{"id":5570,"date":"2026-03-25T12:08:23","date_gmt":"2026-03-25T11:08:23","guid":{"rendered":"https:\/\/great-artmag.com\/?p=5570"},"modified":"2026-03-28T13:46:03","modified_gmt":"2026-03-28T12:46:03","slug":"emission-litteraire-du-cote-de-chez-sean-vlog-sean-j-rose-youtube","status":"publish","type":"post","link":"https:\/\/great-artmag.com\/en\/emission-litteraire-du-cote-de-chez-sean-vlog-sean-j-rose-youtube\/","title":{"rendered":"[Vlog litt\u00e9raire] “Du c\u00f4t\u00e9 de chez Sean”, les coups de c\u0153ur de Sean J. Rose sur Youtube"},"content":{"rendered":"

L’\u00e9crivain Sean J. Rose ouvre une fen\u00eatre rare dans le paysage critique actuel. Depuis Paris, o\u00f9 il vit apr\u00e8s un parcours tiss\u00e9 entre Sa\u00efgon, Londres et la capitale fran\u00e7aise, le journaliste litt\u00e9raire transpose sur YouTube ce qui fait la singularit\u00e9 de sa voix : pr\u00e9cision, subjectivit\u00e9 assum\u00e9e, attention aux zones sensibles. <\/strong><\/p>\n

Sa cha\u00eene Du c\u00f4t\u00e9 de chez Sean<\/em>, lanc\u00e9e en novembre 2025, ne cherche pas le rythme effr\u00e9n\u00e9 des formats culturels d\u00e9di\u00e9s \u00e0 l\u2019actualit\u00e9. Elle propose plut\u00f4t un temps suspendu, six minutes o\u00f9 l\u2019on \u00e9coute un lecteur averti d\u00e9plier une \u0153uvre. R\u00e9alis\u00e9e par Fabrice Cervel, la s\u00e9rie compte aujourd\u2019hui deux \u00e9pisodes, chacun construit autour d\u2019une trinit\u00e9 romanesque.<\/p>\n

\"\"Form\u00e9 au droit, \u00e0 la philosophie et aux langues orientales, Sean J. Rose a publi\u00e9 deux romans marqu\u00e9s par les th\u00e8mes de l\u2019amour et de l\u2019exil int\u00e9rieur, Et nos amours<\/em><\/a> (Deno\u00ebl) et Le Meilleur des amis <\/em><\/a>(Actes Sud). Journaliste \u00e0 Livres Hebdo<\/em>, pass\u00e9 par Lib\u00e9ration<\/em>, France Culture<\/em> et France 24<\/em>, il conna\u00eet les coulisses du monde litt\u00e9raire. Sur YouTube, l’auteur les laisse de c\u00f4t\u00e9 pour revenir \u00e0 l\u2019essentiel : les livres, leur \u00e9nergie, leur voix.<\/p>\n

 <\/p>\n

\u00c9pisode 1 \u2014 Enfance, crise et secrets de famille<\/a><\/p>\n

Le premier \u00e9pisode de la chaine Du c\u00f4t\u00e9 de chez Sean<\/em> rassemble trois romans qui explorent l\u2019entr\u00e9e dans la vie, ses cassures et ses ombres.<\/p>\n

\u2022 L\u2019Entroubli<\/a><\/em> de Thibault Dalman (Le Tripode)
\nPremier roman d\u2019une grande finesse, o\u00f9 un enfant grandit dans une famille chaotique sans \u00e9v\u00e9nement traumatique initial. Tout bascule au coll\u00e8ge lorsqu\u2019on le qualifie de \u00ab po\u00e8te \u00bb, mot d\u00e9clencheur qui ouvre un monde int\u00e9rieur o\u00f9 la pubert\u00e9 devient mutation. Sean J. Rose insiste sur la capacit\u00e9 du livre \u00e0 saisir le \u00ab miroitement du monde \u00bb et sur sa th\u00e8se forte : l\u2019enfance est moins un \u00e2ge qu\u2019un \u00e9tat d\u2019\u00eatre.<\/p>\n

\u2022 Combustions<\/a> de Fran\u00e7ois Gaget (Albin Michel)
\nTrois hommes en randonn\u00e9e dans un Cotentin soudain confin\u00e9 par une explosion \u00e0 l\u2019EPR de Flamanville : un d\u00e9cor contemporain, presque documentaire. Rose montre comment Gaget orchestre le r\u00e9cit du financier Paul, personnage brillant mais fissur\u00e9, pris dans une relation destructrice. Derri\u00e8re la noirceur et les comparaisons avec Houellebecq ou Ellis, il souligne la m\u00e9lancolie du livre et sa qu\u00eate de ce qui \u00ab n\u2019a pas de prix \u00bb.<\/p>\n

