{"id":4839,"date":"2025-04-14T16:59:59","date_gmt":"2025-04-14T14:59:59","guid":{"rendered":"https:\/\/great-artmag.com\/?p=4839"},"modified":"2026-04-08T07:34:05","modified_gmt":"2026-04-08T05:34:05","slug":"les-livres-sont-des-oeuvres-dart-eric-fottorino-et-ken-wongyoukhong-par-sylvie-hazebroucq","status":"publish","type":"post","link":"https:\/\/great-artmag.com\/en\/les-livres-sont-des-oeuvres-dart-eric-fottorino-et-ken-wongyoukhong-par-sylvie-hazebroucq\/","title":{"rendered":"[Les livres sont des \u0153uvres d\u2019art ] \u00c9ric Fottorino et Ken Wongyoukhong par Sylvie Hazebroucq"},"content":{"rendered":"<p><strong>\u00c2mes sensibles s\u2019abstenir pourrait \u00eatre le sous-titre des livres d\u2019\u00c9ric Fottorino, tant le r\u00e9el y est intense \u00e0 chaque mot. Dans ses clich\u00e9s, Ken Wongyoukhong ne rate jamais une occasion de monter le son de ses mod\u00e8les.<br \/>\nPar Sylvie Hazebroucq<\/strong><\/p>\n<blockquote><p>Quand le sensible perturbe toute notion temporelle.<\/p><\/blockquote>\n<p>Je d\u00e9couvre les personnages du roman de Fottorino, accoud\u00e9e au zinc d\u2019un bistrot de gare, de ce hasard qui vous aimante \u00e0 quelqu\u2019un. <em>Les Gens Sensibles<\/em> semblent surgir d\u2019une profondeur qui bouleverse sans pr\u00e9venir, celle du c\u0153ur verrouill\u00e9, enfouie sous le tumulte du quotidien qui ne voit plus rien que son train.<br \/>\nL\u2019artiste Guyanais Ken Wongyoukhong les sublime. Ses portraits ne sont pas moins douloureux que magnifiques, \u00e0 la fois. Son po\u00e8te marocain \u00e9merge des terres de l\u2019Atlas, un bout du monde proche de celui que Sa\u00efd doit quitter brutalement dans le livre de l\u2019\u00e9crivain. Quitter sa terre, chercher la paix ailleurs\u2026 Comment garder son identit\u00e9 intacte dans cet \u00e9quilibre tranch\u00e9 par des lames autoritaires ?<\/p>\n<p>De la violence \u00e9merge cette marginalit\u00e9 impos\u00e9e. Et voil\u00e0 Clara, qui a perdu son insouciance et son corps dans un accident de voiture ; Fosco, son p\u00e8re ; Sa\u00efd, sa libert\u00e9 dans un \u00c9tat qui n\u2019a plus d\u2019humanit\u00e9. Un trio qui ne dort plus et qui traverse Paris, de nuit \u2014 road movie parfois presque \u00e9pileptique \u2014 autour d\u2019une maison d\u2019\u00e9dition \u00e0 l\u2019\u00e8re de l\u2019exc\u00e8s, dans les ann\u00e9es 90. La tension reste au bord des l\u00e8vres.<\/p>\n<p>La d\u00e9licatesse de l\u2019auteur ne manque pas d\u2019adoucir leur errance, dans ce texte magistral et attentif. Quel qu\u2019il soit, l\u2019exil fait perdre sa langue, pourtant, Fottorino trouve les mots.<br \/>\nLe langage de l\u2019\u00e9crivain est aussi puissant que bouleversant ; la beaut\u00e9 r\u00e9siste dans le drame. Le photographe a ce m\u00eame talent d\u2019\u00e9crire un chemin puissant vers la gr\u00e2ce, au milieu du chaos. Il fonctionne par s\u00e9ries ; ses portraits prennent corps ensemble. Il appr\u00e9hende la solitude par une forme discr\u00e8te, qui ne dit pas son but, mais qui fait foi de l\u2019humanit\u00e9. Deux formes de portraits sur le m\u00eame tempo.<\/p>\n<p>L\u2019endroit de rencontre de Ken Wongyoukhong et d\u2019\u00c9ric Fottorino est assur\u00e9ment entre deux terres, dans une gare, patiemment et sensiblement \u00e0 l\u2019\u00e9coute d\u2019un regard.<br \/>\nNe faut-il pas toujours \u00eatre pr\u00eat \u00e0 partir, nous dit Clara ?<br \/>\nLa nostalgie n\u2019est plus ce qu\u2019elle \u00e9tait : elle parle du temps qu\u2019on a seulement r\u00eav\u00e9 de prendre.<br \/>\nQu\u2019avons-nous fait de nos r\u00eaves tant qu\u2019ils \u00e9taient vivants ?<br \/>\nAvec qui partageons-nous l\u2019essentiel sans un mot ?<br \/>\nQue veut dire l\u2019alt\u00e9rit\u00e9 sans courage ni engagement ?<br \/>\nPleurer sans raison, \u00e0 trouver ses refuges, l\u2019\u00e9motion brute ses ma\u00eetres.<\/p>\n<p>Le compte Instagram de <a href=\"https:\/\/www.instagram.com\/ken_wongyoukhong\/\">Ken Wongyoukhong<\/a><br \/>\n<em>Des Gens Sensibles <\/em>d\u2018Eric Fottorino &#8211; Gallimard <\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00c2mes sensibles s\u2019abstenir pourrait \u00eatre le sous-titre des livres d\u2019\u00c9ric Fottorino, tant le r\u00e9el y est intense \u00e0 chaque mot. Dans ses clich\u00e9s, Ken Wongyoukhong ne rate jamais une occasion de monter le son de ses mod\u00e8les. Par Sylvie Hazebroucq Quand le sensible perturbe toute notion temporelle. Je d\u00e9couvre les personnages du roman de Fottorino, [&hellip;]<\/p>\n","protected":false},"author":9,"featured_media":4840,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"tdm_status":"","tdm_grid_status":"","footnotes":""},"categories":[1167],"tags":[],"class_list":{"0":"post-4839","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-livre"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>[Les livres sont des \u0153uvres d\u2019art ] \u00c9ric Fottorino et Ken Wongyoukhong par Sylvie Hazebroucq - GREAT-ARTMAG<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/great-artmag.com\/en\/les-livres-sont-des-oeuvres-dart-eric-fottorino-et-ken-wongyoukhong-par-sylvie-hazebroucq\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"[Les livres sont des \u0153uvres d\u2019art ] \u00c9ric Fottorino et Ken Wongyoukhong par Sylvie Hazebroucq - GREAT-ARTMAG\" \/>\n<meta property=\"og:description\" content=\"\u00c2mes sensibles s\u2019abstenir pourrait \u00eatre le sous-titre des livres d\u2019\u00c9ric Fottorino, tant le r\u00e9el y est intense \u00e0 chaque mot. 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