{"id":4852,"date":"2025-04-15T17:49:16","date_gmt":"2025-04-15T15:49:16","guid":{"rendered":"https:\/\/great-artmag.com\/?p=4852"},"modified":"2026-05-04T11:45:29","modified_gmt":"2026-05-04T09:45:29","slug":"etes-vous-triste-de-sophie-calle-mrac-serignan","status":"publish","type":"post","link":"https:\/\/great-artmag.com\/en\/etes-vous-triste-de-sophie-calle-mrac-serignan\/","title":{"rendered":"\u00ab \u00cates-vous triste ? \u00bb Sophie Calle au mus\u00e9e de S\u00e9rignan"},"content":{"rendered":"

\u00ab \u00cates-vous triste ? \u00bb La question de Sophie Calle claque comme cette phrase extraite d\u2019un formulaire m\u00e9dical. L’exposition monographique d\u00e9ploie 67 projets achev\u00e9s, sur plus de 1 600 m\u00b2, au MRAC de S\u00e9rignan, jusqu\u2019au 21 septembre.<\/strong><\/p>\n

Nouvelle monture<\/h3>\n

\u00ab Tout a \u00e9t\u00e9 reconfigur\u00e9 avec elle<\/em> \u00bb, explique Cl\u00e9ment Nouet, directeur du MRAC. Sophie Calle a accompagn\u00e9 pas \u00e0 pas la mise en espace. L’artiste a repris, re-d\u00e9coup\u00e9, recompos\u00e9 bon nombre de pi\u00e8ces expos\u00e9es. On yretrouve ses \u0153uvres embl\u00e9matiques : La Visite m\u00e9dicale, Douleur exquise, Prenez soin de vous.\u00a0<\/em><\/p>\n

\"\"La Derni\u00e8re image<\/h3>\n

Parmi ces 8 grands ensembles, un attire l’attention : La Derni\u00e8re Image <\/em>(2010). Dans cette s\u00e9rie fondatrice, Sophie Calle interroge des personnes devenues aveugles. \u00ab Quelle est la derni\u00e8re chose que vous avez vue ?<\/em> \u00bb Les r\u00e9ponses sont br\u00e8ves, intimes, parfois d\u00e9chirantes. Un bus. Le visage d\u2019un proche. Une homme, pistolet \u00e0 la main. Chaque t\u00e9moignage est pr\u00e9sent\u00e9 avec un portrait photographique du t\u00e9moin. C\u2019est l\u00e0 toute la force de cette \u0153uvre. Donner \u00e0 entendre l\u2019image mentale qui persiste au-del\u00e0 de la vision. Une tentative de retenir ce qui fuit. Et l\u00e0, j’ai pens\u00e9 : “Oui, je suis triste”, car \u00e0 mon tour, ma vue devient d\u00e9faillante. Et ce jour-l\u00e0, je suis all\u00e9e “voir” l\u2019exposition comme on entre dans un lieu o\u00f9 l\u2019on esp\u00e8re que quelque chose va nous parler plus fort que la peur.<\/p>\n

\"\"<\/p>\n

Un diptyque vid\u00e9o consacr\u00e9 \u00e0 la mort<\/h3>\n

\u00c0 droite, l\u2019image frontale de sa m\u00e8re, allong\u00e9e sur son lit, immobile. \u00c0 gauche, un plan fixe tourn\u00e9 au P\u00f4le Nord. On y voit une \u00e9tendue glac\u00e9e, des blocs de glace \u00e0 la d\u00e9rive, un silence de bout du monde. La premi\u00e8re fois que j\u2019ai vu cette vid\u00e9o, les icebergs m\u2019ont paru gla\u00e7ants, inaccessibles. Cette fois-ci, dans le contexte de l\u2019exposition, ils m\u2019ont sembl\u00e9 avoir atteint une forme de puret\u00e9. Celle de la mort accept\u00e9e, sans fracas. Sophie Calle n\u2019explique rien. Elle recueille, juxtapose. Ce sont les visiteurs qui recomposent. L\u2019\u0153uvre devient alors miroir, surtout pour ceux dont le regard vacille ou s\u2019efface. Elle interroge non seulement ce que nous voyons, mais ce que nous choisissons de garder.<\/p>\n

Entre r\u00e9alit\u00e9 et fiction<\/h3>\n

Depuis la fin des ann\u00e9es 70, Sophie Calle a construit une \u0153uvre o\u00f9 l\u2019intime devient mati\u00e8re \u00e0 r\u00e9cit, encadr\u00e9 par une rigueur formelle et une distance feinte. Ses r\u00e9cits sont souvent des jeux \u00e0 contraintes, des enqu\u00eates men\u00e9es sur elle-m\u00eame ou sur les autres. Laur\u00e9ate du Prix Hasselblad en 2010, r\u00e9compens\u00e9e en 2024 \u00e0 Tokyo par le prestigieux Praemium Imperiale, elle est aujourd\u2019hui l\u2019une des artistes fran\u00e7aises les plus reconnues \u00e0 l\u2019international. A S\u00e9rignan, l\u2019exposition \u00ab \u00cates-vous triste ? \u00bb propose un parcours construit comme un journal \u00e9clat\u00e9, fait de douleurs, de silences, de rituels et d\u2019humour aussi. Elle ne suit pas la chronologie, mais une logique de r\u00e9cit fragmentaire. Comme toujours chez Sophie Calle, la narration est une strat\u00e9gie : pour se tenir debout, pour affronter l\u2019absence, pour rendre visible ce qui s\u2019efface.<\/p>\n

> Le site du MRAC<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

\u00ab \u00cates-vous triste ? \u00bb La question de Sophie Calle claque comme cette phrase extraite d\u2019un formulaire m\u00e9dical. L’exposition monographique d\u00e9ploie 67 projets achev\u00e9s, sur plus de 1 600 m\u00b2, au MRAC de S\u00e9rignan, jusqu\u2019au 21 septembre. Nouvelle monture \u00ab Tout a \u00e9t\u00e9 reconfigur\u00e9 avec elle \u00bb, explique Cl\u00e9ment Nouet, directeur du MRAC. Sophie Calle […]<\/p>\n","protected":false},"author":1,"featured_media":4853,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"tdm_status":"","tdm_grid_status":"","footnotes":""},"categories":[1197],"tags":[1329],"class_list":["post-4852","post","type-post","status-publish","format-standard","has-post-thumbnail","category-portrait-artiste","tag-femmes-artistes"],"yoast_head":"\n\u00ab \u00cates-vous triste ? \u00bb Sophie Calle au mus\u00e9e de S\u00e9rignan - GREAT-ARTMAG<\/title>\n<meta name=\"description\" content=\"\u00ab \u00cates-vous triste ? \u00bb L'exposition de Sophie Calle d\u00e9ploie 67 projets achev\u00e9s, sur plus de 1 600 m\u00b2, au MRAC de S\u00e9rignan.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/great-artmag.com\/en\/etes-vous-triste-de-sophie-calle-mrac-serignan\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u00ab \u00cates-vous triste ? 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