{"id":1715,"date":"2019-04-05T08:23:18","date_gmt":"2019-04-05T06:23:18","guid":{"rendered":"https:\/\/unik-artmag.com\/?p=1715"},"modified":"2026-05-17T17:49:40","modified_gmt":"2026-05-17T15:49:40","slug":"herve-telemaque-al-len-guinee-la-grande-randonnee","status":"publish","type":"post","link":"https:\/\/great-artmag.com\/en\/herve-telemaque-al-len-guinee-la-grande-randonnee\/","title":{"rendered":"Herv\u00e9 T\u00e9l\u00e9maque : \u00ab Al l\u2019en Guin\u00e9e \u00bb, la grande randonn\u00e9e"},"content":{"rendered":"\r\n

Herv\u00e9 T\u00e9l\u00e9maq<\/b>ue, ma\u00eetre de la figuration narrative, expose sa fresque magistrale intitul\u00e9e Al l\u2019en Guin\u00e9e<\/i> (2016-18) \u00e0 la Galerie Rabouan Moussion \u00e0 Paris jusqu\u2019au 11 mai 2019. Longue de dix m\u00e8tres, cette \u0153uvre color\u00e9e, fragment\u00e9e et cod\u00e9e retrace le p\u00e9riple fantasm\u00e9 d\u2019un marcheur de fond sur la Route de la Soie, m\u00ealant m\u00e9taphores, souvenirs d’enfance en Ha\u00efti et engagement politique.<\/strong><\/p>\r\n\r\n\r\n\r\n

\"\"<\/em>Le voyage d’Herv\u00e9 T\u00e9l\u00e9maque : une randonn\u00e9e sur la vie et le temps
<\/em><\/h3>\r\n

\u00ab\u00a0La marche et l\u2019\u00e9criture sont des activit\u00e9s qui permettent, sinon d\u2019arr\u00eater le temps, du moins d\u2019en \u00e9paissir le cours\u00a0<\/em>\u00bb, \u00e9crit le romancier japonais Haruki Murakami, adepte de la course \u00e0 pied dont l\u2019\u00e9crivain a souvent fait l\u2019\u00e9loge. \u00c0 l\u2019instar de l\u2019auteur de \u00ab\u00a0Ciels de pluie, ciels de feu\u00a0<\/em>\u00bb, Herv\u00e9 T\u00e9l\u00e9maque noue un r\u00e9cit dans l\u2019\u00e9paisseur de l\u2019espace et du temps. R\u00e9alis\u00e9e dans le calme de son atelier \u00e0 Verneuil-sur-Avre en Normandie, la fresque de dix m\u00e8tres de long, intitul\u00e9e Al l\u2019en Guin\u00e9e <\/em>(2016-18), \u00e9voque le p\u00e9riple fantasm\u00e9 d\u2019un marcheur de fond sur la Route de la Soie. \u00ab\u00a0C\u2019est une randonn\u00e9e sur la vie\u00a0\u00bb, s\u2019amuse le peintre connu pour ses images m\u00e9taphoriques, trames escarp\u00e9es et balises de diversion. Dans \u00ab\u00a0randonn\u00e9e\u00a0\u00bb infuse l\u2019id\u00e9e d\u2019un voyage au long cours pour aventurier patient et exp\u00e9riment\u00e9, attentif aux d\u00e9nivel\u00e9s, jamais d\u00e9muni d\u2019eau, tendu vers une possible surprise… Al l\u2019en Guin\u00e9e <\/em>signifie en cr\u00e9ole\u00a0le retour imaginaire \u00e0 l\u2019Afrique, ce continent o\u00f9 l\u2019a\u00efeul de l\u2019artiste fut captur\u00e9 et vendu comme esclave au XVIIIe<\/sup>\u00a0si\u00e8cle. \u00ab\u00a0C\u2019est \u00e0 la fois l\u2019appel du Paradis, et celui de la mort\u00a0\u00bb, pr\u00e9cise le peintre franco-ha\u00eftien. L\u2019\u0153uvre est une invitation \u00e0 une g\u00e9ographie de l\u2019instant.<\/p>\r\n\r\n\r\n\r\n

Les symboles de la Route de la Soie : entre d\u00e9sert et souvenirs d’enfance<\/h3>\r\n

Une jeune touareg au d\u00e9hanch\u00e9 gracieux, \u00e0 gauche du tableau, observe et ouvre la marche. Sous un soleil d\u2019ocre, la silhouette de son bras se d\u00e9tache telle une anse. L\u2019impulsion est donn\u00e9e. Surgit alors un grand c\u0153ur sombre surmont\u00e9 de mornes ha\u00eftiennes, ces montagnes aras\u00e9es, paysage de l\u2019enfance. \u00ab\u00a0J\u2019ai repr\u00e9sent\u00e9 ici l\u2019un des lacs les plus profonds au monde, le lac Toba en Indon\u00e9sie\u2026 \u00bb, explique t-il livrant \u00e0 la lecture une poign\u00e9e d\u2019indices. Apr\u00e8s l\u2019immersion totale en eau douce, un personnage se d\u00e9coupe, maillot d\u2019homme affubl\u00e9 d\u2019une jambe de femme, marchant, travaillant, \u00ab\u00a0un corps dansant ou en souffrance\u00a0\u00bb\u2026 Jambe en extension et bouche de cri : deux \u00e9l\u00e9ments qui appartiennent au r\u00e9pertoire des formes de l\u2019artiste. Face au d\u00e9sert, l\u2019homme est confront\u00e9 \u00e0 ses limites, \u00e0 la terrible soif qui menace. Car les signes d\u2019Herv\u00e9 T\u00e9l\u00e9maque sont autant d\u2019oasissur la Route de la Soie, cet immense faisceau de communication de plus de huit mille kilom\u00e8tres invent\u00e9 par l\u2019empereur chinois Wudi, de la dynastie conqu\u00e9rante des Hans, un si\u00e8cle avant notre \u00e8re, pour \u00e9changer \u00e9toffes, m\u00e9taux et pierres pr\u00e9cieuses entre Orient et Occident. Une route sur laquelle souffle aussi le vent des religions. Le d\u00e9sert \u00e0 contourner est celui de l\u2019immense Taklamakan, surnomm\u00e9 la \u00ab\u00a0Mer de la mort\u00a0\u00bb. La nouvelle Route de la Soie part de la Chine, traverse l\u2019Europe, rejoint l\u2019Afrique. Et inversement. \u00ab\u00a0Un renouveau pour l\u2019esprit qui justifie l\u2019audace,\u00a0et mon enti\u00e8re libert\u00e9 \u00bb, poursuit-il.<\/p>\r\n\r\n\r\n\r\n

