{"id":4906,"date":"2025-05-04T11:20:37","date_gmt":"2025-05-04T09:20:37","guid":{"rendered":"https:\/\/great-artmag.com\/?p=4906"},"modified":"2026-05-04T09:26:24","modified_gmt":"2026-05-04T07:26:24","slug":"collectioon-chateau-du-rivau-loire-art-contemporain","status":"publish","type":"post","link":"https:\/\/great-artmag.com\/en\/collectioon-chateau-du-rivau-loire-art-contemporain\/","title":{"rendered":"Surprises au Ch\u00e2teau du Rivau : quand l\u2019art contemporain se d\u00e9guise en conte fac\u00e9tieux"},"content":{"rendered":"

Au Ch\u00e2teau du Rivau (Val de Loire), la fantaisie ne prend pas de gants blancs. Avec Surprises<\/em>, Patricia et \u00c9ric Laigneau transforment leur collection en cabinet de curiosit\u00e9s, o\u00f9 le merveilleux flirte joyeusement avec le d\u00e9cal\u00e9. L’exposition est visible jusqu\u2019au 11 novembre 2025.<\/strong><\/p>\n

\"\"
Xenomorph (2025) – Bryan Crockett<\/figcaption><\/figure>\n

Un ch\u00e2teau th\u00e9\u00e2tral<\/h3>\n

“\u00c0 chaque salle, le visiteur est invit\u00e9 \u00e0 se laisser surprendre<\/em>“, explique Patricia Laigneau, commissaire de l’exposition Surprises<\/em>. Le ton est donn\u00e9 d\u00e8s l\u2019entr\u00e9e : en suspension, pr\u00eate \u00e0 bondir, une grenouille g\u00e9ante sign\u00e9e Bryan Crockett accueille le visiteur. Elle n\u2019est pas en bronze ni en marbre, mais moul\u00e9e dans des rebuts collect\u00e9s dans la Loire. Une fable sculpt\u00e9e sur le monde d\u2019aujourd\u2019hui, entre clin d\u2019\u0153il environnemental et grotesque jubilatoire. Dans chaque salle, les \u0153uvres jouent avec les codes de l\u2019histoire de l\u2019art, les d\u00e9tournent, les taquinent.<\/p>\n

Le bestiaire fantastique de la Salle du Grand Logis<\/h3>\n

Ici, les cerfs parlent, les raquettes de ping-pong deviennent rennes de No\u00ebl, et les yeux empaill\u00e9s fixent le visiteur depuis un miroir convexe sign\u00e9 Maarten Vanden Eynde. Nicolas Darrot ressuscite la l\u00e9gende de saint Hubert avec une b\u00eate anim\u00e9e, tandis que Bruno P\u00e9lassy transforme une sarcelle en reliquaire cristallin. Chaque \u0153uvre redonne vie au vieux r\u00eave de l\u2019hybridation, entre fascination et ironie. C\u2019est \u00e9galement ici que se niche la sculpture d\u2019une virtuosit\u00e9 sid\u00e9rante de Julie Legrand. Les cheveux de verre, sombres et hirsutes, semblent anim\u00e9s d\u2019un souffle propre, comme une cr\u00e9ature mi-animal, mi-v\u00e9g\u00e9tal. L\u2019\u0153uvre dialogue avec l’exub\u00e9rance de P\u00e9lassy, dans un duo \u00e9blouissant de fragilit\u00e9 et d\u2019audace formelle.<\/p>\n

