{"id":2161,"date":"2014-12-08T22:51:24","date_gmt":"2014-12-08T21:51:24","guid":{"rendered":"https:\/\/unik-artmag.com\/?p=612"},"modified":"2025-02-12T14:30:07","modified_gmt":"2025-02-12T13:30:07","slug":"roxana-azimi-lart-brut-c-est-le-moment-ou-les-choses-vrillent","status":"publish","type":"post","link":"https:\/\/great-artmag.com\/en\/roxana-azimi-lart-brut-c-est-le-moment-ou-les-choses-vrillent\/","title":{"rendered":"Roxana Azimi : &#8220;L&#8217;Art brut, c&#8217;est le moment o\u00f9 les choses vrillent&#8221;"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><div id=\"tdi_1\" class=\"tdc-row\"><div class=\"vc_row tdi_2  wpb_row td-pb-row\" >\n<style scoped>\n\/* custom css - generated by TagDiv Composer *\/\n\n\/* custom css - generated by TagDiv Composer *\/\n.tdi_2,\r\n                .tdi_2 .tdc-columns{\r\n                    min-height: 0;\r\n                }.tdi_2,\r\n\t\t\t\t.tdi_2 .tdc-columns{\r\n\t\t\t\t    display: block;\r\n\t\t\t\t}.tdi_2 .tdc-columns{\r\n\t\t\t\t    width: 100%;\r\n\t\t\t\t}.tdi_2:before,\r\n\t\t\t\t.tdi_2:after{\r\n\t\t\t\t    display: table;\r\n\t\t\t\t}\n<\/style><div class=\"vc_column tdi_4  wpb_column vc_column_container tdc-column td-pb-span12\">\n<style scoped>\n\/* custom css - generated by TagDiv Composer *\/\n\n\/* custom css - generated by TagDiv Composer *\/\n.tdi_4{\r\n                    vertical-align: baseline;\r\n                }.tdi_4 > .wpb_wrapper,\r\n\t\t\t\t.tdi_4 > .wpb_wrapper > .tdc-elements{\r\n\t\t\t\t    display: block;\r\n\t\t\t\t}.tdi_4 > .wpb_wrapper > .tdc-elements{\r\n\t\t\t\t    width: 100%;\r\n\t\t\t\t}.tdi_4 > .wpb_wrapper > .vc_row_inner{\r\n\t\t\t\t    width: auto;\r\n\t\t\t\t}.tdi_4 > .wpb_wrapper{\r\n\t\t\t\t    width: auto;\r\n\t\t\t\t    height: auto;\r\n\t\t\t\t}\n<\/style><div class=\"wpb_wrapper\" >[vc_column_text]Envoy\u00e9e sp\u00e9ciale sur le terrain de l&#8217;Art brut, Roxana Azimi signe un livre d\u00e9capant intitul\u00e9 &#8220;<em>La Folie de l&#8217;art brut<\/em>&#8221; aux \u00e9ditions S\u00e9guier consacr\u00e9 aux relations tendues entre art brut et art contemporain.<\/p>\n<p>A un rythme effr\u00e9n\u00e9, Roxana Azimi chronique chaque jour les grands \u00e9v\u00e9nements artistiques pour le Quotidien de l&#8217;art, ce m\u00e9dia num\u00e9rique qu&#8217;elle a co-fond\u00e9 en 2011. B\u00e2le, Miami, Shanghai&#8230; elle flaire l&#8217;air du temps et rencontre les acteurs de ce march\u00e9 en perp\u00e9tuelle \u00e9bullition. Rod\u00e9e aux discours de l&#8217;art contemporain, la journaliste au style ac\u00e9r\u00e9 et \u00e0 l&#8217;ironie bienveillante, sait rendre comme personne en quelques mots cisel\u00e9s la vacuit\u00e9 des propos qu&#8217;elle recueille ou des \u0153uvres qu&#8217;elle d\u00e9couvre, mais aussi \u00e9clairer l&#8217;intelligence d&#8217;une personnalit\u00e9 \u00e9mergente ou d&#8217;un travail digne d&#8217;\u00eatre remarqu\u00e9.