{"id":3056,"date":"2021-05-01T07:07:00","date_gmt":"2021-05-01T05:07:00","guid":{"rendered":"https:\/\/unik-artmag.com\/?p=3056"},"modified":"2026-05-09T08:03:34","modified_gmt":"2026-05-09T06:03:34","slug":"la-maladie-dantiochus-de-ingres-et-son-double-numerique","status":"publish","type":"post","link":"https:\/\/great-artmag.com\/en\/la-maladie-dantiochus-de-ingres-et-son-double-numerique\/","title":{"rendered":"&#8220;La Maladie d\u2019Antiochus&#8221; de Ingres et son double num\u00e9rique"},"content":{"rendered":"\r\n<p class=\"wp-block-paragraph\"><strong>La num\u00e9risation est une chance pour une \u0153uvre. Elle peut ainsi livrer ses secrets de fabrication, r\u00e9v\u00e9ler sa structure et des d\u00e9tails essentiels \u00e0 sa compr\u00e9hension. La startup suisse Artmyn, sp\u00e9cialis\u00e9e dans la num\u00e9risation d\u2019\u0153uvres d\u2019art, ESI (transporteur d\u2019art) et le Clic France (Club Innovation &amp; Culture) se sont unis pour offrir \u00e0 six mus\u00e9es la production de contenus digitaux innovants. Parmi les p\u00e9pites retenues, &#8220;La Maladie d\u2019Antiochus&#8221; (1840), de Jean-Auguste Ingres, conserv\u00e9 au Mus\u00e9e Cond\u00e9 au Domaine de Chantilly.<\/strong><\/p>\r\n\r\n\r\n\r\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" class=\"wp-image-3057\" src=\"https:\/\/great-artmag.com\/wp-content\/uploads\/2021\/04\/La-maladie-Antiochus_Ingres-1024x623.jpg\" alt=\"La maladie d\u2019Antiochus de Ingres\" \/>\r\n<figcaption>&#8220;La maladie d\u2019Antiochus&#8221; (1840) de Ingres, conserv\u00e9 au Mus\u00e9e Cond\u00e9 au Domaine de Chantilly<\/figcaption>\r\n<\/figure>\r\n\r\n\r\n\r\n<h3>Num\u00e9risation en 26 000 clich\u00e9s<\/h3>\r\n<p class=\"wp-block-paragraph\">Le double num\u00e9rique de <a href=\"http:\/\/www.domainedechantilly.com\/wp-content\/uploads\/2019\/08\/Ingres-Antiochus-et-Stratonice.pdf\">&#8220;La Maladie d&#8217;Antiochus&#8221;<\/a> aura n\u00e9cessit\u00e9 plus de 26 000 clich\u00e9s en haute d\u00e9finition. <em>\u00ab En cr\u00e9ant des jumeaux num\u00e9riques, on permet aux tableaux de quitter leurs cimaises pour aller \u00e0 la rencontre de nouveaux publics. En montrant la texture, les coups de pinceaux, les repentirs et les gestes des artistes, on ouvre le champ de la m\u00e9diation culturelle \u00bb<\/em>, affirme Gr\u00e9goire Debuire, directeur du d\u00e9veloppement de Artmyn. La soci\u00e9t\u00e9 suisse a en effet mis au point un scanner \u00e9quip\u00e9 de l\u2019infrarouge. C&#8217;est un mode de visualisation unique qui permet de r\u00e9v\u00e9ler les sous-couches d&#8217;un tableaux.<\/p>\r\n\r\n\r\n\r\n<h3>Quel est donc ce mal qui ronge Anthiochus ?<\/h3>\r\n<p class=\"wp-block-paragraph\">Sur le tableau de Jean-Dominique Ingres, une jeune femme regarde songeuse un Sphinx repr\u00e9sent\u00e9 sur le pavement. Dans l\u2019ombre, un homme debout derri\u00e8re le lit, s\u2019incline vers le personnage central. Allong\u00e9, sa main sur son c\u0153ur, il souffre. Le sujet est extrait de la vie de D\u00e9m\u00e9trius de Plutarque. Verdict du m\u00e9decin : le malade est atteint au coeur, il est amoureux ! La num\u00e9risation rend encore plus \u00e9clatante la sc\u00e8ne. Elle r\u00e9v\u00e8le \u00e9galement de nombreux d\u00e9tails comme un br\u00fble-parfum au pied du lit. L\u2019\u00e9vanescence de la fum\u00e9e semble gagner l\u2019univers olympien des immortels.