{"id":2258,"date":"2020-06-24T17:16:32","date_gmt":"2020-06-24T15:16:32","guid":{"rendered":"https:\/\/unik-artmag.com\/?p=2258"},"modified":"2026-05-17T23:50:42","modified_gmt":"2026-05-17T21:50:42","slug":"aix-en-provence-larcadie-de-cezanne-et-zola","status":"publish","type":"post","link":"https:\/\/great-artmag.com\/en\/aix-en-provence-larcadie-de-cezanne-et-zola\/","title":{"rendered":"Aix-en-Provence : C\u00e9zanne et Zola, l\u2019amiti\u00e9 qui a r\u00e9volutionn\u00e9 l’art"},"content":{"rendered":"\r\n

Paul C\u00e9zanne et \u00c9mile Zola ont scell\u00e9 leur destin \u00e0 Aix-en-Provence au XIXe si\u00e8cle. De leur rencontre au coll\u00e8ge Bourbon \u00e0 leur rupture l\u00e9gendaire, leur amiti\u00e9 a fa\u00e7onn\u00e9 l’histoire de la peinture et de la litt\u00e9rature. Entre la montagne Sainte-Victoire et les Carri\u00e8res de Bib\u00e9mus, d\u00e9couvrez comment la Provence est devenue le berceau du cubisme et du naturalisme.<\/strong><\/p>\r\n\r\n\r\n\r\n

\"\"La rencontre historique au coll\u00e8ge Bourbon<\/h3>\r\n

En 1853, Aix-en-Provence est une petite ville de 25 000 habitants. C’est dans cette cit\u00e9 proven\u00e7ale que Paul C\u00e9zanne rencontre \u00c9mile Zola. Les deux adolescents \u00e9tudient au coll\u00e8ge Bourbon, situ\u00e9 rue Cardinale. \u00c0 cette \u00e9poque, le jeune Zola arrive de Paris. Il subit les moqueries de ses camarades. C\u00e9zanne, lui-m\u00eame un peu marginal, d\u00e9cide de le prot\u00e9ger. Une amiti\u00e9 ind\u00e9fectible na\u00eet entre le futur peintre et le futur \u00e9crivain.<\/p>\r\n

Une jeunesse arcadienne dans la campagne aixoise<\/h3>\r\n\r\n\r\n\r\n

Les deux amis vivent une jeunesse libre et sauvage. Ils explorent les rives de l’Arc et les collines environnantes. Ensemble, ils jouent de la musique et draguent les filles. Ils partagent surtout de grandes ambitions artistiques. \u00c9tonnamment, le jeune C\u00e9zanne excelle alors en \u00e9criture. De son c\u00f4t\u00e9, Zola se passionne pour le dessin. “Tu as pris le pinceau, et tu as bien fait”, \u00e9crira plus tard Zola. Les deux comp\u00e8res sp\u00e9culent sur leur gloire future au c\u0153ur de leur “Arcadie” proven\u00e7ale.<\/p>\r\n\r\n\r\n\r\n

\"\"La montagne Sainte-Victoire : muse absolue de C\u00e9zanne<\/h3>\r\n

Le paysage aixois est le personnage central de l’\u0153uvre de C\u00e9zanne. Le peintre est visc\u00e9ralement attach\u00e9 \u00e0 sa terre natale. Il installe son atelier au domaine familial du Jas-de-Bouffan. De l\u00e0, il contemple la montagne Sainte-Victoire. Cette pointe de calcaire devient son obsession. Il lui consacre 44 huiles sur toile et 43 aquarelles. Il explore aussi les Carri\u00e8res de Bib\u00e9mus. Ce site ocre est aujourd’hui consid\u00e9r\u00e9 par les experts comme le berceau des formes cubistes.<\/p>\r\n

Des succ\u00e8s divergents entre Paris et la Provence<\/h3>\r\n

Leurs trajectoires sociales finissent par s’\u00e9loigner. Zola conquiert rapidement Paris avec sa plume. Il devient le ma\u00eetre du naturalisme et de la saga des Rougon-Macquart. \u00c0 l’inverse, C\u00e9zanne reste longtemps un peintre incompris. Jusqu’en 1899, la critique le consid\u00e8re comme un artiste d\u00e9chu. Il vit retir\u00e9 dans sa campagne, loin des salons mondains. Pourtant, il devient \u00e0 la fin de sa vie le “p\u00e8re de l’art moderne”. Les mus\u00e9es s’arrachent ses toiles \u00e0 l’aube du XXe si\u00e8cle.<\/p>\r\n

\"\"La rupture : le myst\u00e8re du roman “L’\u0152uvre”<\/h3>\r\n

Leur correspondance \u00e9pistolaire est riche jusqu’en 1886. Zola raconte Paris et C\u00e9zanne d\u00e9crit sa Provence. Mais la publication du roman L’\u0152uvre<\/i> brise ce lien. Dans ce livre, Zola d\u00e9peint un peintre rat\u00e9 et suicidaire nomm\u00e9 Claude Lantier. C\u00e9zanne se reconna\u00eet dans ce personnage mis\u00e9rable. Il envoie une derni\u00e8re lettre de remerciement, puis coupe les ponts. Le peintre restera inconsolable \u00e0 l’annonce de la mort de Zola en 1902.<\/p>\r\n

L’h\u00e9ritage de C\u00e9zanne et Zola \u00e0 Aix-en-Provence<\/h3>\r\n

Aujourd’hui, l’impact des deux g\u00e9nies est partout \u00e0 Aix. L’atelier du Jas-de-Bouffan et les paysages sont rest\u00e9s quasi intacts. Si les pigments de C\u00e9zanne sont proven\u00e7aux, l’encre de Zola l’est tout autant. L’\u00e9crivain a souvent transpos\u00e9 sa nostalgie d’Aix dans la ville fictive de Plassans. Pour les passionn\u00e9s d’art, la campagne aixoise reste le sanctuaire de cette amiti\u00e9 passionn\u00e9e. C’est ici que l’art moderne a puis\u00e9 sa force et sa lumi\u00e8re.<\/p>\r\n\r\n\r\n","protected":false},"excerpt":{"rendered":"

Paul C\u00e9zanne et \u00c9mile Zola ont scell\u00e9 leur destin \u00e0 Aix-en-Provence au XIXe si\u00e8cle. De leur rencontre au coll\u00e8ge Bourbon \u00e0 leur rupture l\u00e9gendaire, leur amiti\u00e9 a fa\u00e7onn\u00e9 l’histoire de la peinture et de la litt\u00e9rature. Entre la montagne Sainte-Victoire et les Carri\u00e8res de Bib\u00e9mus, d\u00e9couvrez comment la Provence est devenue le berceau du cubisme […]<\/p>\n","protected":false},"author":1,"featured_media":2263,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"tdm_status":"","tdm_grid_status":"","footnotes":""},"categories":[1464],"tags":[1424],"class_list":["post-2258","post","type-post","status-publish","format-standard","has-post-thumbnail","category-villes-art-histoire","tag-tourisme-culturel"],"yoast_head":"\nAix-en-Provence : C\u00e9zanne et Zola, l\u2019amiti\u00e9 qui a r\u00e9volutionn\u00e9 l'art - GREAT-ARTMAG<\/title>\n<meta name=\"description\" content=\"Paul C\u00e9zanne et \u00c9mile Zola ont scell\u00e9 leur destin \u00e0 Aix-en-Provence au XIXe si\u00e8cle. 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