Une fresque \u00e0 la fois politique et po\u00e9tique<\/h3>\r\n

La porte bleue, ch\u00e2ssis central et s\u00e9paration, dresse un passage. Celui d\u2019un univers \u00e0 un autre, abolissant le temps. Une forme similaire au tamis rectangulaire dans la fabrique du papier. Deux mondes s\u2019opposent \u00e0 droite de la composition, celui du travail, et celui du ciel apais\u00e9, celui d\u2019ici-bas et celui du firmament. \u00ab\u00a0The Big Nothing\u00a0\u00bb, comme l\u2019a \u00e9crit de sa main l\u2019artiste, souligne la vacuit\u00e9 de toutes choses avec ce lac ass\u00e9ch\u00e9 d\u2019Afrique du Sud devenu sel. L\u2019\u00e2ne, figure embl\u00e9matique dans l\u2019\u0153uvre d\u2019Herv\u00e9 T\u00e9l\u00e9maque, fid\u00e8le compagnon des sentiers ardus en Ha\u00efti, fait face. L\u2019animal incarne le \u00ab\u00a0Grand Voyageur\u00a0\u00bb, et pourquoi pas l\u2019escorte victorieuse, celle du h\u00e9ros Zhang Quian de retour de l\u2019autre c\u00f4t\u00e9 de la Grande Muraille. Le clairon ou trompette sonne le rassemblement. Un d\u00e9\u00a0est jet\u00e9. La chance survient… Le d\u00e9 butte sur une double barre de reprise, joyeuse. La partition se rejoue dans l\u2019all\u00e9gresse d\u2019une vibration verticale en rose et vert olive. En bas \u00e0 droite, un baril \u00e0 roulettes crache le mot \u00ab\u00a0ESSO\u00a0\u00bb, la marque de la c\u00e9l\u00e8bre compagnie p\u00e9troli\u00e8re, sugg\u00e9rant l\u2019or noir. Il chevauche un autre mot surprenant, \u00ab\u00a0igname\u00a0\u00bb, ce f\u00e9culent\u00a0 miracle, \u00e9nergisant, que l\u2019on donnait aux esclaves pour les rendre plus fort. Le r\u00e9cit tisse ainsi l\u2019histoire d\u2019une double migration, fabrique une \u00e9pop\u00e9e, et prend ici sa dimension politique. Le tamis comme filtre, le baril comme f\u00fbt de colle, et la double ligne, nervures d\u2019un parchemin en papier v\u00e9lin sur lequel les signes se gravent et s\u2019animent. \u00ab\u00a05 \u2013 5 = 0, Tout se tient\u00a0!\u00a0\u00bb, conclut Herv\u00e9 T\u00e9l\u00e9maque dans une tautologie implacable. L\u2019\u00e9nonc\u00e9 pour v\u00e9rit\u00e9.<\/p>\r\n\r\n\r\n\r\n

> Galerie Rabouan Moussion<\/a><\/p>\r\n\r\n\r\n","protected":false},"excerpt":{"rendered":"

Herv\u00e9 T\u00e9l\u00e9maque, ma\u00eetre de la figuration narrative, expose sa fresque magistrale intitul\u00e9e Al l\u2019en Guin\u00e9e (2016-18) \u00e0 la Galerie Rabouan Moussion \u00e0 Paris jusqu\u2019au 11 mai 2019. Longue de dix m\u00e8tres, cette \u0153uvre color\u00e9e, fragment\u00e9e et cod\u00e9e retrace le p\u00e9riple fantasm\u00e9 d\u2019un marcheur de fond sur la Route de la Soie, m\u00ealant m\u00e9taphores, souvenirs d’enfance […]<\/p>\n","protected":false},"author":1,"featured_media":1716,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[1166],"tags":[1341],"class_list":["post-1715","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-masterpiece","tag-figuration-narrative"],"yoast_head":"\nHerv\u00e9 T\u00e9l\u00e9maque : \u00ab Al l\u2019en Guin\u00e9e \u00bb, la grande randonn\u00e9e - GREAT-ARTMAG<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/great-artmag.com\/en\/herve-telemaque-al-len-guinee-la-grande-randonnee\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Herv\u00e9 T\u00e9l\u00e9maque : \u00ab Al l\u2019en Guin\u00e9e \u00bb, la grande randonn\u00e9e - GREAT-ARTMAG\" \/>\n<meta property=\"og:description\" content=\"Herv\u00e9 T\u00e9l\u00e9maque, ma\u00eetre de la figuration narrative, expose sa fresque magistrale intitul\u00e9e Al l\u2019en Guin\u00e9e (2016-18) \u00e0 la Galerie Rabouan Moussion \u00e0 Paris jusqu\u2019au 11 mai 2019. 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