{"id":5397,"date":"2025-10-23T17:51:41","date_gmt":"2025-10-23T15:51:41","guid":{"rendered":"https:\/\/great-artmag.com\/?p=5397"},"modified":"2026-05-02T19:14:59","modified_gmt":"2026-05-02T17:14:59","slug":"moderne-art-fair-2025-galerie-smagghe","status":"publish","type":"post","link":"https:\/\/great-artmag.com\/en\/moderne-art-fair-2025-galerie-smagghe\/","title":{"rendered":"Moderne Art Fair 2025 : le bleu en tension sur le stand de la galerie Smagghe"},"content":{"rendered":"

A l’occasion du salon Moderne Art Fair 2025 (ex Art Elys\u00e9es), la galeriste V\u00e9ronique Smagghe a mis la couleur bleue en tension. Au centre du stand, Raymond Hains, avec Bleu dans le rouge. <\/em>Les oeuvres dialoguent avec une s\u00e9rie de toiles de No\u00ebl Pasquier. Ensemble, elles composent une m\u00e9ditation sur une couleur devenue mati\u00e8re de pens\u00e9e. Du 23 au 26 octobre.<\/strong><\/p>\n

\"\"Le bleu Hains<\/h3>\n

Le bleu, chez Raymond Hains (1926-2005), surgit dans un oc\u00e9an de rouge, dans cette tension presque organique du papier lac\u00e9r\u00e9. Bleu dans le rouge<\/em> (1970) semble n\u00e9 d\u2019un combat, d\u2019un hasard que l\u2019\u0153il de l\u2019artiste a su transfigurer en \u00e9quilibre. Les strates d\u2019affiches, arrach\u00e9es \u00e0 la ville, portent encore la rumeur de la rue. Mais c\u2019est le bleu qui retient. Il apaise le rouge, le fend, l\u2019adoucit. Ce bleu fragile, bless\u00e9, obstin\u00e9, continue d\u2019exister dans les failles. La galeriste V\u00e9ronique Smagghe \u00e9voque cette n\u00e9cessit\u00e9 de laisser la mati\u00e8re respirer, de lui permettre d\u2019inventer son propre rythme. Chez Hains, dit-elle, la po\u00e9sie surgit du hasard, mais c\u2019est un hasard pr\u00e9par\u00e9, cultiv\u00e9, comme si la rue savait ce qu\u2019elle devait lui confier.<\/p>\n

Une po\u00e9tique du r\u00e9el<\/h3>\n

“L’accrochage est n\u00e9 de t\u00e9lescopages inattendus”, confie V\u00e9ronique Smagghe. Depuis pr\u00e8s de 30 ans, la galeriste tisse un lien constant entre les Nouveaux R\u00e9alistes et les peintres de l\u2019abstraction lyrique. Elle voit dans cette filiation une mani\u00e8re de relier la mat\u00e9rialit\u00e9 du monde et la profondeur du geste pictural. C\u2019est ce fil qu\u2019elle prolonge en 2025 \u00e0 Modern Art Fair, en pla\u00e7ant c\u00f4te \u00e0 c\u00f4te Hains et Pasquier. Ces deux artistes n\u2019ont jamais cess\u00e9 de faire vibrer le bleu autrement. Son accrochage cherche moins \u00e0 juxtaposer qu\u2019\u00e0 accorder. Elle parle d\u2019une conversation chromatique.<\/p>\n

\"\"Le bleu Pasquier<\/h3>\n

Chez No\u00ebl Pasquier, figure de l\u2019abstraction lyrique, la couleur devient mati\u00e8re vivante. Ses bleus se d\u00e9placent, s\u2019\u00e9claircissent, se creusent. Dans Etrave 1<\/em> (1995), un grand carr\u00e9 de toile semble travers\u00e9 d\u2019une empreinte bleue. On retrouve dans ses gestes l\u2019h\u00e9ritage d\u2019une peinture de l\u2019\u00e9motion, h\u00e9riti\u00e8re d’Olivier Debr\u00e9, mais filtr\u00e9e par une recherche personnelle du rythme. Pasquier peint comme on \u00e9coute la mer. V\u00e9ronique Smagghe suit le peintre depuis longtemps. Ce qu\u2019elle aime dans le travail de Pasquier, c\u2019est cette fid\u00e9lit\u00e9 \u00e0 la peinture comme acte int\u00e9rieur. Une persistance \u00e0 chercher dans la couleur une parole non dite.<\/p>\n

