{"id":5294,"date":"2025-09-26T15:43:22","date_gmt":"2025-09-26T13:43:22","guid":{"rendered":"https:\/\/great-artmag.com\/?p=5294"},"modified":"2025-10-21T14:08:04","modified_gmt":"2025-10-21T12:08:04","slug":"en-plein-coeur-guerlain-expose-un-siecle-damour-sans-filtre","status":"publish","type":"post","link":"https:\/\/great-artmag.com\/en\/en-plein-coeur-guerlain-expose-un-siecle-damour-sans-filtre\/","title":{"rendered":"En plein c\u0153ur : Guerlain expose un si\u00e8cle d\u2019amour sans filtre"},"content":{"rendered":"

L\u2019amour a ses symboles. Guerlain en a fait l\u2019un des siens, avec notamment le parfum Shalimar, fragrance n\u00e9e en 1925 des mains de Jacques Guerlain. Pour c\u00e9l\u00e9brer ce centenaire, Guerlain d\u00e9ploie sur les trois \u00e9tages de son \u00e9crin des Champs-\u00c9lys\u00e9es \u00e0 Paris, une exposition intitul\u00e9e : \u00ab En plein c\u0153ur \u2013 Un si\u00e8cle d\u2019amour sans filtre \u00bb. 30 artistes, figures historiques et voix contemporaines, y interrogent ce sentiment universel dans sa pluralit\u00e9 : fusion, r\u00e9sistance, sensualit\u00e9. Jusquau 16 novembre 2025.<\/strong><\/p>\n

\"\"
Liu Bolin “Hiding in the City” Paris, Love, 2014
Impression pigmentaire
sur papier fine art
Courtesy Liu Bolin \/ Galerie
Paris-Beijing \/ Collection Guerlain
\u00a9 Liu Bolin<\/figcaption><\/figure>\n

Le parcours s\u2019ouvre sur la chair, avec Picasso<\/span> et son Client bedonnant chez la C\u00e9lestine<\/i> (1968), gravure crue et ironique sur la prostitution. Plus d\u2019un demi-si\u00e8cle plus tard, l\u2019artiste ukrainienne Sofiya Loriashvili<\/span>, ancienne travailleuse du sexe, d\u00e9tourne les love dolls hyperr\u00e9alistes dans sa s\u00e9rie Only You and Me<\/i> : confusion entre vivant et artificiel, vuln\u00e9rabilit\u00e9 et standardisation du d\u00e9sir. Chez Alex Gardner<\/span>, silhouettes noires sans visage s\u2019\u00e9treignent dans des compositions \u00e9nigmatiques. Universelles et politiques, elles c\u00e9l\u00e8brent la force du lien humain tout en d\u00e9non\u00e7ant les assignations sociales. Plus intimes, Fran\u00e7ois Rouan<\/span> et ses Masques d\u2019encre<\/i> tressent des fragments de corps f\u00e9minins dans une stratification picturale et photographique, quand Charlotte Abramow<\/span> r\u00e9habilite le clitoris dans un triptyque po\u00e9tique et radical (Find Your Clitoris<\/i>).<\/p>\n

L\u2019amour n\u2019est pas seulement un \u00e9lan intime : il est aussi terrain de lutte. Dans les photographies de Robert Mapplethorpe<\/span>, Louise Bourgeois, qui aimait porter le parfum Shalimar,\u00a0 sourit ici malicieusement, tenant Fillette<\/i>, sculpture phallique provocante. Entre complicit\u00e9 et transgression, l\u2019image incarne la libert\u00e9 des corps. Plus frontal encore, Ren Hang<\/span> d\u00e9fie la censure chinoise avec ses nus audacieux, po\u00e9tiques et d\u00e9sarmants, qui c\u00e9l\u00e8brent le d\u00e9sir queer. Iv\u00e1n Argote<\/span>, avec Lengua con Lengua<\/i> (2019), monumentalise le baiser.<\/p>\n

\"\"
Pierre et Gilles, “Amour d\u00e9funt (Sylvie Vartan et
Johnny Hallyday)”, 2007
Photographie imprim\u00e9e par jet d\u2019encre
sur toile et peinte, encadr\u00e9e
par les artistes
\u00a9 Pierre et Gilles,
Courtesy de la Galerie Templon, Paris – Brussels – New York<\/figcaption><\/figure>\n

