{"id":5212,"date":"2025-07-01T18:02:22","date_gmt":"2025-07-01T16:02:22","guid":{"rendered":"https:\/\/great-artmag.com\/?p=5212"},"modified":"2026-05-25T10:30:01","modified_gmt":"2026-05-25T08:30:01","slug":"mondes-marins-pierre-et-gilles-franciscaines-deauville","status":"publish","type":"post","link":"https:\/\/great-artmag.com\/en\/mondes-marins-pierre-et-gilles-franciscaines-deauville\/","title":{"rendered":"Pierre et Gilles font des Franciscaines leur port d\u2019attache"},"content":{"rendered":"

Depuis l\u2019ouverture des Franciscaines en mai 2021, la ville de Deauville trace un sillage original dans le monde de l\u2019art contemporain. Le duo Pierre et Gilles pr\u00e9sente “Mondes Marins”, une exposition-fleuve. Jusqu’au 4 janvier 2026.<\/strong><\/p>\n

Une r\u00e9habilitation r\u00e9ussie<\/h3>\n

L’ancien couvent de s\u0153urs franciscaines \u00e0 Deauville a \u00e9t\u00e9 transform\u00e9 en un complexe culturel d\u2019un nouveau genre. A la fois mus\u00e9e, m\u00e9diath\u00e8que, salle de spectacle et espace de vie. Le projet est men\u00e9 par la Ville de Deauville. Son ambition ? Faire exister une destination baln\u00e9aire patrimoniale comme un p\u00f4le artistique contemporain \u00e0 part enti\u00e8re. Et le pari semble gagn\u00e9. Avec plus de 780 000 visiteurs en 4 ans. La programmation est audacieuse. Elle m\u00eale photographie, spectacle vivant, litt\u00e9rature et num\u00e9rique. Les Franciscaines renversent les clich\u00e9s. C\u2019est dans ce lieu que Pierre et Gilles, les alchimistes de l\u2019image baroque, installent jusqu\u2019en janvier 2026 leur univers marin dans une exposition intitul\u00e9 : “Mondes Marins”.<\/p>\n

\"\"Pierre et Gilles, marins du fantasme<\/h3>\n

Depuis leur rencontre en 1976, Pierre Commoy et Gilles Blanchard signent une \u0153uvre \u00e0 quatre mains. L\u2019un est photographe, l\u2019autre peintre. Ensemble, ils fa\u00e7onnent une mythologie queer, pop, sacr\u00e9e, \u00e9rotique. Leur signature ? Des portraits mis en sc\u00e8ne, imprim\u00e9s sur toile puis peints minutieusement. Le r\u00e9sultat affiche une galerie d\u2019ic\u00f4nes compos\u00e9s de chanteurs, anonymes, travestis, enfants, militaires, saints et sir\u00e8nes. Dans cette exposition, leur lien \u00e0 la mer prend le large. N\u00e9 \u00e0 La Roche-sur-Yon, Pierre a la Vend\u00e9e dans les veines. Gilles est Havrais. Depuis leurs premiers autoportraits marins en 1977 jusqu\u2019aux cr\u00e9ations de 2025, la mer irrigue leur imaginaire.<\/p>\n

Une plong\u00e9e dans les Mondes Marins<\/h3>\n

Pr\u00e8s de 70 \u0153uvres sont expos\u00e9es aux Franciscaines. Quatre d’entre elles ont \u00e9t\u00e9 cr\u00e9\u00e9es sp\u00e9cialement pour l\u2019occasion. Le parcours s\u2019articule autour de six sections : marins, ports, fonds marins, mythologies, naufrages, autoportraits. On y croise le regard vide du \u00ab Docker noir \u00bb, alangui sur des sacs de caf\u00e9. Plus loin, Isabelle Huppert en Oph\u00e9lie flottante, sir\u00e8ne rousse \u00e9vanescente dans les eaux troubles du Havre. On retrouve ainsi Nina Hagen m\u00e9tamorphos\u00e9e en Amphitrite punk nacr\u00e9e. Sous les paillettes, la m\u00e9lancolie. Sous le kitsch, la critique. Le naufrage, ici, \u00e9voque autant le sida que l\u2019effondrement \u00e9cologique. La sir\u00e8ne n\u2019est plus seulement l\u2019objet du d\u00e9sir, elle est aussi le t\u00e9moin d\u2019un monde qui coule.<\/p>\n

\"\"La figure du marin<\/h3>\n

Le marin devient tour \u00e0 tour \u00e9ph\u00e8be grec, ic\u00f4ne gay, ou soldat perdu. Leurs marini\u00e8res sont des uniformes sentimentaux, leurs d\u00e9cors des sanctuaires pa\u00efens. Leur art convoque Jean Cocteau, les pr\u00e9rapha\u00e9lites, la culture catholique, les drag queens. Le tout se fond dans une tension constante entre le trivial et le sacr\u00e9, le d\u00e9sir et la mort. On entre dans une cale, on ressort dans un port.\u00a0 Depuis plusieurs ann\u00e9es, Deauville tisse un lien fort avec la photographie. Le Festival “Planche(s) Contact”, cr\u00e9\u00e9 en 2010, a install\u00e9 une tradition de commandes photographiques.<\/p>\n

La ville de Deauville<\/h3>\n

Il y a dans la relation entre Pierre et Gilles et Deauville une forme de fid\u00e9lit\u00e9 naissante. Les artistes ne se contentent pas d\u2019exposer : ils cr\u00e9ent pour le lieu, avec le lieu. Cette porosit\u00e9 entre territoire et \u0153uvre est au c\u0153ur de leur pratique. Et elle s\u2019accorde avec la philosophie des Franciscaines : faire du mus\u00e9e un lieu de vie, pas seulement de contemplation. Pierre et Gilles, en nous embarquant dans leur odyss\u00e9e intime, nous rappellent que la mer est autant un miroir qu\u2019un vertige. Et que l\u2019art, lorsqu\u2019il ose hybrider les genres, peut \u00e9clairer nos naufrages comme nos r\u00eaves.<\/p>\n

> Toutes les oeuvres de Pierre et Gilles expos\u00e9es aux Franciscaines<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Depuis l\u2019ouverture des Franciscaines en mai 2021, la ville de Deauville trace un sillage original dans le monde de l\u2019art contemporain. Le duo Pierre et Gilles pr\u00e9sente “Mondes Marins”, une exposition-fleuve. Jusqu’au 4 janvier 2026. Une r\u00e9habilitation r\u00e9ussie L’ancien couvent de s\u0153urs franciscaines \u00e0 Deauville a \u00e9t\u00e9 transform\u00e9 en un complexe culturel d\u2019un nouveau genre. […]<\/p>\n","protected":false},"author":1,"featured_media":5213,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"tdm_status":"","tdm_grid_status":"","footnotes":""},"categories":[1163],"tags":[1437,1169],"class_list":["post-5212","post","type-post","status-publish","format-standard","has-post-thumbnail","category-exposition","tag-art-contemporain","tag-photographie"],"yoast_head":"\nPierre et Gilles font des Franciscaines leur port d\u2019attache - GREAT-ARTMAG<\/title>\n<meta name=\"description\" content=\"Le duo Pierre et Gilles pr\u00e9sente "Mondes Marins" aux Franciscaines \u00e0 Deauville. 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