{"id":5530,"date":"2025-11-08T10:59:35","date_gmt":"2025-11-08T09:59:35","guid":{"rendered":"https:\/\/great-artmag.com\/?p=5530"},"modified":"2026-05-01T20:06:24","modified_gmt":"2026-05-01T18:06:24","slug":"a-la-galleria-continua-berlinde-de-bruyckere-sculpte-le-besoin-et-la-fragilite","status":"publish","type":"post","link":"https:\/\/great-artmag.com\/en\/a-la-galleria-continua-berlinde-de-bruyckere-sculpte-le-besoin-et-la-fragilite\/","title":{"rendered":"Berlinde De Bruyckere sculpte le besoin et la fragilit\u00e9"},"content":{"rendered":"

Pour sa premi\u00e8re exposition en France, l\u2019artiste Berlinde De Bruyckere investit la Galleria Continua \u00e0 Paris. L’artiste belge pr\u00e9sente “Need”, un ensemble de sculptures en cire et mat\u00e9riaux organiques o\u00f9 la chair devient m\u00e9taphore du manque. Elle interroge la vuln\u00e9rabilit\u00e9 comme condition essentielle du vivant. Jusqu’au 30 d\u00e9cembre 2025.<\/strong><\/p>\n

L\u2019anim\u00e9 et l\u2019inanim\u00e9<\/h3>\n

La mati\u00e8re et la chair racontent le besoin, ce “need” qui traverse le travail de l’artiste depuis trois d\u00e9cennies. Berlinde De Bruyckere explore la tension entre la vie et son absence, dans un univers qui oscille entre sacr\u00e9 et profane. L\u2019exposition “Need” s\u2019ouvre sur Palindroom<\/em> (2019), monumentale sculpture de latex suspendue, \u00e9voquant un ut\u00e9rus artificiel. L\u2019artiste y aborde la cr\u00e9ation du vivant, non par la g\u00e9n\u00e9ration mais par la substitution. Il est question d’une matrice sans vie, un f\u00e9minin vid\u00e9 de son pouvoir f\u00e9cond. Cette ambigu\u00eft\u00e9, ce paradoxe entre \u00e9lan vital et st\u00e9rilit\u00e9, constitue le c\u0153ur du travail. Nourries par la peinture flamande, ses \u0153uvres sont autant d\u2019ex-votos adress\u00e9s \u00e0 la fragilit\u00e9 du corps.<\/p>\n

\u00ab La forme change, non la douleur. \u00bb
(M\u00e9tamorphoses<\/em>, IX, 163)<\/p><\/blockquote>\n

\"\"<\/em>Sur le seuil<\/h3>\n

Les M\u00e9tamorphoses d\u2019Ovide<\/em> traversent en filigrane l\u2019\u0153uvre de Berlinde De Bruyckere. L\u2019artiste y puise une vision du corps comme mati\u00e8re en transition. Comme chez le po\u00e8te latin, la transformation na\u00eet ici de la douleur. Les figures se tordent, se plient, se recouvrent, cherchant une nouvelle forme d\u2019existence. Cette r\u00e9f\u00e9rence n\u2019est pas illustrative, mais symbolique. Berlinde De Bruyckere prolonge la logique d\u2019Ovide : brouiller les fronti\u00e8res entre l\u2019humain, l\u2019animal et le v\u00e9g\u00e9tal. Ses sculptures, mi-chair mi-cire, incarnent cette hybridit\u00e9 du vivant. L\u2019ange, le cheval ou le tronc d\u2019arbre deviennent des variations d\u2019un m\u00eame corps universel, travers\u00e9 par la m\u00e9moire, la souffrance et le d\u00e9sir de survivre.<\/p>\n

\u00ab Je sens que je me change, mais en quoi, je ne sais. \u00bb (M\u00e9tamorphoses, X, 238)<\/p><\/blockquote>\n

\"\"Messager du ciel<\/h3>\n

Parmi les \u0153uvres majeures pr\u00e9sent\u00e9es, L\u2019Archange<\/em> cristallise la tension centrale du travail de Berlinde De Bruyckere. Une figure \u00e0 la fois protectrice et d\u00e9chue, dont la majest\u00e9 se plie sous le poids de sa propre aile. Loin des repr\u00e9sentations c\u00e9lestes id\u00e9alis\u00e9es, l\u2019archange de De Bruyckere r\u00e9v\u00e8le ce qui se cache \u00ab en dessous de l\u2019aile \u00bb. Son corps, pli\u00e9, semble c\u00e9der \u00e0 une gravit\u00e9 int\u00e9rieure. Travers\u00e9e de nervures et de plis, la cire donne \u00e0 la sculpture une texture organique. L\u2019aile, lourde, descend jusqu\u2019au sol. Chez Berlinde De Bruyckere comme chez Ovide, la chair est un langage : celui du changement, irr\u00e9versible et n\u00e9cessaire.<\/p>\n

> www.galleriacontinua.com<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Pour sa premi\u00e8re exposition en France, l\u2019artiste Berlinde De Bruyckere investit la Galleria Continua \u00e0 Paris. L’artiste belge pr\u00e9sente “Need”, un ensemble de sculptures en cire et mat\u00e9riaux organiques o\u00f9 la chair devient m\u00e9taphore du manque. Elle interroge la vuln\u00e9rabilit\u00e9 comme condition essentielle du vivant. Jusqu’au 30 d\u00e9cembre 2025. L\u2019anim\u00e9 et l\u2019inanim\u00e9 La mati\u00e8re et […]<\/p>\n","protected":false},"author":1,"featured_media":5531,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"tdm_status":"","tdm_grid_status":"","footnotes":""},"categories":[1163],"tags":[1437,1329],"class_list":{"0":"post-5530","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-exposition","8":"tag-art-contemporain","9":"tag-femmes-artistes"},"yoast_head":"\nBerlinde De Bruyckere sculpte le besoin et la fragilit\u00e9 - GREAT-ARTMAG<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/great-artmag.com\/en\/a-la-galleria-continua-berlinde-de-bruyckere-sculpte-le-besoin-et-la-fragilite\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Berlinde De Bruyckere sculpte le besoin et la fragilit\u00e9 - GREAT-ARTMAG\" \/>\n<meta property=\"og:description\" content=\"Pour sa premi\u00e8re exposition en France, l\u2019artiste Berlinde De Bruyckere investit la Galleria Continua \u00e0 Paris. 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