<\/p>\r\n\r\n\r\n\r\n<h3>Un tableau pay\u00e9 le double<\/h3>\r\n<p class=\"wp-block-paragraph\">Ingres re\u00e7oit en 1834 cette commande importante du duc Ferdinand d\u2019Orl\u00e9ans, fils a\u00een\u00e9 du roi Louis-Philippe, fr\u00e8re du duc d\u2019Aumale. Le peintre rassemble alors un corpus de plus de 1 500 relev\u00e9s graphiques pour alimenter et construire un langage pictural qu\u2019il souhaite \u00ab assez neuf \u00bb. Le 10 avril 1839, alors qu\u2019il est directeur de l\u2019Acad\u00e9mie de France \u00e0 Rome, Ingres emprunte \u00e0 la biblioth\u00e8que de la villa M\u00e9dicis l\u2019ouvrage de Visconti. L&#8217;iconographie ancienne consacre un chapitre aux S\u00e9leucides, rois de Syrie. Ingres livre l\u2019\u0153uvre en 1840. Le prince se montre satisfait et va m\u00eame jusqu&#8217;\u00e0 doubler ses honoraires. Le duc d\u2019Orl\u00e9ans \u00e9crit aussit\u00f4t \u00e0 Ingres pour lui demander de r\u00e9aliser son portrait. Celui-ci est aujourd\u2019hui conserv\u00e9 au mus\u00e9e du Louvre.<br \/><br \/>&gt; D\u00e9couvrez les autres num\u00e9risations du Challenge ESI &#8211; Artmyn &#8211; Clic France <a href=\"http:\/\/www.club-innovation-culture.fr\/challenge-esi-clic-france-artmyn-laureats\/\" target=\"_blank\" rel=\"noreferrer noopener\">www.clic-innovation-culture.com<\/a><\/p>\r\n","protected":false},"excerpt":{"rendered":"<p>La num\u00e9risation est une chance pour une \u0153uvre. Elle peut ainsi livrer ses secrets de fabrication, r\u00e9v\u00e9ler sa structure et des d\u00e9tails essentiels \u00e0 sa compr\u00e9hension. La startup suisse Artmyn, sp\u00e9cialis\u00e9e dans la num\u00e9risation d\u2019\u0153uvres d\u2019art, ESI (transporteur d\u2019art) et le Clic France (Club Innovation &amp; Culture) se sont unis pour offrir \u00e0 six mus\u00e9es [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":3057,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"tdm_status":"","tdm_grid_status":"","footnotes":""},"categories":[1166,1195],"tags":[1455,1157],"class_list":["post-3056","post","type-post","status-publish","format-standard","has-post-thumbnail","category-masterpiece","category-tendances-numeriques","tag-bap","tag-nft"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>&quot;La Maladie d\u2019Antiochus&quot; de Ingres et son double num\u00e9rique - GREAT-ARTMAG<\/title>\n<meta name=\"description\" content=\"La startup suisse Artmyn a num\u00e9ris\u00e9 &quot;La Maladie d\u2019Antiochus&quot; (1840), de Jean-Auguste Ingres, conserv\u00e9 au Mus\u00e9e Cond\u00e9 au Domaine de Chantilly.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/great-artmag.com\/en\/la-maladie-dantiochus-de-ingres-et-son-double-numerique\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"&quot;La Maladie d\u2019Antiochus&quot; de Ingres et son double num\u00e9rique - 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