{"id":5202,"date":"2025-07-01T11:28:46","date_gmt":"2025-07-01T09:28:46","guid":{"rendered":"https:\/\/great-artmag.com\/?p=5202"},"modified":"2026-06-11T07:28:59","modified_gmt":"2026-06-11T05:28:59","slug":"notre-dame-des-flammes-une-messe-machaut-machuel","status":"publish","type":"post","link":"https:\/\/great-artmag.com\/en\/notre-dame-des-flammes-une-messe-machaut-machuel\/","title":{"rendered":"Notre-Dame des Flammes : une messe Machaut\/Machuel"},"content":{"rendered":"

Mardi 24 juin 2025, 20h30. Le silence est dense dans la nef de Notre-Dame de Paris. Ce n\u2019est pas seulement l\u2019heure du concert, c\u2019est un moment suspendu dans le temps. La cath\u00e9drale devient l\u2019\u00e9crin d\u2019un \u00e9v\u00e9nement artistique \u00e0 la mesure de son histoire. Sous la croix dor\u00e9e de Marc Couturier, flamboyante et nue, le dialogue s\u2019engage entre deux mondes. Sept si\u00e8cles les s\u00e9parent : la “Messe de Nostre Dame” de Guillaume de Machaut et “Notre-Dame des Flammes” de Thierry Machuel.<\/strong><\/p>\n

Notre-Dame de Paris restaur\u00e9e<\/h3>\n

La pierre blanche, nettoy\u00e9e de la suie et des ans, renvoie une lumi\u00e8re presque surnaturelle, comme si la cath\u00e9drale respirait \u00e0 nouveau. Les nouveaux vitraux, solennels et discrets, diffusent une clart\u00e9 froide souligne. On per\u00e7oit encore, dans cette majest\u00e9 retrouv\u00e9e, le souvenir du drame de 2019. Le concert d\u00e9bute avec les quatre voix masculines de l\u2019ensemble Diabolus in Musica<\/a>, a capella. La Messe de Machaut s\u2019\u00e9l\u00e8ve avec lenteur et majest\u00e9. Le Kyrie, long balancement d\u2019appels et de r\u00e9ponses, installe une atmosph\u00e8re d\u2019archa\u00efque beaut\u00e9. On entend la science de l\u2019Ars Nova dans le tissage complexe des lignes, dans cette mani\u00e8re presque math\u00e9matique de composer de la ferveur. Rien d\u2019anecdotique ici : chaque son est sculpt\u00e9 dans l\u2019air comme une offrande.<\/p>\n

\"\"Puis vient la rupture ou plut\u00f4t le glissement. Le compositeur, Thierry Machuel,<\/a> en tissant sa propre \u0153uvre dans la trame de la messe m\u00e9di\u00e9vale, ne cherche pas \u00e0 moderniser Machaut, mais \u00e0 le faire r\u00e9sonner autrement. Notre-Dame des Flammes est une \u0153uvre habit\u00e9e : par la m\u00e9moire de l\u2019incendie, par la douleur d\u2019un lieu bless\u00e9, par l\u2019\u00e9cho d\u2019une spiritualit\u00e9 contemporaine.<\/p>\n

La voix de Marthe Vassallo surgit comme un cri contenu<\/h3>\n

Une voix grave, enracin\u00e9e, presque terrestre. Elle chante en breton, en latin, en fragments. \u00c0 ses c\u00f4t\u00e9s, Bruno Helstroffer passe sans ostentation du th\u00e9orbe \u00e0 la guitare \u00e9lectrique. Un grondement sourd, des nappes vibrantes, des \u00e9chos m\u00e9talliques : le feu n\u2019est pas figur\u00e9, il est l\u00e0, tangible.<\/p>\n

Thierry Machuel ne juxtapose pas les \u00e9poques, il les m\u00eale dans un tissu sensible, fait de citations, de silences, d\u2019\u00e9clats. Par moments, la polyphonie m\u00e9di\u00e9vale r\u00e9appara\u00eet (un motif du Gloria, une cadence du Sanctus) comme une m\u00e9moire qui refait surface. \u00c0 d\u2019autres, la musique semble s\u2019effondrer, reprendre souffle, chercher une pri\u00e8re dans les cendres.<\/p>\n

Dans le ch\u0153ur, la croix dor\u00e9e de Marc Couturier, suspendue dans l\u2019espace, la seule oeuvre contemporaine qui a surv\u00e9cu aux flammes en raison de son bois ignifug\u00e9, devient plus qu\u2019un symbole. Elle capte la lumi\u00e8re, attire le regard, agit presque comme une voix muette. Difficile de ne pas y voir un fil entre ciel et sol, entre la verticalit\u00e9 gothique de Notre-Dame et la fragilit\u00e9 du monde d\u2019aujourd\u2019hui.<\/p>\n

Ce soir-l\u00e0, Notre-Dame de Paris \u00e9tait ce qu\u2019elle fut toujours : un c\u0153ur battant, une maison d\u2019\u00e9chos, une cath\u00e9drale des flammes et de la lumi\u00e8re.<\/p>\n

> En savoir plus sur le compositeur Thierry Machuel<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Mardi 24 juin 2025, 20h30. Le silence est dense dans la nef de Notre-Dame de Paris. Ce n\u2019est pas seulement l\u2019heure du concert, c\u2019est un moment suspendu dans le temps. La cath\u00e9drale devient l\u2019\u00e9crin d\u2019un \u00e9v\u00e9nement artistique \u00e0 la mesure de son histoire. Sous la croix dor\u00e9e de Marc Couturier, flamboyante et nue, le dialogue […]<\/p>\n","protected":false},"author":1,"featured_media":5204,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[1334],"tags":[1416,1417,1419,1418],"class_list":["post-5202","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-theatre-spectacles_vivants","tag-chant","tag-concert","tag-messe","tag-notre-dame"],"yoast_head":"\nNotre-Dame des Flammes : une messe Machaut\/Machuel - GREAT-ARTMAG<\/title>\n<meta name=\"description\" content=\"Notre-Dame. 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