{"id":1738,"date":"2019-12-07T10:56:51","date_gmt":"2019-12-07T09:56:51","guid":{"rendered":"https:\/\/unik-artmag.com\/?p=1738"},"modified":"2026-03-29T09:44:20","modified_gmt":"2026-03-29T07:44:20","slug":"regards-paranoiaques-road-movie-photographique-martine-ravache","status":"publish","type":"post","link":"https:\/\/great-artmag.com\/en\/regards-paranoiaques-road-movie-photographique-martine-ravache\/","title":{"rendered":"\u00ab Regards parano\u00efaques \u00bb, le road-movie de l’historienne de la photographie Martine Ravache"},"content":{"rendered":"\r\n

Qu’est-ce qui fait \u0153uvre en photographie ? \u00ab Une bonne photographie ne vous quitte jamais. C\u2019est m\u00eame ce lien de fid\u00e9lit\u00e9 qui permet de la rep\u00e9rer \u00bb, confie Martine Ravache dans son livre “Regards Parano\u00efaques – La photographie fait des histoires”, paru en octobre 2019 aux Editions du Cano\u00eb. Le parcours personnel de l’historienne de la photographie est livr\u00e9 \u00e0 travers sept histoires racont\u00e9es avec une verve d\u2019enqu\u00eate polici\u00e8re. <\/strong><\/p>\r\n\r\n\r\n\r\n

\r\n
\"\"\r\n
“La Table de travail de Virginia Woolf” \u00e0 Monk’s Housse, Sussex (1946) par Gis\u00e8le Freund.<\/figcaption>\r\n<\/figure>\r\n<\/div>\r\n\r\n\r\n\r\n

L’historienne de l’Art raconte, sa rencontre avec l’immense portraitiste Gis\u00e8le Freund, son enqu\u00eate aupr\u00e8s des Amoureux de l’H\u00f4tel de Ville, ses premiers pas de critique d’art \u00e0 une \u00e9poque o\u00f9 le sujet des femmes photographes semble aussi saugrenu qu’un dossier sur les photographes hongrois. La photographie qui l’a le plus touch\u00e9e : “La Table de travail de Virginia Woolf” par Gis\u00e8le Freund. Le bureau fait face au lever du jour. L’image montre l’absence. L’\u00e9crivaine est d\u00e9c\u00e9d\u00e9e cinq ans plus t\u00f4t. “Il sourit \u00e0 la pelouse vert p\u00e2le et \u00e0 la brume du matin, d\u00e9licatement prot\u00e9g\u00e9 par un rideau de frondaisons”. Emprunts de po\u00e9sie, ses mots t\u00e9moignent de sa perception unique des atmosph\u00e8res, et son affection pour celle qui l’a accueillie \u00e0 bras ouverts dans son cercle d’intimes. Preuve de son int\u00e9grit\u00e9.<\/p>\r\n\r\n\r\n\r\n

\"\"Le d\u00e9bat de “la couleur et son contraire” marque une \u00e9tape : Martine Ravache raconte l’apparition de la couleur en photographie et les partis pris des principaux acteurs de l’\u00e9poque. Jouant sur les mots, la critique d’art rappelle avec humour \u00e0 quel point la couleur \u00e9tait “mal vue”. Puis elle d\u00e9ploie l’argument chromatique, citant tour \u00e0 tour les pionniers et exp\u00e9rimentateurs, de Jacques Lartigue \u00e0 Se\u00efdou Ke\u00efta. Pour conclure ce chapitre, elle cite un tag happ\u00e9 dans la rue “Maintes couleurs n’apparaissent qu’apr\u00e8s la pluie”. Un joli clin d’oeil !<\/p>\r\n\r\n\r\n\r\n

Les photographes comme les musiciens communiquent-ils sans avoir besoin de se parler ? demande enfin l’auteure. La r\u00e9ponse est \u00e9clairante. Irving Penn faisait remarquer que si Richard Avedon captait brillamment “un aspect de la v\u00e9rit\u00e9 qui est totalement momentan\u00e9”, lui, de son c\u00f4t\u00e9, pr\u00e9f\u00e9rait rechercher “l’\u00e9paisseur de la v\u00e9rit\u00e9”. L’instant contre l’\u00e9paisseur, deux fa\u00e7ons de placer la v\u00e9rit\u00e9. Car c’est bien la v\u00e9rit\u00e9 des regards et des \u00e9motions qui guide l’\u00e9criture de cet ouvrage, sensible et intelligent.<\/p>\r\n\r\n\r\n\r\n

> Les \u00e9ditions du Cano\u00eb<\/a><\/p>\r\n","protected":false},"excerpt":{"rendered":"

Qu’est-ce qui fait \u0153uvre en photographie ? \u00ab Une bonne photographie ne vous quitte jamais. C\u2019est m\u00eame ce lien de fid\u00e9lit\u00e9 qui permet de la rep\u00e9rer \u00bb, confie Martine Ravache dans son livre “Regards Parano\u00efaques – La photographie fait des histoires”, paru en octobre 2019 aux Editions du Cano\u00eb. Le parcours personnel de l’historienne de […]<\/p>\n","protected":false},"author":1,"featured_media":6415,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"tdm_status":"","tdm_grid_status":"","footnotes":""},"categories":[1167],"tags":[1169],"class_list":{"0":"post-1738","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-livre","8":"tag-photographie"},"yoast_head":"\n\u00ab Regards parano\u00efaques \u00bb, le road-movie de l'historienne de la photographie Martine Ravache - GREAT-ARTMAG<\/title>\n<meta name=\"description\" content=\"Qu'est-ce qui fait \u0153uvre en photographie ? 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