{"id":117,"date":"2008-10-06T18:00:00","date_gmt":"2008-10-06T16:00:00","guid":{"rendered":"http:\/\/unik-mag.com:7888\/2008\/10\/06\/picasso-convie-les-maitres\/"},"modified":"2026-05-24T10:58:35","modified_gmt":"2026-05-24T08:58:35","slug":"picasso-maitres-anciens-expo-grand-palais-2008","status":"publish","type":"post","link":"https:\/\/great-artmag.com\/en\/picasso-maitres-anciens-expo-grand-palais-2008\/","title":{"rendered":"Picasso convie les Ma\u00eetres anciens au Grand Palais"},"content":{"rendered":"<p><strong>L&#8217;exposition &#8220;Picasso et les ma\u00eetres au Grand Palais&#8221; est un \u00e9v\u00e9nement culturel majeur qui rassemble pr\u00e8s de 210 \u0153uvres mondiales. Elle d\u00e9montre comment Pablo Picasso a copi\u00e9, transpos\u00e9 et r\u00e9invent\u00e9 les chefs-d&#8217;\u0153uvre de Greco, V\u00e9lasquez, Goya, Delacroix ou Manet. Ce dialogue pictural met en lumi\u00e8re le g\u00e9nie et l&#8217;inventivit\u00e9 du peintre catalan \u00e0 travers ses influences artistiques majeures. <\/strong><\/p>\r\n<h3><img decoding=\"async\" id=\"media-50561\" class=\"aligncenter\" style=\"border-width: 0; margin: 0.7em 0;\" src=\"https:\/\/great-artmag.com\/wp-content\/uploads\/2019\/12\/00\/00\/969996916.jpg\" alt=\"duo-picasso.jpg\" width=\"667\" height=\"205\" name=\"media-50561\" \/>Un dialogue esth\u00e9tique et cannibale avec l&#8217;histoire de l&#8217;art<\/h3>\r\n<p>Le Grand Palais se transforme en un temple de l&#8217;art jusqu&#8217;au 2 f\u00e9vrier 2009. Les visiteurs peuvent admirer pr\u00e8s de 210 \u0153uvres majeures venues des plus grands mus\u00e9es du monde. Cet accrochage exceptionnel met en lumi\u00e8re un dialogue passionn\u00e9, admiratif et cannibale. Picasso a entretenu cette relation intense toute sa vie avec les ma\u00eetres anciens. La confrontation des toiles r\u00e9v\u00e8le une dynamique fascinante entre respect et subversion. Le peintre espagnol ne se contente pas d&#8217;imiter ses pr\u00e9d\u00e9cesseurs. Il s&#8217;approprie leur g\u00e9nie pour nourrir sa propre r\u00e9volution visuelle.<\/p>\r\n<h3>L&#8217;art de la d\u00e9construction par les commissaires de l&#8217;exposition<\/h3>\r\n<p>La transposition, le mim\u00e9tisme, le d\u00e9tournement et la d\u00e9naturation qualifient parfaitement ce travail de r\u00e9interpr\u00e9tation. Les commissaires de cette exposition signent une r\u00e9ussite totale. Ils ont su rendre un hommage exceptionnel et sensible au destructeur acharn\u00e9 des formes \u00e9tablies. Le parcours offre une d\u00e9monstration implacable de l&#8217;inventivit\u00e9 du peintre catalan pour les derniers sceptiques. Le public peut observer son tableau \u00ab Le Nain \u00bb de 1969 en regard du \u00ab Portrait du nain S\u00e9bastian de Morra \u00bb peint par V\u00e9lasquez en 1644. L&#8217;effet de miroir s&#8217;av\u00e8re saisissant. Picasso convoque aussi \u00ab Les Demoiselles des bords de la Seine d&#8217;apr\u00e8s Courbet \u00bb. Il invite m\u00eame la c\u00e9l\u00e8bre \u00ab Olympia \u00bb de Manet \u00e0 quitter temporairement le mus\u00e9e d&#8217;Orsay pour rejoindre cette r\u00e9union de g\u00e9nies.