{"id":5419,"date":"2025-10-30T09:01:49","date_gmt":"2025-10-30T08:01:49","guid":{"rendered":"https:\/\/great-artmag.com\/?p=5419"},"modified":"2026-05-03T13:07:32","modified_gmt":"2026-05-03T11:07:32","slug":"charles-lapicque-le-peintre-aux-racines-cubaines-quand-la-lumiere-devient-memoire","status":"publish","type":"post","link":"https:\/\/great-artmag.com\/en\/charles-lapicque-le-peintre-aux-racines-cubaines-quand-la-lumiere-devient-memoire\/","title":{"rendered":"Charles Lapicque, un peintre aux racines cubaines"},"content":{"rendered":"

La d\u00e9couverte vient bouleverser la lecture de l\u2019un des peintres les plus singuliers du XX\u1d49 si\u00e8cle. Charles Lapicque, que l\u2019on croyait pur produit de l\u2019avant-garde fran\u00e7aise, est en r\u00e9alit\u00e9 le petit-fils de Severiano de Heredia. Son anc\u00eatre a \u00e9t\u00e9 le premier homme noir pr\u00e9sident du Conseil municipal de Paris et ministre de la Troisi\u00e8me R\u00e9publique. Derri\u00e8re la clart\u00e9 de ses toiles \u00e9clatantes, une m\u00e9moire m\u00e9tiss\u00e9e se r\u00e9v\u00e8le.<\/strong><\/p>\n

\"\"La filiation avec Severiano de Heredia<\/h3>\n

N\u00e9 \u00e0 La Havane en 1836, fils d\u2019un planteur blanc et d\u2019une m\u00e8re mul\u00e2tresse libre, Severiano de Heredia grandit \u00e0 Paris. Il est un \u00e9l\u00e8ve brillant du lyc\u00e9e Louis-le-Grand. Pr\u00e9sident du Conseil municipal en 1879, puis ministre des Travaux publics en 1887, il incarne l\u2019id\u00e9al m\u00e9ritocratique. Sa nomination provoque une d\u00e9ferlante raciste. La presse le ridiculise, l\u2019affuble de surnoms humiliants. Ruin\u00e9 et oubli\u00e9, Severiano de Heredia meurt en 1901. Son effacement accompagne la mont\u00e9e du colonialisme fran\u00e7ais. Aujourd\u2019hui, des chercheurs et des \u00e9lus comme l’ancien d\u00e9put\u00e9 Fran\u00e7ois-Michel Lambert s\u2019efforcent de r\u00e9habiliter la m\u00e9moire de ce r\u00e9publicain d\u00e9fenseur de l\u2019instruction publique, du droit des femmes et de la la\u00efcit\u00e9.<\/p>\n

Lapicque, po\u00e8te de la couleur<\/h3>\n

Le peintre Charles Lapicque (1898\u20131988) s’av\u00e8re \u00eatre le petit-fils de Severiano de Heredia. Issu d\u2019une dynastie de savants. Sson p\u00e8re Louis et sa m\u00e8re Marcelle de Heredia furent de grands physiologistes. Il transpose dans la peinture les principes de la perception visuelle. Son univers pictural, souvent qualifi\u00e9 de \u201clumi\u00e8re mentale\u201d, d\u00e9ploie une gamme flamboyante o\u00f9 les rouges de corail, les bleus \u00e9lectriques et les jaunes solaires s\u2019entrechoquent dans un \u00e9quilibre vibrant. Ses marines, ses chevaux, ses visages baignent dans une lumi\u00e8re presque tropicale, o\u00f9 la chaleur et la clart\u00e9 semblent avoir une origine int\u00e9rieure. \u201cJe cherche la lumi\u00e8re non pas du soleil, mais de l\u2019esprit\u201d, disait Charles Lapicque (1952).<\/p>\n

