{"id":5105,"date":"2025-06-10T21:43:26","date_gmt":"2025-06-10T19:43:26","guid":{"rendered":"https:\/\/great-artmag.com\/?p=5105"},"modified":"2026-05-03T16:23:24","modified_gmt":"2026-05-03T14:23:24","slug":"matisse-jazz-drawinglab","status":"publish","type":"post","link":"https:\/\/great-artmag.com\/en\/matisse-jazz-drawinglab\/","title":{"rendered":"Jazz de Matisse au DrawingLab"},"content":{"rendered":"

Dans les sous-sols feutr\u00e9s du Drawing Lab, rue Richelieu \u00e0 Paris, l\u2019exposition \u00ab Jazz<\/em> de Matisse au pr\u00e9sent \u00bb r\u00e9unit huit artistes contemporains. Ils ont \u00e9t\u00e9 invit\u00e9s \u00e0 composer autour du fameux album Jazz<\/em> (1947). L\u2019\u00e9criture manuscrite y bat comme une ligne de basse. Jusqu’au 30 septembre.<\/strong><\/p>\n

Castelbajac invit\u00e9<\/h3>\n

\u00ab Jean-Charles couvre les murs de l\u2019atelier avec des d\u00e9coupages, un exercice quotidien qui rappelle celui de Matisse. Cela donne l’impression d’\u00eatre chez lui \u00bb, observe Claudine Grammont, commissaire de l’exposition, sp\u00e9cialiste d\u2019Henri Matisse. Depuis 2023, l’historienne de l\u2019art dirige le cabinet d\u2019art graphique du Centre Pompidou \u00e0 Paris. Elle a auparavant \u00e9t\u00e9 directrice du Mus\u00e9e Matisse de Nice de 2016 \u00e0 2023, o\u00f9 elle a profond\u00e9ment renouvel\u00e9 la programmation du lieu.<\/p>\n

\"\"<\/p>\n

Un d\u00e9cor jazzy<\/h3>\n

Alexandre Benjamin Navet a compos\u00e9 une explosion de couleurs. \u00ab Il utilise le d\u00e9coupage pour la premi\u00e8re fois, alors qu\u2019il travaille d\u2019habitude le pastel. Et ce qui est \u00e9tonnant, c\u2019est qu\u2019il a fait ce d\u00e9cor sans savoir que Matisse avait d\u00e9couvert le jazz \u00e0 New York. J’esp\u00e8re que le d\u00e9coupage aura une suite dans son travail \u00bb, glisse Claudine Grammont. L\u2019improvisation, parfois, devance la conscience.<\/p>\n

Le rythme int\u00e9rieur<\/h3>\n

Chez Pierre Charpin, le rythme se fait contemplatif. \u00ab Pour lui, le dessin est le moyen le plus imm\u00e9diat pour faire \u00e9merger les formes et les couleurs. Ces derni\u00e8res, issues du jus de la blancheur de la feuille, tiennent naturellement l\u2019espace avec une \u00e9vidence qui m\u2019a saisie \u00bb, confie la commissaire.<\/p>\n

Claire Trotignon, quant \u00e0 elle, construit une architecture de l\u2019\u00e9ph\u00e9m\u00e8re. \u00ab Elle anime les ruines de notre temps d\u2019un souffle myst\u00e9rieux qui simultan\u00e9ment disperse et rassemble. Son installation fait palpiter de fines pellicules de gravures anciennes incis\u00e9es au scalpel et assemble soigneusement des d\u00e9bris de pl\u00e2tre en des \u00e9quilibres fragiles, n\u00e9cessitant attention \u00bb, souligne Claudine Grammont. Comme chez Matisse, l\u2019\u00e9criture graphique devient dessin, et le dessin, une forme d\u2019\u00e9criture sensible.<\/p>\n

