{"id":1953,"date":"2020-01-23T10:29:35","date_gmt":"2020-01-23T09:29:35","guid":{"rendered":"https:\/\/unik-artmag.com\/?p=1953"},"modified":"2026-04-20T17:31:37","modified_gmt":"2026-04-20T15:31:37","slug":"amedeo-modigliani-yeux-oeil-interieur-decryptage","status":"publish","type":"post","link":"https:\/\/great-artmag.com\/en\/amedeo-modigliani-yeux-oeil-interieur-decryptage\/","title":{"rendered":"Amedeo Modigliani, l\u2019\u0153il int\u00e9rieur d\u00e9crypt\u00e9"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><div id=\"tdi_1\" class=\"tdc-row\"><div class=\"vc_row tdi_2  wpb_row td-pb-row\" >\n<style scoped>\n\/* custom css - generated by TagDiv Composer *\/\n\n\/* custom css - generated by TagDiv Composer *\/\n.tdi_2,\r\n                .tdi_2 .tdc-columns{\r\n                    min-height: 0;\r\n                }.tdi_2,\r\n\t\t\t\t.tdi_2 .tdc-columns{\r\n\t\t\t\t    display: block;\r\n\t\t\t\t}.tdi_2 .tdc-columns{\r\n\t\t\t\t    width: 100%;\r\n\t\t\t\t}.tdi_2:before,\r\n\t\t\t\t.tdi_2:after{\r\n\t\t\t\t    display: table;\r\n\t\t\t\t}\n<\/style><div class=\"vc_column tdi_4  wpb_column vc_column_container tdc-column td-pb-span12\">\n<style scoped>\n\/* custom css - generated by TagDiv Composer *\/\n\n\/* custom css - generated by TagDiv Composer *\/\n.tdi_4{\r\n                    vertical-align: baseline;\r\n                }.tdi_4 > .wpb_wrapper,\r\n\t\t\t\t.tdi_4 > .wpb_wrapper > .tdc-elements{\r\n\t\t\t\t    display: block;\r\n\t\t\t\t}.tdi_4 > .wpb_wrapper > .tdc-elements{\r\n\t\t\t\t    width: 100%;\r\n\t\t\t\t}.tdi_4 > .wpb_wrapper > .vc_row_inner{\r\n\t\t\t\t    width: auto;\r\n\t\t\t\t}.tdi_4 > .wpb_wrapper{\r\n\t\t\t\t    width: auto;\r\n\t\t\t\t    height: auto;\r\n\t\t\t\t}\n<\/style><div class=\"wpb_wrapper\" >[vc_column_text css=&#8221;&#8221;]<\/p>\r\n<p><strong>Amadeo Modigliani est d\u00e9c\u00e9d\u00e9 il y a 100 ans, le 24 janvier 1920. Seungyong Chang, President, Modigliani Institute Korea d\u00e9crypte pour UN1K. le style des yeux de Modigliani<\/strong>, <strong>r\u00e9put\u00e9 pour ses personnages aux visages oblongs et ses yeux vides<\/strong>.<\/p>\r\n\r\n<p>\u00ab Le bonheur est un ange au visage grave \u00bb, avait affirm\u00e9 Modigliani \u00e0 son marchand. A la recherche de la repr\u00e9sentation de la femme id\u00e9ale, Modigliani s\u2019inspire des formes allong\u00e9es des sculptures de la Gr\u00e8ce antique et de l\u2019art africain. Le jeune v\u00e9nitien est alors influenc\u00e9 par sa rencontre avec le sculpteur Roumain Brancusi, fascin\u00e9 par la puret\u00e9 de la forme, lorsqu\u2019il arrive \u00e0 Paris en 1906. Son style s\u2019affirme. Les yeux en amande de ses personnages, peints ou sculpt\u00e9s, deviennent sa signature. Le mot <em>amande<\/em> vient du grec \u00ab\u00a0amugdale\u00a0\u00bb, source de plaisir. C\u2019est le bonheur de cr\u00e9er\u00a0!<\/p>\r\n\r\n<p>&nbsp;<\/p>\r\n\r\n<div class=\"wp-block-image\">\r\n<figure class=\"alignleft size-large\"><img decoding=\"async\" class=\"wp-image-1956\" src=\"https:\/\/great-artmag.com\/wp-content\/uploads\/2020\/01\/Femme-assise-%C3%A0-la-robe-bleue-Amedeo-Modigliani.jpg\" alt=\"\" \/><\/figure>\r\n<\/div>\r\n\r\n<p>Quand Modigliani peint \u00ab\u00a0Femme assise \u00e0 la robe bleue\u00a0\u00bb en 1917, il a 33 ans, et est au sommet de son art. Parmi les 32 \u0153uvres expos\u00e9es en 1917 \u00e0 la galerie parisienne de Berthe Weill, 4 toiles posent probl\u00e8me. L\u2019ordre est donn\u00e9 de les d\u00e9crocher. La raison\u00a0? \u00ab\u00a0Ces nus, ils ont des poils\u00a0!\u00a0\u00bb L&#8217;exposition ira n\u00e9anmoins jusqu&#8217;\u00e0 son terme pr\u00e9vu. Mais avec ce scandale, aucun tableau n&#8217;est vendu. En 1917, Modigliani rencontre sa derni\u00e8re amante Jeanne H\u00e9buterne. Deux ans plus tard, la sant\u00e9 de l&#8217;artiste se d\u00e9grade. Il d\u00e9c\u00e8de \u00e0 l&#8217;h\u00f4pital de la Charit\u00e9 \u00e0 Paris le 24 janvier 1920. Comme cela, Modigliani a v\u00e9cu une courte vie de 36 ans, mais son style de peinture \u00e9tabli a eu une grande influence sur l&#8217;histoire de l&#8217;art moderne.