\u2022 La Maison vide<\/a> de Laurent Mauvignier (Minuit)
\nPour Sean J. Rose, c\u2019est le texte-cl\u00e9 de l\u2019\u0153uvre de Mauvignier. Un h\u00e9ritage rural, des secrets enfouis, une histoire familiale qui remonte la Premi\u00e8re Guerre mondiale jusqu\u2019\u00e0 la guerre d\u2019Alg\u00e9rie. Le critique litt\u00e9raire met en lumi\u00e8re la figure centrale de la grand-m\u00e8re, tondue \u00e0 la Lib\u00e9ration, et l\u2019interrogation r\u00e9currente du roman : conna\u00eet-on vraiment ceux qui nous sont les plus proches ?<\/p>\n

\u00c9pisode 2 \u2014 Myst\u00e8res, m\u00e9tamorphoses et adolescence meurtrie<\/a><\/p>\n

Plus sombre, plus tendu, le deuxi\u00e8me \u00e9pisode navigue entre r\u00e9alisme cru, merveilleux et gothique contemporain.<\/p>\n

\u2022 La Marchande d\u2019oublies <\/a>de Pierre Jourde (Gallimard)
\nSean J. Rose qualifie le roman de \u00ab cath\u00e9drale \u00bb. Inspir\u00e9 de Huysmans, travers\u00e9 par l\u2019imaginaire du cirque et des monstres, il suit Alistair, \u00eatre g\u00e9ant et maladif, disparu apr\u00e8s un accident. Le critique insiste sur l\u2019atmosph\u00e8re, entre Les Enfants du paradis<\/em> de Marcel Carn\u00e9 et David Lynch \u2014 et sur la r\u00e9flexion morale qui traverse le livre : fascination, puret\u00e9, mal radical.<\/p>\n

\u2022 La Bossue<\/a> de Sao Ichikawa (Globe)
\nLaur\u00e9at du prix Akutagawa en 2023, ce texte japonais d\u00e9route et bouscule. Ce qui semble d\u2019abord un r\u00e9cit de club \u00e9rotique se r\u00e9v\u00e8le \u00eatre un fil narratif r\u00e9dig\u00e9 sur Twitter par Shaka, jeune h\u00e9riti\u00e8re handicap\u00e9e. Le roman interroge le d\u00e9sir, la violence symbolique et un eug\u00e9nisme diffus. Sean J. Rose met en avant l\u2019\u00e9criture directe, parfois m\u00e9dicale, et la force politique d\u2019un livre qui refuse toute complaisance.<\/p>\n

\u2022 Peau d\u2019ourse<\/a> de Gr\u00e9gory Le Floch (Seuil)
\nApr\u00e8s l\u2019\u00e2pret\u00e9 de La bossue, G\u00e9gory Le Floch offre un r\u00e9cit vif, dr\u00f4le et brutal sur l\u2019adolescence pyr\u00e9n\u00e9enne. La narratrice, moqu\u00e9e pour son corps et son hirsutisme, tombe amoureuse de la fille la plus populaire. Harc\u00e8lement en ligne, pulsions adolescentes, l\u00e9gendes pyr\u00e9n\u00e9ennes : Sean J. Rose montre comment le roman d\u00e9tourne le tragique gr\u00e2ce \u00e0 une langue pleine de gouaille et \u00e0 une incursion du merveilleux.<\/p>\n

Une cha\u00eene pour lecteurs exigeants<\/strong><\/p>\n

Dans Du c\u00f4t\u00e9 de chez Sean<\/em>, pas de survol ni d\u2019effets faciles. Les vid\u00e9os s\u2019appuient sur une critique pr\u00e9cise, des r\u00e9f\u00e9rences crois\u00e9es, un sens aigu du rythme narratif. L\u2019approche m\u00eale enthousiasme, lucidit\u00e9 et un go\u00fbt certain pour les livres qui d\u00e9rangent. Surtout, Sean J. Rose restitue la densit\u00e9 des romans sans les r\u00e9sumer platement : il donne envie d\u2019y aller, de s\u2019y perdre, d\u2019y revenir.<\/p>\n

https:\/\/www.youtube.com\/@ducotedechezsean<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

L’\u00e9crivain Sean J. Rose ouvre une fen\u00eatre rare dans le paysage critique actuel. Depuis Paris, o\u00f9 il vit apr\u00e8s un parcours tiss\u00e9 entre Sa\u00efgon, Londres et la capitale fran\u00e7aise, le journaliste litt\u00e9raire transpose sur YouTube ce qui fait la singularit\u00e9 de sa voix : pr\u00e9cision, subjectivit\u00e9 assum\u00e9e, attention aux zones sensibles. Sa cha\u00eene Du c\u00f4t\u00e9 […]<\/p>\n","protected":false},"author":1,"featured_media":5571,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"tdm_status":"","tdm_grid_status":"","footnotes":""},"categories":[1167],"tags":[],"class_list":["post-5570","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-livre"],"yoast_head":"\n[Vlog litt\u00e9raire] "Du c\u00f4t\u00e9 de chez Sean", les coups de c\u0153ur de Sean J. 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