Le po\u00e8te John Giorno a <\/span>s\u00e9rigraphi\u00e9 des mots crus et sensuels : \u00ab EVERYONE IS A COMPLETE DISAPPOINTMENT \u00bb. Susan Hefuna<\/span>, au contraire, choisit le silence, brodant des mots lacunaires (\u00ab YES \u00bb, \u00ab NO \u00bb, \u00ab FOREVER \u00bb) comme autant de vestiges affectifs. Enfin, la fameuse performance de 1977 Imponderabilia<\/i> de Marina Abramovi\u0107 et Ulay<\/span> engage directement le visiteur : passer entre leurs corps nus pour entrer au mus\u00e9e. Amour, regard, g\u00eane, choix : la relation devient un seuil \u00e0 franchir. Chez Niki de Saint Phalle<\/span>, l\u2019Oiseau amoureux<\/i> et les s\u00e9rigraphies des ann\u00e9es 1960 transforment les d\u00e9ceptions en puissance politique et en libert\u00e9 f\u00e9minine.<\/p>\n

La troisi\u00e8me partie de l’exposition “En plein coeur” met l\u2019accent sur le corps, lieu de vibrations et de m\u00e9tamorphoses. Omar Ba<\/span> \u00e9voque la mari\u00e9e quittant la maison familiale (Orbite<\/i>, 2025), dans un paysage v\u00e9g\u00e9tal symbolisant la m\u00e9tamorphose. Fran\u00e7oise P\u00e9trovitch<\/span><\/a> saisit l\u2019adolescence et ses \u00e9mois dans une toile tendre et ambigu\u00eb. Marion Flament<\/span> compose des chapelets de c\u00e9ramique, Adorations<\/i>, o\u00f9 symboles et rituels se recomposent. Genesis Belanger<\/span> d\u00e9tourne la douceur des objets du quotidien pour interroger le consum\u00e9risme affectif.\u00a0Dans un registre plus pop, Pierre et Gilles<\/span> mythifient le couple Sylvie Vartan et Johnny Hallyday, fig\u00e9s dans une \u00e9ternit\u00e9 sentimentale (Amour d\u00e9funt<\/i>). \u00c0 l\u2019inverse, Liu Bolin<\/span> et son camouflage dans un mur de roses (Hiding in the City \u2013 Paris, Love<\/i>) c\u00e9l\u00e8brent l\u2019amour comme fusion et disparition.<\/p>\n

\"\"Au milieu de ces \u00e9clats, le plaisir est grand de retrouver Philippe Favier<\/span>. Avec La V\u00e9nus aux gla\u00efeuls<\/i> (2013), issue de sa s\u00e9rie des Noircissiques<\/i>, l\u2019artiste transforme d\u2019anciennes photographies anonymes en reliques obscures. Recouvertes de noir mat, elles laissent surgir des fragments : ici, une mari\u00e9e \u00e9merge de l\u2019ombre, entour\u00e9e de visages \u00e9vanescents. Chez Favier, l\u2019amour n\u2019est pas flamboyant : il est trace, r\u00e9manence, souvenir suspendu. Retrouver cet artiste, c\u2019est renouer avec une tradition fran\u00e7aise de l\u2019intime, o\u00f9 l\u2019effacement fait acte de m\u00e9moire. Dans le contexte de Guerlain, sa pr\u00e9sence agit comme un parfum discret : il persiste, chuchote, touche.<\/p>\n

\"\"
Damien Moulierac
“Fontaine de l\u2019amour”,
2025<\/figcaption><\/figure>\n

La force de l\u2019exposition tient dans tous ces dialogues. Picasso<\/span> croise Sofiya Loriashvili<\/span> ; Louise Bourgeois<\/span> r\u00e9pond \u00e0 Ren Hang<\/span> ; Pierre et Gilles<\/span> r\u00e9sonnent avec Genesis Belanger<\/span>. Les g\u00e9n\u00e9rations se rencontrent, dessinant une cartographie de l\u2019amour \u00e0 travers un si\u00e8cle. Certaines pi\u00e8ces sont in\u00e9dites, cr\u00e9\u00e9es pour Guerlain : celles de Damien Moulierac<\/span> (Fontaine de l\u2019amour<\/i>), Omar Ba<\/span>, Fran\u00e7oise P\u00e9trovitch<\/span>, Louis Verret<\/span>. Toutes t\u00e9moignent d\u2019une vitalit\u00e9 cr\u00e9atrice qui prolonge la m\u00e9moire de Shalimar dans le pr\u00e9sent. Avec \u00ab En plein c\u0153ur \u00bb<\/span>, Guerlain r\u00e9ussit un pari rare : conjuguer c\u00e9l\u00e9bration patrimoniale et geste artistique contemporain. En s\u2019adossant au centenaire de Shalimar, la Maison ne se contente pas de comm\u00e9morer une ic\u00f4ne : elle invite \u00e0 repenser l\u2019amour, ses r\u00e9cits et ses mutations. De Picasso \u00e0 Abramowicz, de Louise Bourgeois \u00e0 Valentin Ranger, le visiteur d\u00e9couvre que l\u2019amour est moins une d\u00e9finition qu\u2019un champ d\u2019exp\u00e9riences : \u00e9clat, r\u00e9sistance, chair, m\u00e9moire. L\u2019exposition en t\u00e9moigne avec force : un si\u00e8cle d\u2019amour, sans filtre, se lit dans l\u2019art comme dans le parfum.<\/p>\n","protected":false},"excerpt":{"rendered":"

