{"id":2587,"date":"2020-10-17T12:01:39","date_gmt":"2020-10-17T10:01:39","guid":{"rendered":"https:\/\/unik-artmag.com\/?p=2587"},"modified":"2026-05-09T20:10:41","modified_gmt":"2026-05-09T18:10:41","slug":"access-le-festival-art-numerique-20-ans-internet","status":"publish","type":"post","link":"https:\/\/great-artmag.com\/en\/access-le-festival-art-numerique-20-ans-internet\/","title":{"rendered":"acce\u0300s)s( 2020, le festival d’art nume\u0301rique fe\u0302te ses 20 ans"},"content":{"rendered":"\r\n

Le festival acc\u00e8s)s(<\/a> c\u00e9l\u00e8bre sa 20e \u00e9dition \u00e0 Pau et en ligne jusqu’au 12 d\u00e9cembre 2020. Sous la direction de Jean-Jacques Gay et Thomas Cheneseau, l’\u00e9v\u00e9nement explore le “melting point”. Cette th\u00e9matique interroge le point de fusion entre l’humain et la machine \u00e0 travers l’art num\u00e9rique.<\/strong><\/p>\r\n\r\n\r\n\r\n\r\n\r\n

Qu’est-ce que le “Melting Point” du festival acc\u00e8s)s( ?<\/h3>\r\n

Le “melting point” d\u00e9signe le passage d’un \u00e9tat solide \u00e0 un \u00e9tat liquide. Pour cette \u00e9dition anniversaire, le festival questionne notre relation aux technologies. Sommes-nous arriv\u00e9s \u00e0 un point de fusion avec la machine ? <\/span>Le programme propose un bilan d’un internet hybride. Vous y d\u00e9couvrirez : <\/span>Des cr\u00e9ations de <\/span>technologie \u00e9lectro-cybern\u00e9tique<\/span>. <\/span>Des narrations interactives et du <\/span>net art<\/span>. <\/span>Des \u0153uvres de <\/span>Glitch art<\/span> et des communaut\u00e9s virtuelles.<\/span><\/h3>\r\n
\r\n
\r\n

\"\"<\/strong><\/h3>\r\n

Anne Horel : l’oracle des r\u00e9seaux sociaux<\/h3>\r\n

L’artiste Anne Horel explore l\u2019espace social digital. Son \u0153uvre se pr\u00e9sente comme un collage g\u00e9ant sur des cimaises. Ce dispositif fonctionne comme un filtre QR code. Une fois scann\u00e9, il renvoie le visiteur vers une animation sur Instagram. Depuis 2009, Anne Horel,<\/a> travaille sur la notion d\u2019avatar. Elle analyse la diff\u00e9rence entre le soi physique et le soi m\u00e9diatis\u00e9. Son parcours va de l’\u00e9criture de chansons via Facebook jusqu’au succ\u00e8s sur l’application Vine.<\/p>\r\n

Agn\u00e8s de Cayeux et Laura Mannelli : l’hybridation rituelle<\/h2>\r\n

L’\u0153uvre “Les Cyborgiennes” pr\u00e9sente trois sculptures connect\u00e9es en forme de vasques. Ces objets ancestraux renferment un galet technologique reli\u00e9 \u00e0 des enceintes. Les artistes y lisent des extraits de textes de science-fiction. Agn\u00e8s de Cayeux et Laura Mannelli placent leur travail sous le signe de l’\u00e9tranget\u00e9. Pour elles, les machines n’ont pas encore appris \u00e0 oublier. Cette installation illustre parfaitement la fusion entre rite ancien et futur num\u00e9rique.<\/p>\r\n<\/figure>\r\n<\/div>\r\n\r\n\r\n\r\n

\r\n
\"\"Samuel Bianchini : La main du march\u00e9 financier<\/span>\r\n
\r\n

L’\u0153uvre en ligne Visible Hand utilise l\u2019art ASCII pour repr\u00e9senter une main. Cette image se compose de caract\u00e8res typographiques dynamiques. Les lettres et chiffres \u00e9voluent en temps r\u00e9el selon les indices boursiers mondiaux. La main s’anime en fonction du volume des transactions financi\u00e8res. Elle semble lutter pour rester visible entre le flux num\u00e9rique et la r\u00e9alit\u00e9 \u00e9conomique. Ici, le moindre geste boursier devient un signe artistique.<\/p>\r\n<\/figcaption>\r\nEXPOSITION VIRTUELLE
20 oeuvres historiques web narratives
JODI, Claude Closky, Rafael Rozendaal, Nicolas Frespech, Martine Neddam, Emilie Gervais & F\u00e9lix Magal, Jankenpopp & Zombectro, Reynald Drouhin, Olia Lialina, Faith Holland, Jan Robert Leegte, LaTurbo Avedon, Zach Lieberman, Cornelia Sollfrank, Andy Picci, Miltos Manetas, Constant Dullaart, Fran\u00e7oise Gamma, Ivan Argote, Amalia Ulman.
xx.acces-s.org<\/figure>\r\n<\/div>\r\n","protected":false},"excerpt":{"rendered":"

Le festival acc\u00e8s)s( c\u00e9l\u00e8bre sa 20e \u00e9dition \u00e0 Pau et en ligne jusqu’au 12 d\u00e9cembre 2020. Sous la direction de Jean-Jacques Gay et Thomas Cheneseau, l’\u00e9v\u00e9nement explore le “melting point”. Cette th\u00e9matique interroge le point de fusion entre l’humain et la machine \u00e0 travers l’art num\u00e9rique.<\/p>\n","protected":false},"author":1,"featured_media":2598,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"tdm_status":"","tdm_grid_status":"","footnotes":""},"categories":[1195],"tags":[],"class_list":["post-2587","post","type-post","status-publish","format-standard","has-post-thumbnail","category-creation-numerique"],"yoast_head":"\nacce\u0300s)s( 2020, le festival d'art nume\u0301rique fe\u0302te ses 20 ans - GREAT-ARTMAG<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/great-artmag.com\/en\/access-le-festival-art-numerique-20-ans-internet\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"acce\u0300s)s( 2020, le festival d'art nume\u0301rique fe\u0302te ses 20 ans - GREAT-ARTMAG\" \/>\n<meta property=\"og:description\" content=\"Le festival acc\u00e8s)s( c\u00e9l\u00e8bre sa 20e \u00e9dition \u00e0 Pau et en ligne jusqu’au 12 d\u00e9cembre 2020. 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