\"\"Correspondance<\/h3>\n

Parmi les artistes invit\u00e9s \u00e0 dialoguer avec Jazz<\/em> de Matisse, \u00e9galement Agn\u00e8s Thurnauer. C’est sans doute cl’artiste dont la r\u00e9sonance est la plus intime, la plus articul\u00e9e. Dans cette exposition, son \u0153uvre se d\u00e9ploie comme une fugue visuelle, nourrie par un \u00e9change fictif mais continu avec Matisse lui-m\u00eame. Entre avril 2021 et janvier 2022, elle lui a adress\u00e9 cinquante lettres n\u00e9es d\u2019une premi\u00e8re visite au mus\u00e9e Matisse de Nice. \u00ab Elle le tutoyait dans sa correspondance, l\u2019appelant \u201ccher Henri\u201d \u00bb, rappelle Claudine Grammont, qui dirigeait alors ce m\u00eame mus\u00e9e. De ce dialogue a \u00e9merg\u00e9 une s\u00e9rie coh\u00e9rente, construite comme une correspondance de formes et d’images.<\/p>\n

Tania Mouraud joue la carte de l\u2019intimit\u00e9 du texte. \u00ab Elle entrem\u00eale les trac\u00e9s de po\u00e8mes yiddish jusqu\u2019\u00e0 en faire une texture souple. Elle gaufre ses lettres, qui \u00e9mergent dans l\u2019\u00e9clat du papier blanc \u00bb, dit Claudine Grammont. Une mani\u00e8re de battre la mesure autrement, par la pulsation silencieuse des mots.<\/p>\n

Bibliophilie<\/h3>\n

Enfin, le livre d\u2019Etel Adnan s\u2019impose comme un solo lent, profond, vibrant. La po\u00e9tesse et peintre libanaise a toujours \u00e9crit comme elle peint : par \u00e0-coups, par surgissements, dans une langue qui puise autant dans l\u2019encre que dans la lumi\u00e8re. Ici, Signes<\/em> (2015), son long livret de 4,87 m\u00e8tres, se lit avec la fluidit\u00e9 d\u2019une respiration. L\u2019encre de Chine trace des signes ouverts, suspendus, proches du ha\u00efku visuel. Chaque pli du papier est un temps, chaque pause, un souffle. Le rythme y est organique, celui du corps et de la m\u00e9moire. Elle-m\u00eame voyait dans Jazz<\/em> de Matisse \u00ab un chef-d\u2019\u0153uvre de la pens\u00e9e humaine et en m\u00eame temps un livre d\u2019enfant \u00bb : une formule qui r\u00e9sume parfaitement ce qui se joue dans son travail : l\u2019extr\u00eame complexit\u00e9 tenue dans une forme simple, imm\u00e9diate, presque na\u00efve. Une sorte de sagesse vibratoire, entre gravit\u00e9 et gr\u00e2ce.<\/p>\n

Ce qui unit ces voix h\u00e9t\u00e9rog\u00e8nes ? Une \u00e9coute fine du rythme. Celui du papier, du trait, de la couleur. Tous, \u00e0 leur mani\u00e8re, reprennent un th\u00e8me que Matisse avait entam\u00e9 sans le clore. Le Jazz<\/em> du Drawing Lab n\u2019est pas un hommage fig\u00e9, mais une partition collective. Il faut s\u2019y laisser porter, comme on \u00e9couterait un solo de Coltrane : les yeux ouverts, et les sens en alerte.<\/p>\n

https:\/\/www.drawinglabparis.com\/<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Dans les sous-sols feutr\u00e9s du Drawing Lab, rue Richelieu \u00e0 Paris, l\u2019exposition \u00ab Jazz de Matisse au pr\u00e9sent \u00bb r\u00e9unit huit artistes contemporains. Ils ont \u00e9t\u00e9 invit\u00e9s \u00e0 composer autour du fameux album Jazz (1947). L\u2019\u00e9criture manuscrite y bat comme une ligne de basse. Jusqu’au 30 septembre. Castelbajac invit\u00e9 \u00ab Jean-Charles couvre les murs de […]<\/p>\n","protected":false},"author":1,"featured_media":5106,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"tdm_status":"","tdm_grid_status":"","footnotes":""},"categories":[1163],"tags":[1437,1329],"class_list":["post-5105","post","type-post","status-publish","format-standard","has-post-thumbnail","category-exposition","tag-art-contemporain","tag-femmes-artistes"],"yoast_head":"\nJazz de Matisse au DrawingLab - GREAT-ARTMAG<\/title>\n<meta name=\"description\" content=\"Au Drawing Lab \u00e0 Paris, l'exposition \u00ab Jazz de Matisse au pr\u00e9sent \u00bb r\u00e9unit huit artistes contemporains. 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