{"id":4906,"date":"2025-05-04T11:20:37","date_gmt":"2025-05-04T09:20:37","guid":{"rendered":"https:\/\/great-artmag.com\/?p=4906"},"modified":"2025-05-04T11:44:54","modified_gmt":"2025-05-04T09:44:54","slug":"collectioon-chateau-du-rivau-loire-art-contemporain","status":"publish","type":"post","link":"https:\/\/great-artmag.com\/en\/collectioon-chateau-du-rivau-loire-art-contemporain\/","title":{"rendered":"Surprises au Ch\u00e2teau du Rivau : quand l\u2019art contemporain se d\u00e9guise en conte fac\u00e9tieux"},"content":{"rendered":"

Au Ch\u00e2teau du Rivau, dans le Val de Loire, la fantaisie ne prend pas de gants blancs. Avec Surprises<\/em>, l\u2019exposition visible jusqu\u2019au 11 novembre 2025, Patricia et \u00c9ric Laigneau transforment leur collection en cabinet de curiosit\u00e9s grandeur nature, o\u00f9 le merveilleux flirte joyeusement avec le d\u00e9cal\u00e9. Bienvenue dans un ch\u00e2teau peupl\u00e9 de licornes transperc\u00e9es, de pelles m\u00e9di\u00e9vales h\u00e9raldiques et de portraits de famille version baroque. Ici, le visiteur rit, s\u2019\u00e9merveille\u2026 et s\u2019interroge.<\/strong><\/p>\n

\"\"
Xenomorph (2025) – Bryan Crockett<\/figcaption><\/figure>\n

Un ch\u00e2teau th\u00e9\u00e2tral pour une collection qui ne se prend pas au s\u00e9rieux<\/h3>\n

“\u00c0 chaque salle, le visiteur est invit\u00e9 \u00e0 regarder de travers, \u00e0 perdre ses rep\u00e8res, \u00e0 se laisser surprendre<\/em>“, explique Patricia Laigneau, commissaire de l’exposition et chef d’orchestre de Surprises<\/em>. Le ton est donn\u00e9 d\u00e8s l\u2019entr\u00e9e : en suspension, pr\u00eate \u00e0 bondir, une grenouille g\u00e9ante sign\u00e9e Bryan Crockett accueille le visiteur. Elle n\u2019est pas en bronze ni en marbre, mais moul\u00e9e dans des rebuts collect\u00e9s dans la Loire : fragments de plastique, d\u00e9bris industriels, r\u00e9sidus de consommation. Une fable sculpt\u00e9e sur le monde d\u2019aujourd\u2019hui, entre clin d\u2019\u0153il environnemental et grotesque jubilatoire. Dans chaque salle, les \u0153uvres jouent avec les codes de l\u2019histoire de l\u2019art \u2013 les d\u00e9tournent, les taquinent \u2013 comme si l\u2019ensemble du ch\u00e2teau avait d\u00e9cid\u00e9 de se d\u00e9guiser pour le bal.<\/p>\n

Le bestiaire fantastique de la Salle du Grand Logis<\/h3>\n

Ici, les cerfs parlent, les raquettes de ping-pong deviennent rennes de No\u00ebl, et les yeux empaill\u00e9s fixent le visiteur depuis un miroir convexe sign\u00e9 Maarten Vanden Eynde. Nicolas Darrot ressuscite la l\u00e9gende de saint Hubert avec une b\u00eate anim\u00e9e, tandis que Bruno P\u00e9lassy transforme une sarcelle en reliquaire cristallin. Chaque \u0153uvre redonne vie au vieux r\u00eave de l\u2019hybridation, entre fascination et ironie.<\/p>\n

\"\"
Julie Legrand<\/figcaption><\/figure>\n

C\u2019est \u00e9galement ici que se niche une sculpture d\u2019une virtuosit\u00e9 sid\u00e9rante : celle de Julie Legrand. Dans la vitrine, une t\u00eate craquel\u00e9e, h\u00e9riss\u00e9e de poils et d\u2019antennes en verre noir. Les cheveux de verre, sombres et hirsutes, semblent anim\u00e9s d\u2019un souffle propre, comme une cr\u00e9ature mi-animal, mi-v\u00e9g\u00e9tal. D\u2019une minutie extr\u00eame, l\u2019\u0153uvre dialogue avec l’exub\u00e9rance de P\u00e9lassy, dans un duo \u00e9blouissant de fragilit\u00e9 et d\u2019audace formelle.<\/p>\n

Le grand th\u00e9\u00e2tre des identit\u00e9s<\/h3>\n

La Salle des Dames bouscule les canons de beaut\u00e9 et d\u2019h\u00e9ro\u00efsme. De la V\u00e9nus de Botticelli m\u00e9tamorphos\u00e9e par ORLAN, jusqu\u2019\u00e0 la Mona Lisa d\u00e9tourn\u00e9e en \u00e9cran de veille par Pierre Ardouvin, les mythes f\u00e9minins se d\u00e9construisent avec panache. Le merveilleux devient ici un outil de critique et de r\u00e9invention. Petit fr\u00e8re de Katia Bourdarel, mi-femme mi-cerf, glisse vers le conte et questionne les fronti\u00e8res du genre et de l\u2019humain.<\/p>\n