 <\/p>\n

\"\"Mati\u00e8re de silence<\/h3>\n

Le choix du bleu n\u2019est pas anodin. On le retrouve \u00e9galement \u00e0 travers cette p\u00e9pite, une aquarelle de Vera Molna\u0301r (1923-2024). Dans l\u2019histoire de l\u2019art, la couleur a connu des renversements de sens. Dans son livre “Bleu” (2023), Michel Pastoureau le rappelle. “Le bleu ne vient jamais seul, explique Michel Pastoureau. Il prend sens dans la pr\u00e9sence des autres couleurs.”\u00a0Cette id\u00e9e du bleu comme espace mental se retrouve dans l\u2019ensemble du stand. Install\u00e9e en 2025 place de la Concorde, la foire r\u00e9unit pr\u00e8s de 50 galeries, dans un espace repens\u00e9 pour la fluidit\u00e9 du parcours et la clart\u00e9 du regard. C\u2019est dans cette atmosph\u00e8re d\u2019\u00e9quilibre entre modernit\u00e9 et m\u00e9moire que la galerie Smagghe s\u2019inscrit avec naturel. Son approche curatoriale, soutenue par la commissaire et critique d’art V\u00e9ronique Grang\u00e9-Spahis, s\u2019accorde \u00e0 la philosophie de la foire : un art moderne qui reste vivant dans ses prolongements contemporains.<\/p>\n

Un soutien \u00e0 la cr\u00e9ation<\/h3>\n

V\u00e9ronique Smagghe<\/a> revendique une fid\u00e9lit\u00e9 : celle \u00e0 la sc\u00e8ne fran\u00e7aise d\u2019apr\u00e8s-guerre, aux artistes qui ont su inventer une autre mani\u00e8re de voir. Depuis 1990, elle d\u00e9fend des figures qui partagent une m\u00eame tension entre mati\u00e8re et signe : Raymond Hains, Jacques Villegl\u00e9, Fran\u00e7ois Dufr\u00eane, mais aussi Pierrette Bloch, Arthur Aeschbacher, No\u00ebl Pasquier, Judith Wolfe. Ce sont des artistes du lien, du fragment, du souffle. Elle dit souvent qu\u2019elle cherche la part de po\u00e9sie dans la rigueur. Elle croit que l\u2019art n\u2019a pas \u00e0 s\u00e9duire, mais \u00e0 faire \u00e9cho. Ce qu\u2019elle montre \u00e0 Moderne Art Fair, c\u2019est justement cela : une mani\u00e8re d\u2019\u00eatre au monde \u00e0 travers la couleur. Le bleu devient ici langage commun, pont entre deux d\u00e9marches qui ne s\u2019\u00e9taient jamais rencontr\u00e9es mais se r\u00e9pondent intuitivement.<\/p>\n

https:\/\/moderneartfair.com\/<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

A l’occasion du salon Moderne Art Fair 2025 (ex Art Elys\u00e9es), la galeriste V\u00e9ronique Smagghe a mis la couleur bleue en tension. Au centre du stand, Raymond Hains, avec Bleu dans le rouge. Les oeuvres dialoguent avec une s\u00e9rie de toiles de No\u00ebl Pasquier. Ensemble, elles composent une m\u00e9ditation sur une couleur devenue mati\u00e8re de […]<\/p>\n","protected":false},"author":1,"featured_media":5398,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"tdm_status":"","tdm_grid_status":"","footnotes":""},"categories":[1163],"tags":[],"class_list":["post-5397","post","type-post","status-publish","format-standard","has-post-thumbnail","category-exposition"],"yoast_head":"\nModerne Art Fair 2025 : le bleu en tension sur le stand de la galerie Smagghe - GREAT-ARTMAG<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/great-artmag.com\/en\/moderne-art-fair-2025-galerie-smagghe\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Moderne Art Fair 2025 : le bleu en tension sur le stand de la galerie Smagghe - GREAT-ARTMAG\" \/>\n<meta property=\"og:description\" content=\"A l’occasion du salon Moderne Art Fair 2025 (ex Art Elys\u00e9es), la galeriste V\u00e9ronique Smagghe a mis la couleur bleue en tension. 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