{"id":2612,"date":"2021-02-20T08:59:26","date_gmt":"2021-02-20T07:59:26","guid":{"rendered":"https:\/\/unik-artmag.com\/?p=2612"},"modified":"2022-07-30T08:26:25","modified_gmt":"2022-07-30T06:26:25","slug":"ecritures-interactives-vr-dispositifs-immersifs-datavisualisation","status":"publish","type":"post","link":"https:\/\/great-artmag.com\/en\/ecritures-interactives-vr-dispositifs-immersifs-datavisualisation\/","title":{"rendered":"VR, dispositifs immersifs, exp\u00e9riences mixtes : panorama des nouvelles \u00e9critures interactives"},"content":{"rendered":"\r\n

VR, dispositifs immersifs, exp\u00e9riences mixtes, datavisualisations anim\u00e9es\u2026.<\/strong><\/strong> Les mus\u00e9es et les institutions publiques utilisent de plus en plus des \u0153uvres num\u00e9riques comme outil de m\u00e9diation culturelle et d\u2019exp\u00e9rience partag\u00e9e avec le public. A l’occasion du 6e Forum Entreprendre dans la culture, les producteurs de l\u2019Association des Producteurs d\u2019Exp\u00e9riences Num\u00e9riques (PXN) ont pr\u00e9sent\u00e9 vendredi 23 octobre des projets innovants tant dans leurs contenus que dans leurs modalit\u00e9s de production ou de diffusion.<\/strong><\/p>\r\n\r\n\r\n\r\n

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Data du futur, outil de data visualisation anim\u00e9e d\u00e9velopp\u00e9 par Escalenta<\/figcaption>\r\n<\/figure>\r\n<\/div>\r\n\r\n\r\n\r\n

\u2022 \u00a0 \u00a0Isabelle Thomas<\/strong>\u00a0et le vid\u00e9aste Pascal Goblot <\/strong>d\u2019Escalenta<\/strong> ont pr\u00e9sent\u00e9\u00a0Data du Futur<\/a>, une \u0153uvre immersive multi-format qui nous projette dans le monde de demain. Initialement con\u00e7ue pour une diffusion lin\u00e9aire d’une vingtaine de minutes sur \u00e9cran g\u00e9ant et plan\u00e9tarium en co-production avec La Cit\u00e9 des sciences, ce projet d\u00e9veloppe aussi une narration sp\u00e9cifique et compl\u00e9mentaire en r\u00e9alit\u00e9 virtuelle ciblant une diffusion internationale notamment dans les centres arts et technologies et les mus\u00e9es scientifiques. Avec conviction, ils ont fait la d\u00e9monstration d’un spectacle de datavisualisation anim\u00e9e autour l’\u00e9volution de la population mondiale.<\/p>\r\n\r\n\r\n\r\n

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Les quatre mod\u00e8lesd’interactivit\u00e9 entre les quatre passagers – Les Produits frais<\/figcaption>\r\n<\/figure>\r\n<\/div>\r\n\r\n\r\n\r\n

\u2022 \u00a0 \u00a0Oriane Hurard<\/strong>, productrice pour\u00a0Les Produits Frais\u00a0<\/a><\/strong>a soutenu la cr\u00e9ation des “Passagers”. Une oeuvre multi-utilisateurs pens\u00e9e pour le “in situ”. Une fiction interactive imagin\u00e9e en quatre \u00e9pisodes et con\u00e7ue pour quatre spectateurs synchronis\u00e9s. Les personnages ont \u00e9t\u00e9 model\u00e9s en 3D temps r\u00e9el repeints \u00e0 la main. Plusieurs modalit\u00e9s d’interaction : au regard, \u00e0 la voix, au toucher et au dessin. Les si\u00e8ges de train sont espac\u00e9s de deux m\u00e8tres afin de respecter la distanciation sociale. “Nous soutenons la VR d’auteur”, conclut-elle.<\/p>\r\n\r\n\r\n\r\n

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Exp\u00e9rience des Nymph\u00e9as au mus\u00e9e de l’Orangerie<\/figcaption>\r\n<\/figure>\r\n<\/div>\r\n\r\n\r\n\r\n