<\/p>\r\n<p>Si nous examinons le processus de transition du style artistique de Modigliani en 3 \u00e9tapes, nous pouvons le classer comme p\u00e9riode bas\u00e9e sur l&#8217;art classique avant de d\u00e9m\u00e9nager \u00e0 Paris en 1906, p\u00e9riode passant de l&#8217;art classique \u00e0 son propre style \u00e9tabli et p\u00e9riode bas\u00e9e sur son propre style \u00e9tabli. Les styles des yeux de Modigliani sont class\u00e9s comme les deux yeux sont vides sans pupilles, un \u0153il a une pupille mais l&#8217;autre \u0153il est vide, un \u0153il a une pupille mais l&#8217;autre \u0153il est noir, les deux yeux ont des pupilles et les deux yeux sont noirs. Les diff\u00e9rents styles d&#8217;yeux peints par Modigliani d\u00e9pendent de son style de peinture, du type de mod\u00e8le, de l&#8217;intimit\u00e9 avec le mod\u00e8le, de l&#8217;\u00e9tat \u00e9motionnel de Modigliani ou de la situation de r\u00e9alit\u00e9 lorsqu&#8217;il dessinait, de l&#8217;occupation ou du statut social du mod\u00e8le, de la possibilit\u00e9 et du degr\u00e9 de la saisir le caract\u00e8re ou la personnalit\u00e9 du mod\u00e8le \u00e0 travers les yeux du mod\u00e8le.<\/p>\r\n\r\n<p>Tout d&#8217;abord, j&#8217;ai analys\u00e9 les changements dans les styles des yeux au fil du temps. La plupart des \u0153uvres avant 1906, lorsque Modigliani a d\u00e9m\u00e9nag\u00e9 \u00e0 Paris, refl\u00e8tent les traces de l&#8217;art classique qu&#8217;il a \u00e9tudi\u00e9, et les yeux dans ses peintures sont normalement dessin\u00e9s. Apr\u00e8s avoir d\u00e9m\u00e9nag\u00e9 \u00e0 Paris en 1906, les yeux dans ses peintures commencent \u00e0 s&#8217;\u00e9carter des yeux normaux, et des peintures aux yeux noirs et aux yeux flous apparaissent progressivement. \u00c0 partir de 1908, les peintures aux yeux noirs sont augment\u00e9es, et \u00e0 partir de 1910 apr\u00e8s qu&#8217;il ait commenc\u00e9 \u00e0 sculpter en 1909, l&#8217;effet sculptural aux yeux noirs sont augment\u00e9es. En 1912, les yeux vides sans pupilles apparaissent dans de nombreux tableaux \u00e0 effet sculptural. En 1915, les peintures \u00e0 col allong\u00e9 impr\u00e9gn\u00e9 de la sculpture africaine et les peintures avec une pupille dans un seul \u0153il apparaissent.<\/p>\r\n\r\n<p>&nbsp;<\/p>\r\n\r\n<div class=\"wp-block-image td-caption-align-https:\/\/great-artmag.com\/wp-content\/uploads\/2020\/01\/Modigliani_Woman-With-Blue-Eyes_2.png\">\r\n<figure class=\"alignleft size-large is-resized\"><img decoding=\"async\" class=\"wp-image-1955\" src=\"https:\/\/great-artmag.com\/wp-content\/uploads\/2020\/01\/Modigliani_Woman-With-Blue-Eyes_2-673x1024.png\" alt=\"\" width=\"401\" height=\"610\" srcset=\"https:\/\/great-artmag.com\/wp-content\/uploads\/2020\/01\/Modigliani_Woman-With-Blue-Eyes_2-673x1024.png 673w, https:\/\/great-artmag.com\/wp-content\/uploads\/2020\/01\/Modigliani_Woman-With-Blue-Eyes_2-197x300.png 197w, https:\/\/great-artmag.com\/wp-content\/uploads\/2020\/01\/Modigliani_Woman-With-Blue-Eyes_2-276x420.png 276w, https:\/\/great-artmag.com\/wp-content\/uploads\/2020\/01\/Modigliani_Woman-With-Blue-Eyes_2-696x1058.png 696w, https:\/\/great-artmag.com\/wp-content\/uploads\/2020\/01\/Modigliani_Woman-With-Blue-Eyes_2.png 703w\" sizes=\"(max-width: 401px) 100vw, 401px\" \/><\/figure>\r\n<\/div>\r\n\r\n<p>Apr\u00e8s avoir rencontr\u00e9 Jeanne H\u00e9buterne en 1917, les peintures affirment son propre style, comme un cou ou un corps allong\u00e9 et des yeux vides sans pupilles. En plus de l&#8217;analyse bas\u00e9e sur le temps, j&#8217;ai analys\u00e9 quand et o\u00f9 les diff\u00e9rents styles d&#8217;\u0153il ont \u00e9t\u00e9 appliqu\u00e9s.