{"id":4793,"date":"2025-03-28T07:43:12","date_gmt":"2025-03-28T06:43:12","guid":{"rendered":"https:\/\/great-artmag.com\/?p=4793"},"modified":"2026-05-05T10:00:42","modified_gmt":"2026-05-05T08:00:42","slug":"drawing-now-paris-2025-dessin-contemporain","status":"publish","type":"post","link":"https:\/\/great-artmag.com\/en\/drawing-now-paris-2025-dessin-contemporain\/","title":{"rendered":"Drawing Now Paris 2025 : retour sur une \u00e9dition sous haute tension cr\u00e9ative"},"content":{"rendered":"

Sous la verri\u00e8re du Carreau du Temple \u00e0 Paris, cet ancien march\u00e9 couvert typique de l’architecture m\u00e9tallique du XIX\u00e8me si\u00e8cle, une sc\u00e8ne \u00e0 la fois brute et \u00e9l\u00e9gante se dessine avec Drawing Now Paris qui revient pour sa 18e \u00e9dition. L\u2019effet est imm\u00e9diat : on entre dans une bulle vibrante, un mini-Grand Palais o\u00f9 le dessin contemporain affirme haut et fort sa vitalit\u00e9. Jusqu’au 30 mars.<\/p>\n

\"Romain
Romain Bernini<\/figcaption><\/figure>\n

Une 18e \u00e9dition sous le signe de l\u2019audace cr\u00e9ative<\/h3>\n

La foire Drawing Now Paris rassemble 71 galeries internationales et quelque 300 artistes. Une dynamique d\u2019ensemble s\u2019en d\u00e9gage, entre \u00e9nergie printani\u00e8re, effervescence visuelle et audace cr\u00e9ative. Ici, le dessin n\u2019est pas fig\u00e9 dans une tradition, il respire, \u00e9volue, surprend. Le printemps est partout, dans les gestes, les formats, les exp\u00e9rimentations.Romain Bernini<\/a>, lui, place le visiteur face \u00e0 une nature satur\u00e9e, immersive, presque hallucin\u00e9e.<\/span> Un monde v\u00e9g\u00e9tal o\u00f9 le regard se perd, entre peinture et dessin. C\u2019est cette porosit\u00e9 des fronti\u00e8res qui rend cette \u00e9dition si stimulante. Le dessin se fait volume, image en mouvement et langage po\u00e9tique. Les artistes \u00e9tablis ne sont pas en reste : le collage pop d\u2019Err\u00f3 ou les polaro\u00efds sur papier d\u2019Erik Dietman conservent une insolence juv\u00e9nile, prouvant que le papier reste un territoire d\u2019exp\u00e9rimentation continue.<\/p>\n

Le th\u00e9\u00e2tre fragment\u00e9 de Jan Voss<\/span><\/h3>\n

Le parcours se vit comme une promenade o\u00f9 l\u2019on cueille des r\u00e9cits. Le talentueux Jan Voss propose une \u0153uvre tout en jeu et en mati\u00e8re : un grand canevas mural sur lequel il a \u00e9pingl\u00e9 une constellation de mini toiles. Chacune d\u2019elles abrite un visage peint, expressif, captur\u00e9 au vol. Le tout forme une sorte de th\u00e9\u00e2tre fragment\u00e9, un patchwork de portraits qui semble dialoguer en silence. On retrouve l\u00e0 la touche joyeusement d\u00e9sordonn\u00e9e de Voss, sa mani\u00e8re de faire vibrer la surface et de convoquer le dessin dans une construction plastique plus vaste. C\u2019est une \u0153uvre g\u00e9n\u00e9reuse, m\u00ealant spontan\u00e9it\u00e9, ironie et rigueur formelle, comme une m\u00e9moire collective \u00e9clat\u00e9e.<\/p>\n

\"\"
Sylvain Le Corre<\/figcaption><\/figure>\n

R\u00e9v\u00e9lations et r\u00e9interpr\u00e9tations : de Sylvain Le Corre \u00e0 S\u0142awomir Elsner<\/h3>\n

Parmi les r\u00e9v\u00e9lations, Sylvain Le Corre <\/a>impressionne avec ses paysages de ruines imaginaires, entre m\u00e9moire et reconstruction. \u00c0 seulement 30 ans, il captive par la maturit\u00e9 de sa vision et sa virtuosit\u00e9 discr\u00e8te. En parall\u00e8le, S\u0142awomir Elsner d\u00e9tourne les chefs-d\u2019\u0153uvre de l\u2019histoire de l\u2019art (comme Manet) avec une pr\u00e9cision hypnotique au crayon de couleur. Ces deux d\u00e9marches oppos\u00e9es prouvent que le dessin peut rivaliser en puissance avec les m\u00e9diums les plus spectaculaires. Chez Elsner, le crayon ne copie pas, il r\u00e9v\u00e8le chaque trait comme un acte de r\u00e9interpr\u00e9tation sensorielle. Le dessin contemporain confirme ainsi qu’il est bien plus qu’un simple support : il est un terrain d\u2019insolence et d\u2019\u00e9motion. Drawing Now Paris en est, cette ann\u00e9e encore, le c\u0153ur battant.<\/p>\n

> Le site Drawing Now<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Sous la verri\u00e8re du Carreau du Temple \u00e0 Paris, cet ancien march\u00e9 couvert typique de l’architecture m\u00e9tallique du XIX\u00e8me si\u00e8cle, une sc\u00e8ne \u00e0 la fois brute et \u00e9l\u00e9gante se dessine avec Drawing Now Paris qui revient pour sa 18e \u00e9dition. L\u2019effet est imm\u00e9diat : on entre dans une bulle vibrante, un mini-Grand Palais o\u00f9 le […]<\/p>\n","protected":false},"author":1,"featured_media":4794,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"tdm_status":"","tdm_grid_status":"","footnotes":""},"categories":[1163],"tags":[],"class_list":["post-4793","post","type-post","status-publish","format-standard","has-post-thumbnail","category-exposition"],"yoast_head":"\nDrawing Now Paris 2025 : retour sur une \u00e9dition sous haute tension cr\u00e9ative - GREAT-ARTMAG<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/great-artmag.com\/en\/drawing-now-paris-2025-dessin-contemporain\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Drawing Now Paris 2025 : retour sur une \u00e9dition sous haute tension cr\u00e9ative - GREAT-ARTMAG\" \/>\n<meta property=\"og:description\" content=\"Sous la verri\u00e8re du Carreau du Temple \u00e0 Paris, cet ancien march\u00e9 couvert typique de l’architecture m\u00e9tallique du XIX\u00e8me si\u00e8cle, une sc\u00e8ne \u00e0 la fois brute et \u00e9l\u00e9gante se dessine avec Drawing Now Paris qui revient pour sa 18e \u00e9dition. 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