\u2022 \u00a0 \u00a0Chlo\u00e9 Jarry<\/strong>, fondatrice de Lucid Realities<\/strong>, soci\u00e9t\u00e9 de production sp\u00e9cialis\u00e9e dans la r\u00e9alit\u00e9 virtuelle,\u00a0a pr\u00e9sent\u00e9 la cr\u00e9ation\u00a0Claude Monet – L\u2019obsession des Nymph\u00e9as<\/a>\u00a0de Nicolas Th\u00e9pot, un exemple r\u00e9ussi de coproduction avec un mus\u00e9e, en l’occurence le mus\u00e9e de l’Orangerie et le mus\u00e9e d\u2019Orsay. 11 000 utilisateurs en quatre mois d’exposition. Une s\u00e9rie d’immersions cr\u00e9atives, de l’atelier de Giverny reconstitu\u00e9, l’\u00e9tang en toutes saisons, avec une s\u00e9quence dans la p\u00e2te picturale du ma\u00eetre impressionniste.<\/p>\r\n\r\n\r\n\r\n

“The Enemy”<\/a> est une exp\u00e9rience mixte, \u00e9crite par le journaliste photo-reporter Karim Ben Khelifa qui permet de provoquer une rencontre. Deux combattants se font face. La rencontre se vit avec un casque en r\u00e9alit\u00e9 virtuelle. “C’est aussi une exp\u00e9rience sociale”, t\u00e9moigne Chlo\u00e9 Jarry.<\/p>\r\n\r\n\r\n\r\n

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“L’Endodrome” (2019) de Dominique Gonzalez-Foerster<\/figcaption>\r\n<\/figure>\r\n<\/div>\r\n\r\n\r\n\r\n

“Endodrome”<\/a> est une oeuvre de Dominique Gonzalez-Foerster pr\u00e9sent\u00e9e \u00e0 la Biennale de Venise en 2019, premi\u00e8re oeuvre en r\u00e9alit\u00e9 virtuelle pr\u00e9sent\u00e9e \u00e0 la biennale d’art contemporain. Les personnes entrent en m\u00eame temps dans la salle. L’exp\u00e9rience c\u00e9r\u00e9monielle \u00e0 vivre multi-utilisateurs et en simultan\u00e9. “Le mus\u00e9e devient diffuseur de ces oeuvres ne r\u00e9alit\u00e9 virtuelle.”<\/p>\r\n\r\n\r\n\r\n

\u2022 \u00a0 \u00a0Anne-Sophie Braud<\/strong>, responsable du p\u00f4le Appui aux cultures num\u00e9riques de l’Institut fran\u00e7ais – M\u00e9diation num\u00e9rique dont la mission est de favoriser l\u2019export des expertises fran\u00e7aises. L\u2019Institut Fran\u00e7ais a pr\u00e9sent\u00e9 ses actions de soutien \u00e0 l\u2019export en faveur des professionnels fran\u00e7ais de la cr\u00e9ation num\u00e9rique, et ceux de la m\u00e9diation num\u00e9rique en particulier.\u00a0<\/p>\r\n\r\n\r\n\r\n

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\"\"<\/figure>\r\n<\/div>\r\n\r\n\r\n\r\n

Le S\u00e9lection VR <\/a>r\u00e9f\u00e9rence une cinquantaine de structures priv\u00e9es et publiques exemplaires et repr\u00e9sentatives des expertises que les professionnels fran\u00e7ais peuvent proposer dans le secteur de la m\u00e9diation num\u00e9rique afin de valoriser et promouvoir \u00e0 l\u2019international ces savoir-faire. Class\u00e9es en trois th\u00e8mes – Fiction, Documentaire, Arts et Patrimoine -, les \u0153uvres de la S\u00e9lection VR pr\u00e9sentent par leur diversit\u00e9 de sujet et de forme une s\u00e9lection repr\u00e9sentative de la cr\u00e9ation fran\u00e7aise en mati\u00e8re de r\u00e9alit\u00e9 virtuelle.<\/p>\r\n\r\n\r\n\r\n

Une rencontre \u00e0 ne pas manquer avec Novembre num\u00e9rique<\/a>, un \u00e9v\u00e9nement qui c\u00e9l\u00e8bre les cultures num\u00e9riques sous toutes leurs formes. Spectacles, expositions, hackathons… d\u00e9j\u00e0 dans soixante pays et une centaine de villes en 2019. L’\u00e9dition 2020 est consacr\u00e9e \u00e0 l’art num\u00e9rique, en partenariat avec le festival Chroniques <\/a>d\u00e9di\u00e9 aux imaginaires num\u00e9riques.<\/p>\r\n\r\n\r\n\r\n

> Le forum Entreprendre dans la culture<\/a>
> L\u2019Association des Producteurs d\u2019Exp\u00e9riences Num\u00e9riques (PXN)<\/a>
> culturevr.fr<\/a><\/p>\r\n","protected":false},"excerpt":{"rendered":"

