution consacr\u00e9e \u00e0 la recherche, \u00e0 la conservation et \u00e0 la diffusion de l\u2019histoire de la photographie. Le centre soutient les travaux des chercheurs et pr\u00eate r\u00e9guli\u00e8rement des \u0153uvres \u00e0 de grands mus\u00e9es internationaux.<\/p>\n<h3 data-path-to-node=\"15\">Les th\u00e9\u00e2tres du quotidien de Sh\u014dji Ueda<\/h3>\n<p id=\"p-rc_bd1546295fd8a8f1-34\" data-path-to-node=\"16\"><span data-path-to-node=\"16,0\">Parmi les moments forts du parcours figure la d\u00e9couverte des images du Japonais Sh\u014dji Ueda (2013-2000)<\/span><span data-path-to-node=\"16,2\">. Photographe de province discret travaillant principalement \u00e0 Tottori<\/span><span data-path-to-node=\"16,4\">, \u00e0 600km \u00e0 l&#8217;ouest de Tokyo. Ueda a su transformer les dunes de sable bordant la mer en v\u00e9ritables sc\u00e8nes th\u00e9\u00e2trales surr\u00e9alistes (cf. la photo d&#8217;ouverture)<\/span><span data-path-to-node=\"16,6\">. L&#8217;artiste y a <\/span><span data-path-to-node=\"17,0,0\">mis en sc\u00e8ne sa propre famille, ses voisins et des figurants improvis\u00e9s<\/span><span data-path-to-node=\"17,0,2\">. Les corps s&#8217;alignent sous le soleil \u00e9crasant du z\u00e9nith<\/span><span data-path-to-node=\"17,0,4\">, c\u00f4toyant chapeaux noirs, parapluies, bicyclettes et objets insolites<\/span><span data-path-to-node=\"17,0,6\">. Ces sayn\u00e8tes<\/span><span data-path-to-node=\"17,0,8\"> \u00e9voquent l&#8217;univers po\u00e9tique d&#8217;un Ren\u00e9 Magritte ou d&#8217;un Jacques Tati.<\/span><\/p>\n<figure id=\"attachment_10744\" aria-describedby=\"caption-attachment-10744\" style=\"width: 245px\" class=\"wp-caption alignleft\"><img decoding=\"async\" class=\" wp-image-10744\" src=\"https:\/\/great-artmag.com\/wp-content\/uploads\/2026\/10\/Tomoko-Sawada_Horloge.jpg\" alt=\"\" width=\"245\" height=\"159\" srcset=\"https:\/\/great-artmag.com\/wp-content\/uploads\/2026\/10\/Tomoko-Sawada_Horloge.jpg 1179w, https:\/\/great-artmag.com\/wp-content\/uploads\/2026\/10\/Tomoko-Sawada_Horloge-300x195.jpg 300w, https:\/\/great-artmag.com\/wp-content\/uploads\/2026\/10\/Tomoko-Sawada_Horloge-1024x664.jpg 1024w, https:\/\/great-artmag.com\/wp-content\/uploads\/2026\/10\/Tomoko-Sawada_Horloge-768x498.jpg 768w, https:\/\/great-artmag.com\/wp-content\/uploads\/2026\/10\/Tomoko-Sawada_Horloge-647x420.jpg 647w, https:\/\/great-artmag.com\/wp-content\/uploads\/2026\/10\/Tomoko-Sawada_Horloge-696x452.jpg 696w, https:\/\/great-artmag.com\/wp-content\/uploads\/2026\/10\/Tomoko-Sawada_Horloge-1068x693.jpg 1068w\" sizes=\"(max-width: 245px) 100vw, 245px\" \/><figcaption id=\"caption-attachment-10744\" class=\"wp-caption-text\">Tomoko Sawada, Autoportrait &#8220;Juste une horloge, juste un chiffre, une horloge vue de l&#8217;int\u00e9rieur ? Une horloge vue de l&#8217;ext\u00e9rieur ? Je suis moi.&#8221; \u00a9 Tomoko Sawada<\/figcaption><\/figure>\n<h3 data-path-to-node=\"19\">M\u00e9tamorphoses et identit\u00e9s chez Tomoko Sawada<\/h3>\n<p id=\"p-rc_bd1546295fd8a8f1-36\" data-path-to-node=\"20\"><span data-path-to-node=\"20,0\">Un autre temps fort repose sur les travaux de la Japonaise Tomoko Sawada (n\u00e9e en 1977)<\/span><span data-path-to-node=\"20,2\">. Dans ses premi\u00e8res s\u00e9ries (comme <i data-path-to-node=\"20,2\" data-index-in-node=\"35\">Early Days<\/i>), Sawada explore la plasticit\u00e9 du visage et le poids des r\u00f4les sociaux dans la soci\u00e9t\u00e9 japonaise<\/span><span data-path-to-node=\"20,4\">. <\/span><span data-path-to-node=\"21,0,0,0\">Avant