{"id":4826,"date":"2025-04-07T12:19:21","date_gmt":"2025-04-07T10:19:21","guid":{"rendered":"https:\/\/great-artmag.com\/?p=4826"},"modified":"2026-05-04T12:57:18","modified_gmt":"2026-05-04T10:57:18","slug":"kader-attia-au-louvre-une-performance-entre-memoire-intime-et-reparation-collective","status":"publish","type":"post","link":"https:\/\/great-artmag.com\/en\/kader-attia-au-louvre-une-performance-entre-memoire-intime-et-reparation-collective\/","title":{"rendered":"La conf\u00e9rence de Kader Attia au Louvre"},"content":{"rendered":"<p class=\"\" data-start=\"135\" data-end=\"512\"><strong>Le Louvre a accueilli Kader Attia le 3 avril 2025 pour une performance singuli\u00e8re : une lecture intime. L\u2019artiste franco-alg\u00e9rien, n\u00e9 en 1970, y a d\u00e9roul\u00e9 le fil d\u2019une m\u00e9moire personnelle. Garges-l\u00e8s-Gonesse (Val-d&#8217;Oise), l\u2019Alg\u00e9rie&#8230; il a livr\u00e9 un r\u00e9cit fragment\u00e9, habit\u00e9 de blessures et de r\u00e9sistances.<\/strong><\/p>\n<h3 data-start=\"514\" data-end=\"819\">La r\u00e9paration<\/h3>\n<p class=\"\" data-start=\"514\" data-end=\"819\">\u00c0 travers ses mots, Kader Attia ne se raconte pas seulement : il questionne. L\u2019identit\u00e9, la transmission, les fronti\u00e8res visibles et invisibles. Il explore cet <em data-start=\"672\" data-end=\"684\">entre-deux<\/em> qui forme la matrice de sa cr\u00e9ation. Depuis plus d\u2019une d\u00e9cennie, l&#8217;artiste d\u00e9veloppe une r\u00e9flexion singuli\u00e8re sur la <em data-start=\"945\" data-end=\"957\">r\u00e9paration<\/em>, notion qu\u2019il \u00e9tend bien au-del\u00e0 du champ m\u00e9dical ou mat\u00e9riel. Il y voit une constante anthropologique, une r\u00e9ponse humaine aux blessures coloniales, identitaires, ou culturelles. La conf\u00e9rence du Louvre, tout en retenue, fait r\u00e9sonner cette obsession. Car que peut-on r\u00e9parer dans un mus\u00e9e, si ce n\u2019est le regard ?<\/p>\n<h3 data-start=\"1372\" data-end=\"1704\"><img decoding=\"async\" class=\" wp-image-4828 alignleft\" src=\"https:\/\/great-artmag.com\/wp-content\/uploads\/2025\/04\/attia-louvre-scaled.jpg\" alt=\"\" width=\"299\" height=\"403\" srcset=\"https:\/\/great-artmag.com\/wp-content\/uploads\/2025\/04\/attia-louvre-scaled.jpg 1901w, https:\/\/great-artmag.com\/wp-content\/uploads\/2025\/04\/attia-louvre-223x300.jpg 223w, https:\/\/great-artmag.com\/wp-content\/uploads\/2025\/04\/attia-louvre-760x1024.jpg 760w, https:\/\/great-artmag.com\/wp-content\/uploads\/2025\/04\/attia-louvre-768x1034.jpg 768w, https:\/\/great-artmag.com\/wp-content\/uploads\/2025\/04\/attia-louvre-1141x1536.jpg 1141w, https:\/\/great-artmag.com\/wp-content\/uploads\/2025\/04\/attia-louvre-1521x2048.jpg 1521w, https:\/\/great-artmag.com\/wp-content\/uploads\/2025\/04\/attia-louvre-312x420.jpg 312w, https:\/\/great-artmag.com\/wp-content\/uploads\/2025\/04\/attia-louvre-696x937.jpg 696w, https:\/\/great-artmag.com\/wp-content\/uploads\/2025\/04\/attia-louvre-1068x1438.jpg 1068w\" sizes=\"(max-width: 299px) 100vw, 299px\" \/>Pr\u00e9server la m\u00e9moire<\/h3>\n<p class=\"\" data-start=\"1372\" data-end=\"1704\">La disparition de certains mus\u00e9es dans des pays fragilis\u00e9s, \u00e9voqu\u00e9e au d\u00e9tour de la