VR, dispositifs immersifs, exp\u00e9riences mixtes, datavisualisations anim\u00e9es\u2026. Les mus\u00e9es et les institutions publiques utilisent de plus en plus des \u0153uvres num\u00e9riques comme outil de m\u00e9diation culturelle et d\u2019exp\u00e9rience partag\u00e9e avec le public. A l’occasion du 6e Forum Entreprendre dans la culture, les producteurs de l\u2019Association des Producteurs d\u2019Exp\u00e9riences Num\u00e9riques (PXN) ont pr\u00e9sent\u00e9 vendredi 23 octobre […]<\/p>\n","protected":false},"author":1,"featured_media":2645,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"tdm_status":"","tdm_grid_status":"","footnotes":""},"categories":[1195],"tags":[1243,1241,1242],"class_list":{"0":"post-2612","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-tendances-numeriques","8":"tag-immersif","9":"tag-realite-augmentee","10":"tag-vr"},"yoast_head":"\nVR, dispositifs immersifs, exp\u00e9riences mixtes : panorama des nouvelles \u00e9critures interactives - GREAT-ARTMAG<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/great-artmag.com\/en\/ecritures-interactives-vr-dispositifs-immersifs-datavisualisation\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"VR, dispositifs immersifs, exp\u00e9riences mixtes : panorama des nouvelles \u00e9critures interactives - GREAT-ARTMAG\" \/>\n<meta property=\"og:description\" content=\"VR, dispositifs immersifs, exp\u00e9riences mixtes, datavisualisations anim\u00e9es\u2026. Les mus\u00e9es et les institutions publiques utilisent de plus en plus des \u0153uvres num\u00e9riques comme outil de m\u00e9diation culturelle et d\u2019exp\u00e9rience partag\u00e9e avec le public. A l’occasion du 6e Forum Entreprendre dans la culture, les producteurs de l\u2019Association des Producteurs d\u2019Exp\u00e9riences Num\u00e9riques (PXN) ont pr\u00e9sent\u00e9 vendredi 23 octobre […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/great-artmag.com\/en\/ecritures-interactives-vr-dispositifs-immersifs-datavisualisation\/\" \/>\n<meta property=\"og:site_name\" content=\"GREAT-ARTMAG\" \/>\n<meta property=\"article:published_time\" content=\"2021-02-20T07:59:26+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2022-07-30T06:26:25+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/great-artmag.com\/wp-content\/uploads\/2020\/10\/passager-produits-frais.png\" \/>\n\t<meta property=\"og:image:width\" content=\"322\" \/>\n\t<meta property=\"og:image:height\" content=\"312\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"Alexia Gugg\u00e9mos\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Alexia Gugg\u00e9mos\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/great-artmag.com\\\/en\\\/ecritures-interactives-vr-dispositifs-immersifs-datavisualisation\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/great-artmag.com\\\/en\\\/ecritures-interactives-vr-dispositifs-immersifs-datavisualisation\\\/\"},\"author\":{\"name\":\"Alexia Gugg\u00e9mos\",\"@id\":\"https:\\\/\\\/great-artmag.com\\\/en\\\/#\\\/schema\\\/person\\\/07a768635fe6f6d87951dc8ae985eeda\"},\"headline\":\"VR, dispositifs immersifs, exp\u00e9riences mixtes : panorama des nouvelles \u00e9critures interactives\",\"datePublished\":\"2021-02-20T07:59:26+00:00\",\"dateModified\":\"2022-07-30T06:26:25+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/great-artmag.com\\\/en\\\/ecritures-interactives-vr-dispositifs-immersifs-datavisualisation\\\/\"},\"wordCount\":791,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/great-artmag.com\\\/en\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/great-artmag.com\\\/en\\\/ecritures-interactives-vr-dispositifs-immersifs-datavisualisation\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/great-artmag.com\\\/wp-content\\\/uploads\\\/2020\\\/10\\\/passager-produits-frais.png\",\"keywords\":[\"Immersif\",\"R\u00e9alit\u00e9 augment\u00e9e\",\"VR\"],\"articleSection\":[\"ART NUM\u00c9RIQUE & IA\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/great-artmag.com\\\/en\\\/ecritures-interactives-vr-dispositifs-immersifs-datavisualisation\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/great-artmag.com\\\/en\\\/ecritures-interactives-vr-dispositifs-immersifs-datavisualisation\\\/\",\"url\":\"https:\\\/\\\/great-artmag.com\\\/en\\\/ecritures-interactives-vr-dispositifs-immersifs-datavisualisation\\\/\",\"name\":\"VR, dispositifs immersifs, exp\u00e9riences mixtes : panorama des nouvelles \u00e9critures interactives - 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