{"id":10884,"date":"2026-11-05T08:56:12","date_gmt":"2026-11-05T07:56:12","guid":{"rendered":"https:\/\/great-artmag.com\/?p=10884"},"modified":"2026-11-05T10:32:36","modified_gmt":"2026-11-05T09:32:36","slug":"madeleine-de-sinety-la-photographe-qui-a-immortalise-un-village-breton-et-ses-habitants","status":"publish","type":"post","link":"https:\/\/great-artmag.com\/en\/madeleine-de-sinety-la-photographe-qui-a-immortalise-un-village-breton-et-ses-habitants\/","title":{"rendered":"Madeleine de Sin\u00e9ty, la photographe qui a immortalis\u00e9 un village breton et ses habitants"},"content":{"rendered":"

En 1972, Madeleine de Sin\u00e9ty pose ses valises \u00e0 Poilley, un petit village breton situ\u00e9 au nord de Rennes. Pendant dix ans, cette photographe saisit au quotidien les gestes et les traditions d’un monde rural en pleine mutation. Plus de 50 000 clich\u00e9s t\u00e9moignent de cette immersion au c\u0153ur d’une France aujourd’hui disparue. Avec le documentaire Le Village de Madeleine <\/em>(Les Films du poisson<\/a>), la cin\u00e9aste Julie Bertuccelli part sur les traces de cette artiste singuli\u00e8re et de son regard profond\u00e9ment humain. Un hommage formidable \u00e0 d\u00e9couvrir en replay sur France.tv<\/a> jusqu’au 14 d\u00e9cembre 2028.<\/strong><\/p>\n

\"Projection
Projection des photographies de Madeleine de Sin\u00e9ty – arr\u00eat sur image<\/figcaption><\/figure>\n

Madeleine de Sin\u00e9ty, une photographe au plus pr\u00e8s de ses sujets<\/h2>\n

N\u00e9e dans un ch\u00e2teau du Val de Loire, d\u00e9truit par un incendie lorsqu’elle avait 14 ans, Madeleine de Sin\u00e9ty (1934-2011) commence sa carri\u00e8re artistique \u00e0 Paris au milieu des ann\u00e9es 1960 comme dessinatrice de mode pour des magazines. Apr\u00e8s des \u00e9tudes \u00e0 l’\u00c9cole des arts d\u00e9coratifs, elle se tourne vers la photographie et apprend le m\u00e9tier en autodidacte. Elle r\u00e9alise ses premi\u00e8res images dans le quartier de la gare Montparnasse, puis photographie les rues de New York. Les Etats-Unis seront en effet sa seconde patrie. Son approche repose sur la proximit\u00e9 avec ses sujets. Elle noue des amiti\u00e9s, partage le quotidien des ouvriers et documente leur environnement avec une grande sensibilit\u00e9. Cette d\u00e9marche personnelle accompagne toute son \u0153uvre, construite \u00e0 l’\u00e9cart des commandes et des circuits traditionnels de publication.<\/p>\n

Dix ans de photographies au c\u0153ur d’un village breton<\/h2>\n

En 1972, Madeleine de Sin\u00e9ty s’installe \u00e0 Poilley, en Ille-et-Vilaine. Pendant une dizaine d’ann\u00e9es, elle photographie la vie des habitants : les travaux agricoles, les chevaux qui tirent les charrettes, les vaches que les agricultrices traient \u00e0 la main et les bals populaires o\u00f9 se retrouvent toutes les g\u00e9n\u00e9rations. Son objectif saisit les gestes et les relations humaines d’une communaut\u00e9 rurale confront\u00e9e \u00e0 la duret\u00e9 de la vie. Elle r\u00e9alise plus de 50 000 photographies au fil de cette immersion. Dans Le Village de Madeleine<\/em>, la cin\u00e9aste Julie Bertuccelli revient sur cette aventure humaine et artistique. En partant sur les traces de la photographe, elle rencontre les enfants et petits-enfants qui ont connue Madeleine. Elle cherche \u00e0 comprendre ce qui rend ces images si bouleversantes et pourquoi elles continuent de nous toucher. Le film restitue les couleurs d’une France aujourd’hui disparue.<\/p>\n