L\u2019\u00e9clat solaire<\/h3>\n

Lapicque exprime le rayonnement carib\u00e9en et de la libert\u00e9 intellectuelle de son grand-p\u00e8re. L\u2019\u00e9nergie color\u00e9e de Lapicque devient la m\u00e9taphore d\u2019un h\u00e9ritage refoul\u00e9. C’est celui d\u2019un homme que l\u2019histoire officielle avait rel\u00e9gu\u00e9 dans l\u2019ombre. Marin, scientifique et r\u00e9sistant, l’artiste fut lui aussi un insoumis. Son \u0153uvre, \u00e0 mi-chemin entre abstraction et figuration, s\u2019oppose \u00e0 toute \u00e9cole. Il rejette le dogme du cubisme comme celui de l\u2019expressionnisme. Sa peinture cherche un espace libre, o\u00f9 la lumi\u00e8re r\u00e9invente le monde plut\u00f4t qu\u2019elle ne le d\u00e9crit. Le critique Jean Cassou voyait en lui \u201cun peintre de la clart\u00e9 int\u00e9rieure\u201d. On comprend mieux aujourd\u2019hui la port\u00e9e de cette intuition. En effet, Lapicque r\u00e9concilie deux lign\u00e9es, celle du savant rationaliste et celle du politique visionnaire.<\/p>\n

Le travail des historiens<\/h3>\n

\u00c0 l’origine de cette r\u00e9v\u00e9lation, l’historien Paul estrade, auteur d’une biographie de Severiano de Heredia parue aux Indes Savantes<\/a> en 2011. Egalement de Patrick Rollot, pr\u00e9sident de l’association Histoire et Patrimoine de Paris 17e<\/a>. La filiation entre Lapicque et Heredia r\u00e9unit deux formes d\u2019\u00e9mancipation : politique et artistique. Le premier a tent\u00e9 d\u2019\u00e9clairer la R\u00e9publique ; le second a \u00e9clair\u00e9 la toile. Tous deux ont affront\u00e9 les limites du regard. L\u2019un contre les pr\u00e9jug\u00e9s, l\u2019autre contre l\u2019opacit\u00e9 du visible. Aujourd\u2019hui, alors que les mus\u00e9es red\u00e9couvrent Charles Lapicque pour sa libert\u00e9 chromatique, la r\u00e9v\u00e9lation de cette ascendance cubaine redonne un sens profond \u00e0 son \u0153uvre. Ses ciels incandescents, ses mers turquoise et ses silhouettes solaires prennent une dimension nouvelle.<\/p>\n

\"\"<\/p>\n","protected":false},"excerpt":{"rendered":"

La d\u00e9couverte vient bouleverser la lecture de l\u2019un des peintres les plus singuliers du XX\u1d49 si\u00e8cle. Charles Lapicque, que l\u2019on croyait pur produit de l\u2019avant-garde fran\u00e7aise, est en r\u00e9alit\u00e9 le petit-fils de Severiano de Heredia. Son anc\u00eatre a \u00e9t\u00e9 le premier homme noir pr\u00e9sident du Conseil municipal de Paris et ministre de la Troisi\u00e8me R\u00e9publique. […]<\/p>\n","protected":false},"author":1,"featured_media":5426,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"tdm_status":"","tdm_grid_status":"","footnotes":""},"categories":[1197],"tags":[],"class_list":["post-5419","post","type-post","status-publish","format-standard","has-post-thumbnail","category-portrait-artiste"],"yoast_head":"\nCharles Lapicque, un peintre aux racines cubaines - GREAT-ARTMAG<\/title>\n<meta name=\"description\" content=\"Charles Lapicque, que l\u2019on croyait pur produit de l\u2019avant-garde fran\u00e7aise, est en r\u00e9alit\u00e9 le petit-fils de Severiano de Heredia.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/great-artmag.com\/en\/charles-lapicque-le-peintre-aux-racines-cubaines-quand-la-lumiere-devient-memoire\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Charles Lapicque, un peintre aux racines cubaines - 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