de devenir une \u00ab artiste cam\u00e9l\u00e9on \u00bb jouant avec les codes de la photo d&#8217;identit\u00e9, de classe ou de magazine<\/span><span data-path-to-node=\"21,0,0,2\">, elle travaille d\u00e8s ses dix-neuf ans la mati\u00e8re m\u00eame du visage<\/span><span data-path-to-node=\"21,0,0,4\">. Sawada<\/span><span data-path-to-node=\"21,1,0,0\">\u00a0recouvre son visage du blanc \u00e0 base de poudre de riz (<i data-path-to-node=\"21,1,0,0\" data-index-in-node=\"90\">o-shiroi<\/i>) propre au th\u00e9\u00e2tre kabuki et aux geishas<\/span><span data-path-to-node=\"21,1,0,2\">. Ce maquillage, v\u00e9ritable toile blanche, efface toute singularit\u00e9 individuelle pour laisser place au jeu des expressions ou au contraire au n\u00e9ant<\/span><span data-path-to-node=\"21,1,0,4\">. <\/span><span data-path-to-node=\"21,2,0,0\">L&#8217;autoportrait montre comment cette plasticit\u00e9 inattendue transforme son visage en cadran, une m\u00e9tamorphose subtile qui fige l&#8217;instant tout en marquant la distance avec le r\u00f4le impos\u00e9 par la soci\u00e9t\u00e9<\/span><span data-path-to-node=\"21,2,0,2\">.<\/span><\/p>\n<h5 data-path-to-node=\"23\">Informations pratiques<\/h5>\n<p data-path-to-node=\"24,0,0\"><b data-path-to-node=\"24,0,0\" data-index-in-node=\"0\">Exposition :<\/b> <i data-path-to-node=\"24,0,0\" data-index-in-node=\"13\">L&#8217;Espace entre nous \u2014 Dans la collection du Wilson Centre for Photography<br \/>\n<\/i><i data-path-to-node=\"24,0,0\" data-index-in-node=\"13\"><\/i><span data-path-to-node=\"24,1,0,0\"><b data-path-to-node=\"24,1,0,0\" data-index-in-node=\"0\">Textes de salle : <\/b>Bertrand Schefer<b data-path-to-node=\"24,1,0,0\" data-index-in-node=\"0\"><br \/>\nDates :<\/b> Jusqu&#8217;au 3 janvier 2027<br \/>\n<\/span><span data-path-to-node=\"24,2,0,0\"><b data-path-to-node=\"24,2,0,0\" data-index-in-node=\"0\">Lieu :<\/b> <a href=\"https:\/\/www.le-bal.fr\/2026\/05\/lespace-entre-nous\" target=\"_blank\" rel=\"noopener\">LE BAL, Paris<\/a><br \/>\n<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00c0 Paris, LE BAL pr\u00e9sente l\u2019exposition \u00ab L&#8217;Espace entre nous \u00bb, une immersion dans la prestigieuse collection du Wilson Centre for Photography. Fond\u00e9 \u00e0 Londres en 1998 par Jane et Michael Wilson, ce fonds rassemble des pi\u00e8ces rares couvrant des d\u00e9cennies d\u2019histoire photographique, des ann\u00e9es 1920 jusqu&#8217;\u00e0 aujourd&#8217;hui. DU 20 juin au 3 janvier 2027. [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":10742,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[1163],"tags":[1176,1295],"class_list":["post-10741","post","type-post","status-publish","format-standard","has-post-thumbnail","category-exposition","tag-collection","tag-photographies"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>&quot;L&#039;Espace entre nous&quot; au BAL : plong\u00e9e dans la mythique collection photographique de Michael Wilson - GREAT-ARTMAG<\/title>\n<meta name=\"description\" content=\"\u00c0 Paris, LE BAL pr\u00e9sente l\u2019expo \u00ab L&#039;Espace entre nous \u00bb, une immersion dans la prestigieuse collection du Wilson Centre for Photography.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/great-artmag.com\/en\/espace-entre-nous-bal-paris\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"&quot;L&#039;Espace entre nous&quot; au BAL : plong\u00e9e dans la mythique collection photographique de Michael Wilson - 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