Dans les salles d\u00e9di\u00e9es \u00e0 la Pucelle, l\u2019irr\u00e9v\u00e9rence se m\u00eale \u00e0 la v\u00e9n\u00e9ration. Charles Fr\u00e9ger et Julien Serve convoquent les ombres chinoises et le cin\u00e9ma muet, tandis que Pierre et Gilles offrent \u00e0 Jeanne les traits de Juliette Armanet. Les artistes brodent, peignent, sculptent et digitalisent l\u2019h\u00e9ro\u00efne nationale, dans un kal\u00e9idoscope d\u2019interpr\u00e9tations o\u00f9 la sainte croise la pop star. M\u00eame les bottines de Jeanne, en porcelaine et laine d\u2019acier (Violaine Laveaux), semblent sortir d\u2019un r\u00eave \u00e9veill\u00e9. La l\u00e9gende devient farce s\u00e9rieuse, l\u2019histoire se fait friandise pour l\u2019\u0153il et l\u2019esprit.<\/p>\n

\"\"
Gilles Barbier<\/figcaption><\/figure>\n

L\u2019art du clin d\u2019\u0153il comme posture curatoriale<\/h3>\n

Au Rivau, l\u2019humour n\u2019est jamais gratuit : il est un langage. Loin de d\u00e9sacraliser l\u2019art, il l\u2019ouvre \u00e0 d\u2019autres narrations, plus proches de l\u2019enfance, du fantasque et de la magie. La collection assume une posture singuli\u00e8re : celle de l\u2019\u00e9rudition joyeuse, du go\u00fbt assum\u00e9 pour les croisements temporels et les plaisirs du d\u00e9calage. On y croise aussi un fant\u00f4me hawa\u00efen \u2013 celui de Gilles Barbier, qui hante la Salle des Dames avec ses Hawaiian Ghosts<\/em>. Drap\u00e9 dans un linceul aux motifs color\u00e9s comme pr\u00eat pour l\u2019au-del\u00e0, ce spectre sans visage rappelle que la peinture, \u00e0 l\u2019instar du mort, ne cesse de revenir. Chez Barbier, le fant\u00f4me n\u2019est pas triste ni effrayant, mais m\u00e9lancolique et un brin moqueur : il flotte entre le visible et l\u2019invisible, entre l\u2019ancien monde de l\u2019image peinte et les nouveaux territoires de l\u2019art.<\/p>\n

Surprises<\/em> n\u2019est pas une simple exposition, c\u2019est un conte contemporain incarn\u00e9 dans les pierres d\u2019un ch\u00e2teau vivant. C\u2019est aussi une d\u00e9claration d\u2019amour au pouvoir de l\u2019art d\u2019\u00e9merveiller, surtout quand il rit de lui-m\u00eame. Et si le merveilleux d\u2019aujourd\u2019hui \u00e9tait justement l\u00e0, dans ce m\u00e9lange savoureux de po\u00e9sie, d\u2019ironie et d\u2019\u00e9merveillement ? Au Rivau, on en sort le sourire aux l\u00e8vres, et l\u2019imagination en f\u00eate.<\/p>\n

> Le site du Ch\u00e2teau du Rivau<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Au Ch\u00e2teau du Rivau, dans le Val de Loire, la fantaisie ne prend pas de gants blancs. Avec Surprises, l\u2019exposition visible jusqu\u2019au 11 novembre 2025, Patricia et \u00c9ric Laigneau transforment leur collection en cabinet de curiosit\u00e9s grandeur nature, o\u00f9 le merveilleux flirte joyeusement avec le d\u00e9cal\u00e9. Bienvenue dans un ch\u00e2teau peupl\u00e9 de licornes transperc\u00e9es, de […]<\/p>\n","protected":false},"author":1,"featured_media":4907,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"tdm_status":"","tdm_grid_status":"","footnotes":""},"categories":[1163],"tags":[1176],"class_list":["post-4906","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-exposition","tag-collection"],"yoast_head":"\nSurprises au Ch\u00e2teau du Rivau : quand l\u2019art contemporain se d\u00e9guise en conte fac\u00e9tieux - GREAT-ARTMAG<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/great-artmag.com\/en\/collectioon-chateau-du-rivau-loire-art-contemporain\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Surprises au Ch\u00e2teau du Rivau : quand l\u2019art contemporain se d\u00e9guise en conte fac\u00e9tieux - GREAT-ARTMAG\" \/>\n<meta property=\"og:description\" content=\"Au Ch\u00e2teau du Rivau, dans le Val de Loire, la fantaisie ne prend pas de gants blancs. Avec Surprises, l\u2019exposition visible jusqu\u2019au 11 novembre 2025, Patricia et \u00c9ric Laigneau transforment leur collection en cabinet de curiosit\u00e9s grandeur nature, o\u00f9 le merveilleux flirte joyeusement avec le d\u00e9cal\u00e9. 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