{"id":11491,"date":"2026-11-14T08:58:49","date_gmt":"2026-11-14T07:58:49","guid":{"rendered":"https:\/\/great-artmag.com\/?p=11491"},"modified":"2026-11-14T09:11:54","modified_gmt":"2026-11-14T08:11:54","slug":"appelez-moi-george-sand-folie-theatre-paris","status":"publish","type":"post","link":"https:\/\/great-artmag.com\/en\/appelez-moi-george-sand-folie-theatre-paris\/","title":{"rendered":"La po\u00e9sie de George Sand s’invite sur la sc\u00e8ne de la Folie Th\u00e9\u00e2tre"},"content":{"rendered":"

\u00c0 la Folie Th\u00e9\u00e2tre, \u00e0 Paris, \u00ab Appelez-moi Madame George Sand \u00bb propose une \u00e9vocation de l’\u00e9crivaine, entre th\u00e9\u00e2tre, po\u00e9sie, musique et fantaisie. \u00c9crite par Joshua Laffont-Cohen, docteur \u00e8s lettres, qui a consacr\u00e9 une th\u00e8se \u00e0 George Sand, la pi\u00e8ce s’appuie sur une connaissance approfondie de son \u0153uvre. Deux com\u00e9diens, Joshua Laffont-Cohen et Alexis Neret, donnent vie \u00e0 un dialogue troublant entre r\u00e9alit\u00e9 et fiction. Jusqu’au 28 novembre 2026.<\/strong><\/p>\n

D\u00e8s les premi\u00e8res sc\u00e8nes, le spectateur entre dans un jeu dont il ne ma\u00eetrise pas toujours les r\u00e8gles. Un personnage fantasque, grim\u00e9 en femme, se prend pour George Sand. Face \u00e0 lui, un psychiatre tente de d\u00e9m\u00ealer le vrai du faux. Les \u00e9changes oscillent entre confidences, envol\u00e9es litt\u00e9raires et situations d\u00e9cal\u00e9es. Peu \u00e0 peu, le doute s’installe : assiste-t-on aux divagations d’un personnage ou \u00e0 la r\u00e9surgence d’une \u00e9crivaine qui refuse de dispara\u00eetre ?<\/p>\n

L’\u00e9criture de Joshua Laffont-Cohen joue pr\u00e9cis\u00e9ment de cette ambigu\u00eft\u00e9. Com\u00e9dien et dramaturge, docteur \u00e8s lettres, il conna\u00eet intimement les textes et la vie de George Sand. Cette familiarit\u00e9 se retrouve dans les dialogues, nourris de r\u00e9f\u00e9rences litt\u00e9raires et de clins d’\u0153il \u00e0 son parcours. Le propos \u00e9vite la simple reconstitution historique pour privil\u00e9gier une approche vivante, o\u00f9 l’imaginaire dialogue avec la connaissance.<\/p>\n

\"Joshua
Joshua Laffont-Cohen (George Sand) – photo AG<\/figcaption><\/figure>\n

George Sand, une vie plac\u00e9e sous le signe de l’ind\u00e9pendance<\/h3>\n

N\u00e9e Amantine Aurore Lucile Dupin en 1804, George Sand choisit un pseudonyme masculin pour publier ses \u0153uvres et s’imposer dans un univers litt\u00e9raire domin\u00e9 par les hommes. Apr\u00e8s avoir quitt\u00e9 son mariage, elle gagne sa vie gr\u00e2ce \u00e0 l’\u00e9criture et revendique une libert\u00e9 peu commune pour une femme du XIXe si\u00e8cle. Ses v\u00eatements masculins, qu’elle adopte notamment pour circuler plus facilement dans Paris, deviennent l’un des signes de cette ind\u00e9pendance.<\/p>\n

Romanci\u00e8re engag\u00e9e, elle d\u00e9fend les classes populaires, la justice sociale et l’\u00e9mancipation. De La Mare au diable<\/em> \u00e0 La Petite Fadette<\/em>, son \u0153uvre accorde une place essentielle \u00e0 la nature, aux sentiments et aux existences modestes. Sa vie sentimentale, marqu\u00e9e notamment par ses relations avec Alfred de Musset et Fr\u00e9d\u00e9ric Chopin, t\u00e9moigne \u00e9galement de son refus des conventions.<\/p>\n

Cette libert\u00e9 traverse aussi son rapport \u00e0 la po\u00e9sie. George Sand a \u00e9crit des vers, des po\u00e8mes et des contes, dans lesquels la nature, le r\u00eave, l’amour et la m\u00e9lancolie occupent une place importante. Sa sensibilit\u00e9 po\u00e9tique \u00e9claire une autre facette de l’\u00e9crivaine, souvent r\u00e9duite \u00e0 son temp\u00e9rament romanesque.<\/p>\n

\u00ab <\/span>Le parfum de l’\u00e2me, c’est le souvenir. \u00bb George Sand (Lettre, 1835)<\/span><\/p><\/blockquote>\n