<\/p>\r\n<h3>Une obsession cr\u00e9ative s\u00e9rielle sans pr\u00e9c\u00e9dent<\/h3>\r\n<p>L&#8217;audace de Picasso culmine dans ses appropriations s\u00e9rielles. Sa s\u00e9rie de quinze toiles sur \u00ab Les Femmes d&#8217;Alger \u00bb constitue une variation monumentale sur le tableau de Delacroix. Picasso applique la m\u00eame m\u00e9thode obsessionnelle pour \u00ab Le D\u00e9jeuner sur l&#8217;herbe \u00bb de Manet. Il d\u00e9cline ce chef-d&#8217;\u0153uvre de l&#8217;impressionnisme en un cycle impressionnant de vingt-sept peintures. Cette exposition prouve que la copie peut devenir le sommet de la cr\u00e9ation. Ce cannibalisme pictural reste totalement sans pr\u00e9c\u00e9dent dans l&#8217;histoire de l&#8217;art.<\/p>\r\n<p><!--StartFragment--><\/p>\r\n<div style=\"text-align: center;\">\r\n<p>&nbsp;<\/p>\r\n<\/div>\r\n\r\n<div class=\"wp-block-image\">\r\n<figure class=\"alignleft size-large is-resized\"><a href=\"http:\/\/www.gallimard.fr\/Catalogue\/GALLIMARD\/Decouvertes-Gallimard\/Decouvertes-Gallimard-Hors-serie\/Picasso-et-les-maitres-anciens#\"><img decoding=\"async\" class=\"wp-image-1867\" src=\"https:\/\/great-artmag.com\/wp-content\/uploads\/2019\/12\/picasso-et-les-maitres-anciens.jpg\" alt=\"\" width=\"208\" height=\"296\" \/><\/a><\/figure>\r\n<\/div>\r\n\r\n\r\n\r\n<p class=\"wp-block-paragraph\">&gt; Le catalogue de l&#8217;exposition &#8220;<a href=\"http:\/\/www.gallimard.fr\/Catalogue\/GALLIMARD\/Decouvertes-Gallimard\/Decouvertes-Gallimard-Hors-serie\/Picasso-et-les-maitres-anciens#\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"Picasso et les Ma\u00eetres anciens (s\u2019ouvre dans un nouvel onglet)\">Picasso et les Ma\u00eetres anciens<\/a>&#8221; chez Gallimard est sign\u00e9 de Marie-Laure Bernadac<\/p>\r\n","protected":false},"excerpt":{"rendered":"<p>L&#8217;exposition &#8220;Picasso et les ma\u00eetres au Grand Palais&#8221; est un \u00e9v\u00e9nement culturel majeur qui rassemble pr\u00e8s de 210 \u0153uvres mondiales. Elle d\u00e9montre comment Pablo Picasso a copi\u00e9, transpos\u00e9 et r\u00e9invent\u00e9 les chefs-d&#8217;\u0153uvre de Greco, V\u00e9lasquez, Goya, Delacroix ou Manet. Ce dialogue pictural met en lumi\u00e8re le g\u00e9nie et l&#8217;inventivit\u00e9 du peintre catalan \u00e0 travers ses [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":1868,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"tdm_status":"","tdm_grid_status":"","footnotes":""},"categories":[1166],"tags":[1301],"class_list":["post-117","post","type-post","status-publish","format-standard","has-post-thumbnail","category-masterpiece","tag-picasso"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Picasso convie les Ma\u00eetres anciens au Grand Palais - GREAT-ARTMAG<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/great-artmag.com\/en\/picasso-maitres-anciens-expo-grand-palais-2008\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Picasso convie les Ma\u00eetres anciens au Grand Palais - GREAT-ARTMAG\" \/>\n<meta property=\"og:description\" content=\"L&#8217;exposition &#8220;Picasso et les ma\u00eetres au Grand Palais&#8221; est un \u00e9v\u00e9nement culturel majeur qui rassemble pr\u00e8s de 210 \u0153uvres mondiales. Elle d\u00e9montre comment Pablo Picasso a copi\u00e9, transpos\u00e9 et r\u00e9invent\u00e9 les chefs-d&#8217;\u0153uvre de Greco, V\u00e9lasquez, Goya, Delacroix ou Manet. 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