[\/vc_column_text]<\/div><\/div><\/div><\/div><div id=\"tdi_5\" class=\"tdc-row\"><div class=\"vc_row tdi_6  wpb_row td-pb-row\" >\n<style scoped>\n\/* custom css - generated by TagDiv Composer *\/\n\n\/* custom css - generated by TagDiv Composer *\/\n.tdi_6,\r\n                .tdi_6 .tdc-columns{\r\n                    min-height: 0;\r\n                }.tdi_6,\r\n\t\t\t\t.tdi_6 .tdc-columns{\r\n\t\t\t\t    display: block;\r\n\t\t\t\t}.tdi_6 .tdc-columns{\r\n\t\t\t\t    width: 100%;\r\n\t\t\t\t}.tdi_6:before,\r\n\t\t\t\t.tdi_6:after{\r\n\t\t\t\t    display: table;\r\n\t\t\t\t}\n<\/style><div class=\"vc_column tdi_8  wpb_column vc_column_container tdc-column td-pb-span3\">\n<style scoped>\n\/* custom css - generated by TagDiv Composer *\/\n\n\/* custom css - generated by TagDiv Composer *\/\n.tdi_8{\r\n                    vertical-align: baseline;\r\n                }.tdi_8 > .wpb_wrapper,\r\n\t\t\t\t.tdi_8 > .wpb_wrapper > .tdc-elements{\r\n\t\t\t\t    display: block;\r\n\t\t\t\t}.tdi_8 > .wpb_wrapper > .tdc-elements{\r\n\t\t\t\t    width: 100%;\r\n\t\t\t\t}.tdi_8 > .wpb_wrapper > .vc_row_inner{\r\n\t\t\t\t    width: auto;\r\n\t\t\t\t}.tdi_8 > .wpb_wrapper{\r\n\t\t\t\t    width: auto;\r\n\t\t\t\t    height: auto;\r\n\t\t\t\t}\n<\/style><div class=\"wpb_wrapper\" >[vc_single_image image=&#8221;614&#8243; img_size=&#8221;full&#8221;]<\/div><\/div><div class=\"vc_column tdi_10  wpb_column vc_column_container tdc-column td-pb-span9\">\n<style scoped>\n\/* custom css - generated by TagDiv Composer *\/\n\n\/* custom css - generated by TagDiv Composer *\/\n.tdi_10{\r\n                    vertical-align: baseline;\r\n                }.tdi_10 > .wpb_wrapper,\r\n\t\t\t\t.tdi_10 > .wpb_wrapper > .tdc-elements{\r\n\t\t\t\t    display: block;\r\n\t\t\t\t}.tdi_10 > .wpb_wrapper > .tdc-elements{\r\n\t\t\t\t    width: 100%;\r\n\t\t\t\t}.tdi_10 > .wpb_wrapper > .vc_row_inner{\r\n\t\t\t\t    width: auto;\r\n\t\t\t\t}.tdi_10 > .wpb_wrapper{\r\n\t\t\t\t    width: auto;\r\n\t\t\t\t    height: auto;\r\n\t\t\t\t}\n<\/style><div class=\"wpb_wrapper\" >[vc_column_text]Dans ce premier ouvrage, Roxana Azimi ouvre le d\u00e9bat en s&#8217;int\u00e9ressant aux rapports nouveaux &#8211; et ambigus &#8211; qu&#8217;entretiennent art brut et art contemporain.[\/vc_column_text]<\/div><\/div><\/div><\/div><div id=\"tdi_11\" class=\"tdc-row\"><div class=\"vc_row tdi_12  wpb_row td-pb-row\" >\n<style scoped>\n\/* custom css - generated by TagDiv Composer *\/\n\n\/* custom css - generated by TagDiv Composer *\/\n.tdi_12,\r\n                .tdi_12 .tdc-columns{\r\n                    min-height: 0;\r\n                }.tdi_12,\r\n\t\t\t\t.tdi_12 .tdc-columns{\r\n\t\t\t\t    display: block;\r\n\t\t\t\t}.tdi_12 .tdc-columns{\r\n\t\t\t\t    width: 100%;\r\n\t\t\t\t}.tdi_12:before,\r\n\t\t\t\t.tdi_12:after{\r\n\t\t\t\t    display: table;\r\n\t\t\t\t}\n<\/style><div class=\"vc_column tdi_14  wpb_column vc_column_container tdc-column td-pb-span12\">\n<style scoped>\n\/* custom css - generated by TagDiv Composer *\/\n\n\/* custom css - generated by TagDiv Composer *\/\n.tdi_14{\r\n                    vertical-align: baseline;\r\n                }.tdi_14 > .wpb_wrapper,\r\n\t\t\t\t.tdi_14 > .wpb_wrapper > .tdc-elements{\r\n\t\t\t\t    display: block;\r\n\t\t\t\t}.tdi_14 > .wpb_wrapper > .tdc-elements{\r\n\t\t\t\t    width: 100%;\r\n\t\t\t\t}.tdi_14 > .wpb_wrapper > .vc_row_inner{\r\n\t\t\t\t    width: auto;\r\n\t\t\t\t}.tdi_14 > .wpb_wrapper{\r\n\t\t\t\t    width: auto;\r\n\t\t\t\t    height: auto;\r\n\t\t\t\t}\n<\/style><div class=\"wpb_wrapper\" >[vc_column_text]Si le terme art brut est apparu en 1945 sous la plume de Jean Dubuffet, il est en effet sous les feux de l&#8217;actualit\u00e9 car remis sur le devant de la sc\u00e8ne gr\u00e2ce \u00e0 des passionn\u00e9s, comme le galeriste parisien Christian Berst ou le collectionneur Antoine de Galbert. Ce dernier, fondateur et animateur de la Maison Rouge \u00e0 Paris depuis 2004, aime bousculer les codes en d\u00e9voilant aux visiteurs des univers d&#8217;amateurs peu communs. &#8220;L&#8217;Art brut, c&#8217;est le moment o\u00f9 les choses vrillent&#8221;, d\u00e9crypte-t-elle. Une belle expression pour exprimer ce sentiment ressenti par le spectateur et le cr\u00e9ateur de se tordre sur soi-m\u00eame. Les artistes de l&#8217;Art brut, des experts en distorsion![\/vc_column_text]<\/div><\/div><\/div><\/div><div id=\"tdi_15\" class=\"tdc-row\"><div class=\"vc_row tdi_16  wpb_row td-pb-row\" >\n<style scoped>\n\/* custom css - generated by TagDiv Composer *\/\n\n\/* custom css - generated by TagDiv Composer *\/\n.tdi_16,\r\n                .tdi_16 .tdc-columns{\r\n                    min-height: 0;\r\n                }.tdi_16,\r\n\t\t\t\t.tdi_16 .tdc-columns{\r\n\t\t\t\t    display: block;\r\n\t\t\t\t}.tdi_16 .tdc-columns{\r\n\t\t\t\t    width: 100%;\r\n\t\t\t\t}.tdi_16:before,\r\n\t\t\t\t.tdi_16:after{\r\n\t\t\t\t    display: table;\r\n\t\t\t\t}\n<\/style><div class=\"vc_column tdi_18  wpb_column vc_column_container tdc-column td-pb-span3\">\n<style scoped>\n\/* custom css - generated by TagDiv Composer *\/\n\n\/* custom css - generated by TagDiv Composer *\/\n.tdi_18{\r\n                    vertical-align: baseline;\r\n                }.tdi_18 > .wpb_wrapper,\r\n\t\t\t\t.tdi_18 > .wpb_wrapper > .tdc-elements{\r\n\t\t\t\t    display: block;\r\n\t\t\t\t}.tdi_18 > .wpb_wrapper > .tdc-elements{\r\n\t\t\t\t    width: 100%;\r\n\t\t\t\t}.tdi_18 > .wpb_wrapper > .vc_row_inner{\r\n\t\t\t\t    width: auto;\r\n\t\t\t\t}.tdi_18 > .wpb_wrapper{\r\n\t\t\t\t    width: auto;\r\n\t\t\t\t    height: auto;\r\n\t\t\t\t}\n<\/style><div class=\"wpb_wrapper\" >[vc_single_image image=&#8221;616&#8243; img_size=&#8221;full&#8221;]<\/div><\/div><div class=\"vc_column tdi_20  wpb_column vc_column_container tdc-column td-pb-span9\">\n<style scoped>\n\/* custom css - generated by TagDiv Composer *\/\n\n\/* custom css - generated by TagDiv Composer *\/\n.tdi_20{\r\n                    vertical-align: baseline;\r\n                }.tdi_20 > .wpb_wrapper,\r\n\t\t\t\t.tdi_20 > .wpb_wrapper > .tdc-elements{\r\n\t\t\t\t    display: block;\r\n\t\t\t\t}.tdi_20 > .wpb_wrapper > .tdc-elements{\r\n\t\t\t\t    