{"id":4793,"date":"2025-03-28T07:43:12","date_gmt":"2025-03-28T06:43:12","guid":{"rendered":"https:\/\/great-artmag.com\/?p=4793"},"modified":"2025-03-28T08:27:30","modified_gmt":"2025-03-28T07:27:30","slug":"drawing-now-paris-2025-dessin-contemporain","status":"publish","type":"post","link":"https:\/\/great-artmag.com\/en\/drawing-now-paris-2025-dessin-contemporain\/","title":{"rendered":"Drawing Now Paris 2025 : retour sur une \u00e9dition sous haute tension cr\u00e9ative"},"content":{"rendered":"

Sous la verri\u00e8re du Carreau du Temple \u00e0 Paris, cet ancien march\u00e9 couvert typique de l’architecture m\u00e9tallique du XIX\u00e8me si\u00e8cle, une sc\u00e8ne \u00e0 la fois brute et \u00e9l\u00e9gante se dessine avec Drawing Now Paris qui revient pour sa 18e \u00e9dition. L\u2019effet est imm\u00e9diat : on entre dans une bulle vibrante, un mini-Grand Palais o\u00f9 le dessin contemporain affirme haut et fort sa vitalit\u00e9. Jusqu’au 30 mars.<\/strong><\/p>\n

\"Romain
Romain Bernini<\/figcaption><\/figure>\n

La foire Drawing Now Paris rassemble 71 galeries internationales et quelque 300 artistes. Une dynamique d\u2019ensemble s\u2019en d\u00e9gage, entre \u00e9nergie printani\u00e8re, effervescence visuelle et audace cr\u00e9ative. Ici, le dessin n\u2019est pas fig\u00e9 dans une tradition, il respire, \u00e9volue, surprend. Le printemps est partout, dans les gestes, les formats, les exp\u00e9rimentations. Romain Bernini<\/a>, lui, place le visiteur face \u00e0 une nature satur\u00e9e, immersive, presque hallucin\u00e9e. Un monde v\u00e9g\u00e9tal o\u00f9 le regard se perd, entre peinture et dessin, on ne sait plus tr\u00e8s bien. C\u2019est justement cette porosit\u00e9 des fronti\u00e8res qui rend cette \u00e9dition si stimulante. Le dessin se fait volume, image en mouvement, langage po\u00e9tique. <\/span>Et les artistes d\u00e9j\u00e0 \u00e9tablis ne sont pas en reste. Le collage vif et pop d\u2019Err\u00f3<\/a>, ou les polaro\u00efds sur papier d\u2019Erik Dietman<\/a>, conservent une insolence juv\u00e9nile. Leurs \u0153uvres donnent le ton : rester inventif, r\u00e9sister \u00e0 l\u2019usure du temps. Le papier, chez eux, devient territoire d\u2019exp\u00e9rimentation continue. <\/span>Ce qui frappe surtout, c\u2019est l\u2019\u00e9quilibre r\u00e9ussi entre g\u00e9n\u00e9rations, styles et formats. Le salon ne se contente pas d\u2019aligner les stands, il offre une respiration, un rythme. Le parcours se vit comme une promenade \u2013 on y cueille des id\u00e9es, des surprises, des r\u00e9cits.<\/span><\/p>\n

Mon coup de c\u0153ur va sans conteste au surprenant et talentueux Jan Voss<\/a> qui propose une \u0153uvre tout en jeu et en mati\u00e8re : un grand canevas mural sur lequel il a \u00e9pingl\u00e9 une constellation de mini toiles. Chacune d\u2019elles abrite un visage peint, expressif, fulgurant, comme captur\u00e9 au vol. Le tout forme une sorte de th\u00e9\u00e2tre fragment\u00e9, un patchwork de portraits qui semble dialoguer en silence. On retrouve l\u00e0 la touche joyeusement d\u00e9sordonn\u00e9e de Voss, sa mani\u00e8re de faire vibrer la surface, de convoquer le dessin dans une construction plastique plus vaste. C\u2019est une \u0153uvre g\u00e9n\u00e9reuse, qui m\u00eale spontan\u00e9it\u00e9, ironie et rigueur formelle. Comme une m\u00e9moire collective \u00e9clat\u00e9e, accroch\u00e9e \u00e0 m\u00eame le mur.<\/p>\n

