{"id":5276,"date":"2025-09-10T12:01:29","date_gmt":"2025-09-10T10:01:29","guid":{"rendered":"https:\/\/great-artmag.com\/?p=5276"},"modified":"2026-04-24T05:22:19","modified_gmt":"2026-04-24T03:22:19","slug":"art-contemporain-musee-grevin-diamantaire","status":"publish","type":"post","link":"https:\/\/great-artmag.com\/en\/art-contemporain-musee-grevin-diamantaire\/","title":{"rendered":"L\u2019art contemporain entre au Mus\u00e9e Gr\u00e9vin"},"content":{"rendered":"

Pour la premi\u00e8re fois de son histoire, le Mus\u00e9e Gr\u00e9vin \u00e0 Paris accueille une \u0153uvre contemporaine dans ses collections. Command\u00e9e sp\u00e9cialement, cette pi\u00e8ce est sign\u00e9e par l\u2019artiste issu de l\u2019art urbain, Le Diamantaire. Son diamant-miroir, install\u00e9 au c\u0153ur de la Salle des Colonnes, s\u2019invite dans un d\u00e9cor satur\u00e9 d\u2019ors et de marbres baroques. Une apparition qui n\u2019a rien d\u2019anodin : ce temple des c\u00e9l\u00e9brit\u00e9s de cire s\u2019ouvre d\u00e9sormais aux artistes d\u2019aujourd\u2019hui.<\/strong><\/p>\n

\"\"D\u00e8s 1882, Gr\u00e9vin a \u00e9t\u00e9 pens\u00e9 comme une fabrique d\u2019images<\/h2>\n

Ce journaliste avait imagin\u00e9 un lieu o\u00f9 le public pouvait croiser les figures marquantes de son \u00e9poque. Bustes, mosa\u00efques, d\u00e9cors polychromes : tout concourt \u00e0 une sc\u00e9nographie de l\u2019illusion. Le mus\u00e9e fond\u00e9 par Arthur Meyer est un laboratoire du double, un espace o\u00f9 le vrai et le faux se confondent. L\u2019arriv\u00e9e d\u2019un artiste contemporain ne brise pas cette logique, elle la radicalise.<\/p>\n

C\u2019est sur Instagram<\/a> que la directrice artistique du Mus\u00e9e Gr\u00e9vin, Patricia Girbeau, rep\u00e8re Le Diamantaire. Habitu\u00e9e \u00e0 faire dialoguer les artisans de la cire avec l\u2019histoire du lieu, elle y voit un prolongement naturel. Ce qui frappe, dit-elle, c\u2019est la force de ce geste minimal : \u00e0 partir d\u2019un mat\u00e9riau ordinaire, le miroir r\u00e9cup\u00e9r\u00e9, l\u2019artiste cr\u00e9e une surface \u00e9clatante qui renvoie imm\u00e9diatement le spectateur \u00e0 lui-m\u00eame. Dans un mus\u00e9e construit sur la mise en sc\u00e8ne des c\u00e9l\u00e9brit\u00e9s et la fascination du double, l\u2019\u00e9cho est \u00e9vident.<\/p>\n

\n

“\u00c0 l’avenir, chacun aura droit \u00e0 son quart d’heure de c\u00e9l\u00e9brit\u00e9 mondiale”
\nAndy Warhol (1968)<\/p>\n<\/blockquote>\n

Le Diamantaire, form\u00e9 \u00e0 la ferronnerie d\u2019art, s\u2019amuse ici \u00e0 d\u00e9tourner un objet banal. Ses diamants coll\u00e9s sur les murs de la ville surprennent les passants ; au mus\u00e9e, l\u2019effet prend une autre ampleur. Dans la Salle des Colonnes, l\u2019un des lieux les plus th\u00e9\u00e2traux de Gr\u00e9vin, il installe une fresque miroitante. Le visiteur venu se photographier aupr\u00e8s de stars fig\u00e9es se retrouve cette fois pris au pi\u00e8ge de son propre reflet, d\u00e9multipli\u00e9 en fragments lumineux.<\/p>\n

\"\"Au mus\u00e9e de la gloire m\u00e9diatique<\/h3>\n

Ce geste r\u00e9sonne avec la c\u00e9l\u00e8bre formule attribu\u00e9e \u00e0 Warhol, selon laquelle chacun peut pr\u00e9tendre \u00e0 son quart d\u2019heure de gloire. Le miroir-diamant transforme chaque spectateur en vedette d\u2019un instant. Il inscrit son visage dans le flux infini des images, pr\u00eat \u00e0 \u00eatre partag\u00e9 et multipli\u00e9 sur les r\u00e9seaux sociaux.<\/p>\n