\"\"
Julie Legrand<\/figcaption><\/figure>\n

La Salle des Dames<\/h3>\n

La Salle des Dames bouscule les canons de beaut\u00e9 et d\u2019h\u00e9ro\u00efsme. De la V\u00e9nus de Botticelli m\u00e9tamorphos\u00e9e par ORLAN, jusqu\u2019\u00e0 la Mona Lisa d\u00e9tourn\u00e9e en \u00e9cran de veille par Pierre Ardouvin, les mythes f\u00e9minins se d\u00e9construisent avec panache. Le merveilleux devient ici un outil de r\u00e9invention. “Petit fr\u00e8re” de Katia Bourdarel, mi-femme mi-cerf, glisse vers le conte et questionne les fronti\u00e8res du genre et de l\u2019humain. Dans les salles d\u00e9di\u00e9es \u00e0 la Pucelle, l\u2019irr\u00e9v\u00e9rence se m\u00eale \u00e0 la v\u00e9n\u00e9ration. Charles Fr\u00e9ger et Julien Serve convoquent les ombres chinoises et le cin\u00e9ma muet, tandis que Pierre et Gilles offrent \u00e0 Jeanne les traits de Juliette Armanet. Les artistes brodent, peignent, sculptent et digitalisent l\u2019h\u00e9ro\u00efne nationale, dans un kal\u00e9idoscope d\u2019interpr\u00e9tations o\u00f9 la sainte croise la pop star.<\/p>\n

\"\"
Gilles Barbier<\/figcaption><\/figure>\n

L\u2019art du clin d\u2019\u0153il comme posture curatoriale<\/h3>\n

Au Rivau, l\u2019humour n\u2019est jamais gratuit : il est un langage. Loin de d\u00e9sacraliser l\u2019art, il l\u2019ouvre \u00e0 d\u2019autres narrations, plus proches de l\u2019enfance, du fantasque et de la magie. La collection assume une posture singuli\u00e8re : celle de l\u2019\u00e9rudition joyeuse, du go\u00fbt assum\u00e9 pour les croisements temporels et les plaisirs du d\u00e9calage. On y croise aussi un fant\u00f4me hawa\u00efen \u2013 celui de Gilles Barbier<\/a>, qui hante la Salle des Dames avec ses Hawaiian Ghosts<\/em>. Drap\u00e9 dans un linceul aux motifs color\u00e9s comme pr\u00eat pour l\u2019au-del\u00e0, ce spectre sans visage rappelle que la peinture, \u00e0 l\u2019instar du mort, ne cesse de revenir. Chez Barbier, le fant\u00f4me est un brin moqueur.<\/p>\n

Surprises<\/em> est un conte contemporain incarn\u00e9 dans les pierres d\u2019un ch\u00e2teau vivant. C\u2019est aussi une d\u00e9claration d\u2019amour au pouvoir de l\u2019art d\u2019\u00e9merveiller, surtout quand il rit de lui-m\u00eame. Et si le merveilleux d\u2019aujourd\u2019hui \u00e9tait justement l\u00e0, dans ce m\u00e9lange savoureux de po\u00e9sie, d\u2019ironie et d\u2019\u00e9merveillement ? Au Rivau, on en sort le sourire aux l\u00e8vres, et l\u2019imagination en f\u00eate.<\/p>\n

> Le site du Ch\u00e2teau du Rivau<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Au Ch\u00e2teau du Rivau (Val de Loire), la fantaisie ne prend pas de gants blancs. Avec Surprises, Patricia et \u00c9ric Laigneau transforment leur collection en cabinet de curiosit\u00e9s, o\u00f9 le merveilleux flirte joyeusement avec le d\u00e9cal\u00e9. L’exposition est visible jusqu\u2019au 11 novembre 2025. Un ch\u00e2teau th\u00e9\u00e2tral “\u00c0 chaque salle, le visiteur est invit\u00e9 \u00e0 se […]<\/p>\n","protected":false},"author":1,"featured_media":4907,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"tdm_status":"","tdm_grid_status":"","footnotes":""},"categories":[1163],"tags":[1437,1176,1329],"class_list":["post-4906","post","type-post","status-publish","format-standard","has-post-thumbnail","category-exposition","tag-art-contemporain","tag-collection","tag-femmes-artistes"],"yoast_head":"\nSurprises au Ch\u00e2teau du Rivau : quand l\u2019art contemporain se d\u00e9guise en conte fac\u00e9tieux - GREAT-ARTMAG<\/title>\n<meta name=\"description\" content=\"Au Ch\u00e2teau du Rivau, avec l'exposition Surprises, Patricia et \u00c9ric Laigneau transforment leur collection en cabinet de curiosit\u00e9s.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/great-artmag.com\/en\/collectioon-chateau-du-rivau-loire-art-contemporain\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Surprises au Ch\u00e2teau du Rivau : quand l\u2019art contemporain se d\u00e9guise en conte fac\u00e9tieux - 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