\"\"
Sylvain Le Corre<\/figcaption><\/figure>\n

Parmi les r\u00e9v\u00e9lations, Sylvain Le Corre<\/a> impressionne avec ses paysages de ruines imaginaires, entre m\u00e9moire et reconstruction, tandis que S\u0142awomir Elsner<\/a> d\u00e9tourne les chefs-d\u2019\u0153uvre de l\u2019histoire de l\u2019art avec une pr\u00e9cision color\u00e9e, presque hypnotique, au crayon de couleur. Deux d\u00e9marches oppos\u00e9es, mais qui prouvent que le dessin, loin d\u2019\u00eatre mineur, peut rivaliser en puissance avec les m\u00e9diums les plus spectaculaires. Sylvain Le Corre captive avec des dessins d\u2019une virtuosit\u00e9 discr\u00e8te mais saisissante. \u00c0 seulement 30 ans, il impressionne par la maturit\u00e9 de sa vision. Ses architectures ruin\u00e9es, \u00e0 mi-chemin entre la fiction arch\u00e9ologique et le souvenir flou, semblent \u00e9merger d\u2019un pass\u00e9 imaginaire. Quant \u00e0 S\u0142awomir Elsner, le Polonais recompose des tableaux iconiques (Edouard Manet – en ouverture de cet article). Chez Elsner, le crayon ne copie pas, il r\u00e9v\u00e8le. Chaque trait, chaque surface travaill\u00e9e devient un acte de r\u00e9interpr\u00e9tation. Ce n\u2019est plus l\u2019histoire de l\u2019art, c\u2019est une lecture intime, sensorielle, exigeante. Une \u0153uvre \u00e0 la fois savante et profond\u00e9ment sensible.<\/p>\n

Le dessin contemporain, dans ce printemps parisien, confirme qu\u2019il est bien plus qu\u2019un support. Il est un terrain d\u2019insolence, de r\u00e9flexion, d\u2019\u00e9motion. Et Drawing Now Paris en est, cette ann\u00e9e encore, le c\u0153ur battant.
\n> Le site Drawing Now<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Sous la verri\u00e8re du Carreau du Temple \u00e0 Paris, cet ancien march\u00e9 couvert typique de l’architecture m\u00e9tallique du XIX\u00e8me si\u00e8cle, une sc\u00e8ne \u00e0 la fois brute et \u00e9l\u00e9gante se dessine avec Drawing Now Paris qui revient pour sa 18e \u00e9dition. L\u2019effet est imm\u00e9diat : on entre dans une bulle vibrante, un mini-Grand Palais o\u00f9 le […]<\/p>\n","protected":false},"author":1,"featured_media":4794,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"tdm_status":"","tdm_grid_status":"","footnotes":""},"categories":[1163],"tags":[],"class_list":{"0":"post-4793","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-exposition"},"yoast_head":"\nDrawing Now Paris 2025 : retour sur une \u00e9dition sous haute tension cr\u00e9ative - GREAT-ARTMAG<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/great-artmag.com\/en\/drawing-now-paris-2025-dessin-contemporain\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Drawing Now Paris 2025 : retour sur une \u00e9dition sous haute tension cr\u00e9ative - GREAT-ARTMAG\" \/>\n<meta property=\"og:description\" content=\"Sous la verri\u00e8re du Carreau du Temple \u00e0 Paris, cet ancien march\u00e9 couvert typique de l’architecture m\u00e9tallique du XIX\u00e8me si\u00e8cle, une sc\u00e8ne \u00e0 la fois brute et \u00e9l\u00e9gante se dessine avec Drawing Now Paris qui revient pour sa 18e \u00e9dition. 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