La repr\u00e9sentation m\u00e9nage \u00e9galement des moments d’interaction. Les spectateurs sont invit\u00e9s \u00e0 chanter et \u00e0 retrouver des textes ou des airs familiers. Cette participation cr\u00e9e une proximit\u00e9 qui fait \u00e9voluer le spectacle au-del\u00e0 du simple face-\u00e0-face entre les deux personnages. La po\u00e9sie y trouve naturellement sa place. George Sand aimait la nature et savait en traduire les nuances, les mouvements et les myst\u00e8res. Dans Les Sept Cordes de la lyre<\/em>, comme dans ses \u00e9crits romanesques, elle fait de l’imaginaire un moyen d’interroger le monde et la condition humaine.<\/p>\n

L’hommage rendu par Victor Hugo \u00e0 son amie \u00e0 l’occasion de la naissance de la petite-fille de George Sand, Aurore, rappelle la place qu’elle occupait parmi les grandes figures litt\u00e9raires de son si\u00e8cle :<\/p>\n

\u00ab Cette douce Aurore qui luit
\nVient \u00e0 point dans notre ciel sombre.
\n\u00c0 nous deux, nous sommes la nuit ;
\nVous \u00eates l’astre et je suis l’ombre. \u00bb<\/p>\n

Avec \u00ab Appelez-moi Madame George Sand \u00bb, Joshua Laffont-Cohen propose une mani\u00e8re originale d’aborder une personnalit\u00e9 dont la vie fut presque aussi romanesque que l’\u0153uvre. La pi\u00e8ce ne cherche pas \u00e0 d\u00e9rouler une biographie exhaustive. Elle privil\u00e9gie les jeux d’identit\u00e9 pour faire \u00e9merger une femme qui n’a jamais accept\u00e9 de se laisser enfermer dans les r\u00f4les de son \u00e9poque. La rencontre th\u00e9\u00e2trale donne furieusement envie de retourner \u00e0 ses livres et de red\u00e9couvrir, derri\u00e8re la romanci\u00e8re c\u00e9l\u00e8bre, la femme qui avait fait de la libert\u00e9 une exigence quotidienne.<\/p>\n

\"\"Informations pratiques<\/h3>\n

Spectacle :<\/b> Appelez-moi Madame George Sand
\n<\/i>Lieu :<\/b> La Folie Th\u00e9\u00e2tre \u2013 6, rue de la Folie-M\u00e9ricourt, 75011 Paris
\nAcc\u00e8s :<\/b> M\u00e9tro Saint-Ambroise (ligne 9), Richard-Lenoir (ligne 5) ou Oberkampf (lignes 5 et 9)
\nJours et horaires :<\/b> (vendredi et samedi 19h30)
\n<\/i>Dur\u00e9e :<\/b> (environ 1h15)
\n<\/i>Tarifs et r\u00e9servations :<\/b> Billetterie en ligne sur le site officiel de La Folie Th\u00e9\u00e2tre<\/a> ou par t\u00e9l\u00e9phone au 01 43 55 14 80.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

\u00c0 la Folie Th\u00e9\u00e2tre, \u00e0 Paris, \u00ab Appelez-moi Madame George Sand \u00bb propose une \u00e9vocation de l’\u00e9crivaine, entre th\u00e9\u00e2tre, po\u00e9sie, musique et fantaisie. \u00c9crite par Joshua Laffont-Cohen, docteur \u00e8s lettres, qui a consacr\u00e9 une th\u00e8se \u00e0 George Sand, la pi\u00e8ce s’appuie sur une connaissance approfondie de son \u0153uvre. Deux com\u00e9diens, Joshua Laffont-Cohen et Alexis Neret, […]<\/p>\n","protected":false},"author":6,"featured_media":11494,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[1334],"tags":[1275],"class_list":["post-11491","post","type-post","status-publish","format-standard","has-post-thumbnail","category-theatre-spectacles_vivants","tag-poesie"],"yoast_head":"\nLa po\u00e9sie de George Sand s'invite sur la sc\u00e8ne de la Folie Th\u00e9\u00e2tre - GREAT-ARTMAG<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/great-artmag.com\/en\/appelez-moi-george-sand-folie-theatre-paris\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"La po\u00e9sie de George Sand s'invite sur la sc\u00e8ne de la Folie Th\u00e9\u00e2tre - GREAT-ARTMAG\" \/>\n<meta property=\"og:description\" content=\"\u00c0 la Folie Th\u00e9\u00e2tre, \u00e0 Paris, \u00ab Appelez-moi Madame George Sand \u00bb propose une \u00e9vocation de l’\u00e9crivaine, entre th\u00e9\u00e2tre, po\u00e9sie, musique et fantaisie. \u00c9crite par Joshua Laffont-Cohen, docteur \u00e8s lettres, qui a consacr\u00e9 une th\u00e8se \u00e0 George Sand, la pi\u00e8ce s’appuie sur une connaissance approfondie de son \u0153uvre. 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