width: 100%;\r\n\t\t\t\t}.tdi_20 > .wpb_wrapper > .vc_row_inner{\r\n\t\t\t\t    width: auto;\r\n\t\t\t\t}.tdi_20 > .wpb_wrapper{\r\n\t\t\t\t    width: auto;\r\n\t\t\t\t    height: auto;\r\n\t\t\t\t}\n<\/style><div class=\"wpb_wrapper\" >[vc_column_text]Les artistes contemporains se nourrissent en effet \u00e0 nouveau de ces artistes autodidactes de l&#8217;Art brut, qui furent tant d\u00e9cri\u00e9s, sans pour autant toujours livrer &#8211; ou m\u00eame reconna\u00eetre &#8211; leurs sources. L&#8217;art contemporain serait-il \u00e0 bout de souffle? Roxana Azimi a eu la bonne id\u00e9e d&#8217;interpeller les \u00e9tudiants en \u00e9cole des beaux-arts, ceux qui &#8220;biberonnent \u00e0 l&#8217;art post-conceptuel&#8221;, pour les interroger sur leur rapport \u00e0 cet art jug\u00e9 mineur. Car c&#8217;est un fait, en enseignant la diversit\u00e9 des techniques, les \u00e9coles d&#8217;art formatent. Et son enqu\u00eate, compl\u00e8te, internationale, la m\u00e8ne des collections de Villeneuve d&#8217;Ascq au centre d&#8217;art brut Gugging en Basse-Autriche. Elle explore la d\u00e9marche des artistes qui se revendiquent parfois de figures de l&#8217;Art brut, notamment d&#8217;Henry Darger, n\u00e9 en 1892 \u00e0 Chicago qui a laiss\u00e9 \u00e0 sa mort en 1973 plusieurs centaines de dessins fulgurants.[\/vc_column_text]<\/div><\/div><\/div><\/div><div id=\"tdi_21\" class=\"tdc-row\"><div class=\"vc_row tdi_22  wpb_row td-pb-row\" >\n<style scoped>\n\/* custom css - generated by TagDiv Composer *\/\n\n\/* custom css - generated by TagDiv Composer *\/\n.tdi_22,\r\n                .tdi_22 .tdc-columns{\r\n                    min-height: 0;\r\n                }.tdi_22,\r\n\t\t\t\t.tdi_22 .tdc-columns{\r\n\t\t\t\t    display: block;\r\n\t\t\t\t}.tdi_22 .tdc-columns{\r\n\t\t\t\t    width: 100%;\r\n\t\t\t\t}.tdi_22:before,\r\n\t\t\t\t.tdi_22:after{\r\n\t\t\t\t    display: table;\r\n\t\t\t\t}\n<\/style><div class=\"vc_column tdi_24  wpb_column vc_column_container tdc-column td-pb-span12\">\n<style scoped>\n\/* custom css - generated by TagDiv Composer *\/\n\n\/* custom css - generated by TagDiv Composer *\/\n.tdi_24{\r\n                    vertical-align: baseline;\r\n                }.tdi_24 > .wpb_wrapper,\r\n\t\t\t\t.tdi_24 > .wpb_wrapper > .tdc-elements{\r\n\t\t\t\t    display: block;\r\n\t\t\t\t}.tdi_24 > .wpb_wrapper > .tdc-elements{\r\n\t\t\t\t    width: 100%;\r\n\t\t\t\t}.tdi_24 > .wpb_wrapper > .vc_row_inner{\r\n\t\t\t\t    width: auto;\r\n\t\t\t\t}.tdi_24 > .wpb_wrapper{\r\n\t\t\t\t    width: auto;\r\n\t\t\t\t    height: auto;\r\n\t\t\t\t}\n<\/style><div class=\"wpb_wrapper\" >[vc_column_text]Qui sont les acteurs contemporains de ce renouveau de l&#8217;Art brut, ceux qui en assurent la renaissance sur le march\u00e9?