\"Lettres
Lettres de Madeleine de Sin\u00e9ty adress\u00e9es \u00e0 “M\u00e8re Fine” \u00e0 Poilley – arr\u00eat sur image<\/figcaption><\/figure>\n

Une premi\u00e8re grande r\u00e9trospective au Jeu de Paume<\/h2>\n

Longtemps rest\u00e9e confidentielle, l’\u0153uvre de Madeleine de Sin\u00e9ty a \u00e9t\u00e9 peu montr\u00e9e de son vivant. Seule une partie de ses photographies en noir et blanc avait \u00e9t\u00e9 pr\u00e9sent\u00e9e, notamment \u00e0 la Biblioth\u00e8que nationale de France en 1996 et au Portland Museum of Art, dans le Maine, en 2011. L’exposition \u00ab Madeleine de Sin\u00e9ty, une vie<\/a> \u00bb, organis\u00e9e au Jeu de Paume du 12 juin au 27 septembre 2026, a constitu\u00e9 la premi\u00e8re r\u00e9trospective consacr\u00e9e \u00e0 la photographe. Elle y d\u00e9voilait plusieurs s\u00e9ries in\u00e9dites et retra\u00e7ait un parcours \u00e9troitement li\u00e9 \u00e0 son existence, entre la France et les \u00c9tats-Unis. Apr\u00e8s Poilley, Madeleine de Sin\u00e9ty s’installe \u00e0 Rangeley, dans le Maine, o\u00f9 elle vit les 25 derni\u00e8res ann\u00e9es de sa vie. Elle continue d’y photographier son entourage, les communaut\u00e9s qui l’accueillent et le rythme des saisons. Des extraits de son journal intime venaient \u00e9galement dialoguer avec les images dans cette exposition qui a r\u00e9v\u00e9l\u00e9 toute la richesse d’une \u0153uvre consacr\u00e9e \u00e0 la m\u00e9moire du quotidien.<\/p>\n","protected":false},"excerpt":{"rendered":"

En 1972, Madeleine de Sin\u00e9ty pose ses valises \u00e0 Poilley, un petit village breton situ\u00e9 au nord de Rennes. Pendant dix ans, cette photographe saisit au quotidien les gestes et les traditions d’un monde rural en pleine mutation. Plus de 50 000 clich\u00e9s t\u00e9moignent de cette immersion au c\u0153ur d’une France aujourd’hui disparue. Avec le […]<\/p>\n","protected":false},"author":1,"featured_media":10885,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[1197,1334],"tags":[1362,1329],"class_list":["post-10884","post","type-post","status-publish","format-standard","has-post-thumbnail","category-portrait-artiste","category-theatre-spectacles_vivants","tag-documentaire","tag-femmes-artistes"],"yoast_head":"\nMadeleine de Sin\u00e9ty, la photographe qui a immortalis\u00e9 un village breton et ses habitants - GREAT-ARTMAG<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/great-artmag.com\/en\/madeleine-de-sinety-la-photographe-qui-a-immortalise-un-village-breton-et-ses-habitants\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Madeleine de Sin\u00e9ty, la photographe qui a immortalis\u00e9 un village breton et ses habitants - GREAT-ARTMAG\" \/>\n<meta property=\"og:description\" content=\"En 1972, Madeleine de Sin\u00e9ty pose ses valises \u00e0 Poilley, un petit village breton situ\u00e9 au nord de Rennes. Pendant dix ans, cette photographe saisit au quotidien les gestes et les traditions d’un monde rural en pleine mutation. Plus de 50 000 clich\u00e9s t\u00e9moignent de cette immersion au c\u0153ur d’une France aujourd’hui disparue. 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