lecture, souligne l\u2019urgence de pr\u00e9server la m\u00e9moire collective. Kader Attia rappelle que la transmission passe par les lieux, les contextes, les voix. Le mus\u00e9e devient alors espace politique autant que po\u00e9tique. Sans jamais tomber dans l\u2019invective, Kader Attia glisse une critique du m\u00e9c\u00e9nat institutionnel. Il s&#8217;en prend notamment aux groupes p\u00e9troliers. Il invite \u00e0 repenser les alliances et les responsabilit\u00e9s, \u00e0 interroger les compromissions silencieuses du monde de l\u2019art. Une posture qui n&#8217;est pas sans cons\u00e9quences.<\/p>\n<h3 data-start=\"2246\" data-end=\"2701\">La Colonie<\/h3>\n<p class=\"\" data-start=\"2246\" data-end=\"2701\">Fondateur en 2016 de <a href=\"https:\/\/www.instagram.com\/la_colonie\/\"><em data-start=\"2267\" data-end=\"2279\">La Colonie<\/em>,<\/a> espace aujourd\u2019hui ferm\u00e9, Kader Attia continue de porter la parole d\u2019un d\u00e9cloisonnement des savoirs. Sa d\u00e9marche transdisciplinaire, transculturelle et trans-g\u00e9n\u00e9rationnelle fait du lieu artistique un espace d&#8217;agora \u2014 aujourd\u2019hui nomade \u2014 o\u00f9 les h\u00e9ritages ab\u00eem\u00e9s peuvent \u00eatre pens\u00e9s \u00e0 nouveaux frais. Son travail appelle \u00e0 une d\u00e9colonisation des esprits : pas seulement de l\u2019histoire, mais des r\u00e9cits que nous en faisons.<\/p>\n<p class=\"\" data-start=\"2746\" data-end=\"3232\">&gt; Le site de <a href=\"http:\/\/kaderattia.de\/\">Kader Attia<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Le Louvre a accueilli Kader Attia le 3 avril 2025 pour une performance singuli\u00e8re : une lecture intime. L\u2019artiste franco-alg\u00e9rien, n\u00e9 en 1970, y a d\u00e9roul\u00e9 le fil d\u2019une m\u00e9moire personnelle. Garges-l\u00e8s-Gonesse (Val-d&#8217;Oise), l\u2019Alg\u00e9rie&#8230; il a livr\u00e9 un r\u00e9cit fragment\u00e9, habit\u00e9 de blessures et de r\u00e9sistances. La r\u00e9paration \u00c0 travers ses mots, Kader Attia ne [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":4827,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"tdm_status":"","tdm_grid_status":"","footnotes":""},"categories":[1197],"tags":[1437],"class_list":["post-4826","post","type-post","status-publish","format-standard","has-post-thumbnail","category-portrait-artiste","tag-art-contemporain"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>La conf\u00e9rence de Kader Attia au Louvre - GREAT-ARTMAG<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/great-artmag.com\/en\/kader-attia-au-louvre-une-performance-entre-memoire-intime-et-reparation-collective\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"La conf\u00e9rence de Kader Attia au Louvre - GREAT-ARTMAG\" \/>\n<meta property=\"og:description\" content=\"Le Louvre a accueilli Kader Attia le 3 avril 2025 pour une performance singuli\u00e8re : une lecture intime. L\u2019artiste franco-alg\u00e9rien, n\u00e9 en 1970, y a d\u00e9roul\u00e9 le fil d\u2019une m\u00e9moire personnelle. Garges-l\u00e8s-Gonesse (Val-d&#8217;Oise), l\u2019Alg\u00e9rie&#8230; il a livr\u00e9 un r\u00e9cit fragment\u00e9, habit\u00e9 de blessures et de r\u00e9sistances. 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