<\/p>\n<p>&#8220;Le collectionneur de l&#8217;Art brut n&#8217;est jamais un commanditaire&#8221;, explique-t-elle. C&#8217;est ainsi le cas, par exemple, de l&#8217;un des grands d\u00e9fricheurs actuels de l&#8217;Art brut, Bruno Decharme. Ce r\u00e9alisateur parisien, form\u00e9 au cin\u00e9ma par Tati, a assembl\u00e9 l&#8217;une des plus belles collections au monde: un ensemble de 3500 pi\u00e8ces repr\u00e9sentant pr\u00e8s de 300 artistes du milieu du XIXe si\u00e8cle \u00e0 nos jours. Une chance de la d\u00e9couvrir: quelques cinq cents \u0153uvres choisies sont expos\u00e9es \u00e0 la Maison rouge, jusqu&#8217;au 18 janvier. Entre \u00e9tonnement et singularit\u00e9.[\/vc_column_text]<\/div><\/div><\/div><\/div><div id=\"tdi_25\" class=\"tdc-row\"><div class=\"vc_row tdi_26  wpb_row td-pb-row\" >\n<style scoped>\n\/* custom css - generated by TagDiv Composer *\/\n\n\/* custom css - generated by TagDiv Composer *\/\n.tdi_26,\r\n                .tdi_26 .tdc-columns{\r\n                    min-height: 0;\r\n                }.tdi_26,\r\n\t\t\t\t.tdi_26 .tdc-columns{\r\n\t\t\t\t    display: block;\r\n\t\t\t\t}.tdi_26 .tdc-columns{\r\n\t\t\t\t    width: 100%;\r\n\t\t\t\t}.tdi_26:before,\r\n\t\t\t\t.tdi_26:after{\r\n\t\t\t\t    display: table;\r\n\t\t\t\t}\n<\/style><div class=\"vc_column tdi_28  wpb_column vc_column_container tdc-column td-pb-span12\">\n<style scoped>\n\/* custom css - generated by TagDiv Composer *\/\n\n\/* custom css - generated by TagDiv Composer *\/\n.tdi_28{\r\n                    vertical-align: baseline;\r\n                }.tdi_28 > .wpb_wrapper,\r\n\t\t\t\t.tdi_28 > .wpb_wrapper > .tdc-elements{\r\n\t\t\t\t    display: block;\r\n\t\t\t\t}.tdi_28 > .wpb_wrapper > .tdc-elements{\r\n\t\t\t\t    width: 100%;\r\n\t\t\t\t}.tdi_28 > .wpb_wrapper > .vc_row_inner{\r\n\t\t\t\t    width: auto;\r\n\t\t\t\t}.tdi_28 > .wpb_wrapper{\r\n\t\t\t\t    width: auto;\r\n\t\t\t\t    height: auto;\r\n\t\t\t\t}\n<\/style><div class=\"wpb_wrapper\" >[vc_column_text]<em>Photo de couverture : encre, gouache et collage sur papier, Lubos Plny, 2007<\/em>[\/vc_column_text]<\/div><\/div><\/div><\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>CULTURE &#8211; Envoy\u00e9e sp\u00e9ciale sur le terrain de l&#8217;Art brut, Roxana Azimi signe un livre d\u00e9capant intitul\u00e9 &#8220;La Folie de l&#8217;art brut&#8221; aux \u00e9ditions S\u00e9guier consacr\u00e9 aux relations tendues entre art brut et art contemporain.<\/p>\n","protected":false},"author":1,"featured_media":614,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"tdm_status":"","tdm_grid_status":"","footnotes":""},"categories":[1167],"tags":[1172,1175],"class_list":{"0":"post-2161","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-livre","8":"tag-livre","9":"tag-roxana-azimi"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Roxana Azimi : &quot;L&#039;Art brut, c&#039;est le moment o\u00f9 les choses vrillent&quot;<\/title>\n<meta name=\"description\" content=\"Envoy\u00e9e sp\u00e9ciale sur le terrain de l&#039;Art brut, Roxana Azimi signe un livre d\u00e9capant intitul\u00e9 &quot;La Folie de l&#039;art brut&quot; aux \u00e9ditions S\u00e9guier.\" \/>\n<meta name=\"robots\" content=\"index, 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