<br \/>Cependant, je voudrais dire qu&#8217;il y a des exceptions \u00e0 mon interpr\u00e9tation :<\/p>\r\n\r\n<p>1- pour dessiner un certain nombre de s\u00e9ries sur un mod\u00e8le sp\u00e9cifique, puisque Modigliani a appliqu\u00e9 divers styles d&#8217;oeil, un style sp\u00e9cifique n&#8217;\u00e9tant pas une caract\u00e9ristique du mod\u00e8le sp\u00e9cifique.<br \/>2 &#8211; pour les peintures \u00e0 effet sculpturale, il a dessin\u00e9 les yeux noirs ou vides sans pupilles, et pour les cariatides, il a dessin\u00e9 les yeux vides sans pupilles.<br \/>3 &#8211; pour ses amis proches pauvres, parmi ses connaissances, Modigliani d\u00e9peint les yeux avec plus de sympathie, et pour le mod\u00e8le au caract\u00e8re ambigu, il brouille les yeux.<br \/>4 &#8211; les yeux vides sans pupilles peuvent \u00eatre interpr\u00e9t\u00e9s comme un aspect visuel de Modigliani regardant le mod\u00e8le, et, au contraire, les yeux noirs peuvent \u00eatre interpr\u00e9t\u00e9s comme un aspect visuel du mod\u00e8le regardant Modigliani.<br \/>5 &#8211; s&#8217;il y a une pupille dans un \u0153il et que l&#8217;autre \u0153il est vide, comme dans le portrait de L\u00e9opold Survage, cela sugg\u00e8re le d\u00e9sir de Modigliani pour le mod\u00e8le de voir le monde d&#8217;un \u0153il et de r\u00e9fl\u00e9chir sur lui-m\u00eame avec l&#8217;autre \u0153il.<br \/>6 &#8211; si un \u0153il a une pupille et que l&#8217;autre \u0153il est noir, il semble que le mod\u00e8le regarde le monde avec un \u0153il, mais regarde Modigliani avec l&#8217;autre \u0153il avec piti\u00e9 ou compassion.<br \/>7 &#8211; en cas de dessin des yeux normaux, cela sugg\u00e8re que Modigliani peut clairement identifier et exprimer le caract\u00e8re du mod\u00e8le \u00e0 travers les yeux du mod\u00e8le, puis il a plut\u00f4t exprim\u00e9 son style unique comme un cou allong\u00e9.<br \/>8 &#8211; lorsque Modigliani a tir\u00e9 les deux yeux vides, il semble qu&#8217;il ait eu du mal \u00e0 saisir le caract\u00e8re du mod\u00e8le \u00e0 travers les yeux du mod\u00e8le, ou qu&#8217;il ait eu du mal \u00e0 exprimer le caract\u00e8re du mod\u00e8le parce que Modigliani pensait que le mod\u00e8le avait trop de caract\u00e8res. La couleur des yeux vides pour ce cas correspond g\u00e9n\u00e9ralement \u00e0 la couleur d&#8217;arri\u00e8re-plan comme si nous voyons l&#8217;arri\u00e8re-plan \u00e0 travers les yeux vides.<br \/>9 &#8211; s\u2019il dessine les deux yeux du mod\u00e8le en noir, il semble que Modigliani pensait que le mod\u00e8le avait une forte sympathie pour lui, plut\u00f4t que Modigliani n\u2019analyse le caract\u00e8re du mod\u00e8le.<\/p>\r\n\r\n<p>&nbsp;<\/p>\r\n<p>[\/vc_column_text]<\/div><\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"[vc_column_text css=\"\"] Amadeo Modigliani est d\u00e9c\u00e9d\u00e9 il y a 100 ans, le 24 janvier 1920. Seungyong Chang, President, Modigliani Institute Korea d\u00e9crypte pour UN1K. le style des yeux de Modigliani, r\u00e9put\u00e9 pour ses personnages aux visages oblongs et ses yeux vides. \u00ab Le bonheur est un ange au visage grave \u00bb, avait affirm\u00e9 Modigliani \u00e0 [...]","protected":false},"author":1,"featured_media":1954,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"tdm_status":"","tdm_grid_status":"","footnotes":""},"categories":[1166],"tags":[],"class_list":{"0":"post-1953","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-masterpiece"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Amedeo Modigliani, l\u2019\u0153il int\u00e9rieur d\u00e9crypt\u00e9 - GREAT-ARTMAG<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/great-artmag.com\/en\/amedeo-modigliani-yeux-oeil-interieur-decryptage\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Amedeo Modigliani, l\u2019\u0153il int\u00e9rieur d\u00e9crypt\u00e9 - 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