L\u2019amour a ses symboles. Guerlain en a fait l\u2019un des siens, avec notamment le parfum Shalimar, fragrance n\u00e9e en 1925 des mains de Jacques Guerlain. Pour c\u00e9l\u00e9brer ce centenaire, Guerlain d\u00e9ploie sur les trois \u00e9tages de son \u00e9crin des Champs-\u00c9lys\u00e9es \u00e0 Paris, une exposition intitul\u00e9e : \u00ab En plein c\u0153ur \u2013 Un si\u00e8cle d\u2019amour sans […]<\/p>\n","protected":false},"author":1,"featured_media":5296,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"tdm_status":"","tdm_grid_status":"","footnotes":""},"categories":[1163],"tags":[],"class_list":{"0":"post-5294","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-exposition"},"yoast_head":"\nEn plein c\u0153ur : Guerlain expose un si\u00e8cle d\u2019amour sans filtre - GREAT-ARTMAG<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/great-artmag.com\/en\/en-plein-coeur-guerlain-expose-un-siecle-damour-sans-filtre\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"En plein c\u0153ur : Guerlain expose un si\u00e8cle d\u2019amour sans filtre - GREAT-ARTMAG\" \/>\n<meta property=\"og:description\" content=\"L\u2019amour a ses symboles. Guerlain en a fait l\u2019un des siens, avec notamment le parfum Shalimar, fragrance n\u00e9e en 1925 des mains de Jacques Guerlain. Pour c\u00e9l\u00e9brer ce centenaire, Guerlain d\u00e9ploie sur les trois \u00e9tages de son \u00e9crin des Champs-\u00c9lys\u00e9es \u00e0 Paris, une exposition intitul\u00e9e : \u00ab En plein c\u0153ur \u2013 Un si\u00e8cle d\u2019amour sans […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/great-artmag.com\/en\/en-plein-coeur-guerlain-expose-un-siecle-damour-sans-filtre\/\" \/>\n<meta property=\"og:site_name\" content=\"GREAT-ARTMAG\" \/>\n<meta property=\"article:published_time\" content=\"2025-09-26T13:43:22+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-10-21T12:08:04+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/great-artmag.com\/wp-content\/uploads\/2025\/09\/Philippe-Favier.png\" \/>\n\t<meta property=\"og:image:width\" content=\"1338\" \/>\n\t<meta property=\"og:image:height\" content=\"966\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"Alexia Gugg\u00e9mos\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Alexia Gugg\u00e9mos\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/great-artmag.com\\\/en\\\/en-plein-coeur-guerlain-expose-un-siecle-damour-sans-filtre\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/great-artmag.com\\\/en\\\/en-plein-coeur-guerlain-expose-un-siecle-damour-sans-filtre\\\/\"},\"author\":{\"name\":\"Alexia Gugg\u00e9mos\",\"@id\":\"https:\\\/\\\/great-artmag.com\\\/en\\\/#\\\/schema\\\/person\\\/07a768635fe6f6d87951dc8ae985eeda\"},\"headline\":\"En plein c\u0153ur : Guerlain expose un si\u00e8cle d\u2019amour sans filtre\",\"datePublished\":\"2025-09-26T13:43:22+00:00\",\"dateModified\":\"2025-10-21T12:08:04+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/great-artmag.com\\\/en\\\/en-plein-coeur-guerlain-expose-un-siecle-damour-sans-filtre\\\/\"},\"wordCount\":956,\"publisher\":{\"@id\":\"https:\\\/\\\/great-artmag.com\\\/en\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/great-artmag.com\\\/en\\\/en-plein-coeur-guerlain-expose-un-siecle-damour-sans-filtre\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/great-artmag.com\\\/wp-content\\\/uploads\\\/2025\\\/09\\\/Philippe-Favier.png\",\"articleSection\":[\"EXPOSITIONS\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/great-artmag.com\\\/en\\\/en-plein-coeur-guerlain-expose-un-siecle-damour-sans-filtre\\\/\",\"url\":\"https:\\\/\\\/great-artmag.com\\\/en\\\/en-plein-coeur-guerlain-expose-un-siecle-damour-sans-filtre\\\/\",\"name\":\"En plein c\u0153ur : Guerlain expose un si\u00e8cle d\u2019amour sans filtre - 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