En accueillant cette \u0153uvre, le Mus\u00e9e Gr\u00e9vin met en sc\u00e8ne le star-syst\u00e8me \u00e0 l\u2019\u00e8re d\u2019Instagram. Ici, la c\u00e9l\u00e9brit\u00e9 n\u2019est plus sculpt\u00e9e dans la cire, elle est produite en direct par le reflet, par le clich\u00e9, par le partage. Le diamant du Diamantaire scintille comme une promesse : chacun peut devenir, le temps d\u2019une photo, une ic\u00f4ne.<\/p>\n

https:\/\/www.grevin-paris.com\/<\/a><\/p>\n

FAQ Mus\u00e9e Gr\u00e9vin : Tout savoir pour votre visite<\/h2>\n

1. Quel est le tarif d’entr\u00e9e au Mus\u00e9e Gr\u00e9vin en 2026 ?<\/h3>\n

Le prix d’un billet pour le Mus\u00e9e Gr\u00e9vin varie selon l’\u00e2ge et le type de r\u00e9servation. En 2026, les tarifs moyens constat\u00e9s sont :
\nAdulte (19 ans et +) : \u00e0 partir de 22,00 \u20ac (billet dat\u00e9).
\nEnfant (5 \u00e0 18 ans) : \u00e0 partir de 17,00 \u20ac.
\nMoins de 5 ans : l’entr\u00e9e est gratuite.
\nBon plan : R\u00e9servez votre billet dat\u00e9 en ligne au moins 3 jours \u00e0 l’avance pour b\u00e9n\u00e9ficier des meilleurs tarifs.<\/p>\n

2. Quelle est la dur\u00e9e moyenne d’une visite ?<\/h3>\n

Il faut compter environ 1h30 pour effectuer le parcours complet du mus\u00e9e. Cette dur\u00e9e peut varier de 1h \u00e0 2h selon l’affluence et le temps que vous passez \u00e0 prendre des photos avec les statues de cire (autoris\u00e9es et encourag\u00e9es !).<\/p>\n

3. Faut-il obligatoirement r\u00e9server sa place en ligne ?<\/h3>\n

Non, la pr\u00e9-r\u00e9servation n’est pas obligatoire, mais elle est fortement recommand\u00e9e. Acheter vos billets en ligne vous garantit l’acc\u00e8s le jour de votre choix et vous permet souvent de payer moins cher qu’aux caisses sur place.<\/p>\n

4. Quelles sont les nouvelles statues \u00e0 voir en 2026 ?<\/h3>\n

Le Mus\u00e9e Gr\u00e9vin renouvelle constamment ses collections. Des ic\u00f4nes de la musique comme Aya Nakamura et Vianney. Des sportifs de l\u00e9gende tels qu’Antoine Dupont et Aur\u00e9lien Giraud. Des personnages historiques et culturels comme Marie Curie ou Lady Diana.<\/p>\n

5. Comment se rendre au Mus\u00e9e Gr\u00e9vin et quels sont les horaires ?<\/h3>\n

Le mus\u00e9e est situ\u00e9 au 10 Boulevard Montmartre, 75009 Paris.
\nM\u00e9tro : Lignes 8 et 9, station Grands Boulevards.
\nHoraires classiques : Ouvert 7j\/7, g\u00e9n\u00e9ralement de 10h \u00e0 18h en semaine et de 9h30 \u00e0 19h les week-ends, jours f\u00e9ri\u00e9s et vacances scolaires (dernier acc\u00e8s 1h avant la fermeture).<\/p>\n","protected":false},"excerpt":{"rendered":"

Pour la premi\u00e8re fois de son histoire, le Mus\u00e9e Gr\u00e9vin \u00e0 Paris accueille une \u0153uvre contemporaine dans ses collections. Command\u00e9e sp\u00e9cialement, cette pi\u00e8ce est sign\u00e9e par l\u2019artiste issu de l\u2019art urbain, Le Diamantaire. Son diamant-miroir, install\u00e9 au c\u0153ur de la Salle des Colonnes, s\u2019invite dans un d\u00e9cor satur\u00e9 d\u2019ors et de marbres baroques. Une apparition […]<\/p>\n","protected":false},"author":1,"featured_media":5277,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"tdm_status":"","tdm_grid_status":"","footnotes":""},"categories":[1197],"tags":[1332],"class_list":{"0":"post-5276","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-portrait-artiste","8":"tag-musee"},"yoast_head":"\nL\u2019art contemporain entre au Mus\u00e9e Gr\u00e9vin - GREAT-ARTMAG<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/great-artmag.com\/en\/art-contemporain-musee-grevin-diamantaire\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"L\u2019art contemporain entre au Mus\u00e9e Gr\u00e9vin - GREAT-ARTMAG\" \/>\n<meta property=\"og:description\" content=\"Pour la premi\u00e8re fois de son histoire, le Mus\u00e9e Gr\u00e9vin \u00e0 Paris accueille une \u0153uvre contemporaine dans ses collections. Command\u00e9e sp\u00e9cialement, cette pi\u00e8ce est sign\u00e9e par l\u2019artiste issu de l\u2019art urbain, Le Diamantaire. Son diamant-miroir, install\u00e9 au c\u0153ur de la Salle des Colonnes, s\u2019invite dans un d\u00e9cor satur\u00e9 d\u2019ors et de marbres baroques. 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Command\u00e9e sp\u00e9cialement, cette pi\u00e8ce est sign\u00e9e par l\u2019artiste issu de l\u2019art urbain, Le Diamantaire. Son diamant-miroir, install\u00e9 au c\u0153ur de la Salle des Colonnes, s\u2019invite dans un d\u00e9cor satur\u00e9 d\u2019ors et de marbres baroques. 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