{"id":5659,"date":"2026-01-12T20:36:15","date_gmt":"2026-01-12T19:36:15","guid":{"rendered":"https:\/\/great-artmag.com\/?p=5659"},"modified":"2026-01-12T20:37:10","modified_gmt":"2026-01-12T19:37:10","slug":"realite-virtuelle-tresor-des-batisseurs-eclipso","status":"publish","type":"post","link":"https:\/\/great-artmag.com\/en\/realite-virtuelle-tresor-des-batisseurs-eclipso\/","title":{"rendered":"Quand la r\u00e9alit\u00e9 virtuelle r\u00e9invente la sortie culturelle : l\u2019exemple du Tr\u00e9sor des B\u00e2tisseurs"},"content":{"rendered":"

Avec Le Tr\u00e9sor des B\u00e2tisseurs<\/em>, la r\u00e9alit\u00e9 virtuelle franchit un cap. Loin d\u2019un simple dispositif spectaculaire, l\u2019exp\u00e9rience s\u2019affirme comme un outil de m\u00e9diation culturelle \u00e0 part enti\u00e8re, pens\u00e9 pour \u00eatre v\u00e9cu collectivement. Parents, enfants et adolescents avancent ensemble dans l\u2019\u00c9gypte antique, casque sur la t\u00eate, guid\u00e9s par Mona, arch\u00e9ologue virtuelle con\u00e7ue comme un v\u00e9ritable personnage de r\u00e9cit. La r\u00e9daction de Great a fait le voyage !<\/strong><\/p>\n

La production est sign\u00e9e Eclipso, entreprise fran\u00e7aise fond\u00e9e en 2023, sp\u00e9cialis\u00e9e dans les exp\u00e9riences culturelles immersives, d\u00e9j\u00e0 remarqu\u00e9e pour L\u2019Horizon de Kh\u00e9ops<\/em>, Sur les traces de Notre-Dame<\/em>, Napol\u00e9on, l\u2019\u00e9pop\u00e9e immersive<\/em> ou encore Mondrian, la couleur en mouvement<\/em>. Ici, l\u2019innovation ne tient pas seulement \u00e0 la technologie, mais \u00e0 la fa\u00e7on dont elle red\u00e9finit la relation au savoir.<\/p>\n

D\u00e8s l\u2019entr\u00e9e dans l\u2019exp\u00e9rience, le dispositif impressionne par sa fluidit\u00e9. Pas de manipulation complexe, pas d\u2019apprentissage pr\u00e9alable : le corps comprend imm\u00e9diatement. Le visiteur marche, observe, l\u00e8ve la t\u00eate, se rapproche. \u00ab On dirait un jeu vid\u00e9o, mais sans manette \u00bb, remarque un adolescent, surpris par la libert\u00e9 de mouvement. Cette accessibilit\u00e9 est l\u2019un des choix structurants d\u2019Eclipso : faire oublier l\u2019outil pour laisser place \u00e0 l\u2019exp\u00e9rience. Les d\u00e9cors monumentaux, la qualit\u00e9 des textures et le travail sur la lumi\u00e8re cr\u00e9ent un sentiment de pr\u00e9sence rarement atteint dans ce type de production.<\/p>\n

L\u2019innovation se joue aussi dans l\u2019\u00e9criture. Mona n\u2019est ni une voix off d\u00e9sincarn\u00e9e, ni un simple guide p\u00e9dagogique. Elle accompagne, interpelle, attend le groupe. Ce choix narratif transforme la visite en parcours partag\u00e9, o\u00f9 chacun avance au m\u00eame rythme. Les adultes y trouvent un contenu historiquement solide, tandis que les plus jeunes s\u2019attachent au personnage. Les enfants observent la pierre qui s\u2019\u00e9l\u00e8ve, les outils rudimentaires, les gestes r\u00e9p\u00e9t\u00e9s. Les parents reconnaissent les grandes \u00e9tapes de la construction des pyramides. Le savoir circule sans hi\u00e9rarchie apparente, port\u00e9 par l\u2019image et le mouvement.<\/p>\n

\"\"Le parcours multiplie les s\u00e9quences qui interrogent les certitudes visuelles. La reconstitution du Sphinx en couleur agit comme un d\u00e9clencheur. \u00ab C\u2019est \u00e9trange au d\u00e9but, mais en fait \u00e7a fait plus vrai \u00bb, commente une lyc\u00e9enne. Loin d\u2019imposer une v\u00e9rit\u00e9 fig\u00e9e, l\u2019exp\u00e9rience donne \u00e0 voir des hypoth\u00e8ses scientifiques, rend visibles les d\u00e9bats, invite \u00e0 la discussion. \u00ab On se demande ce qui est s\u00fbr et ce qui ne l\u2019est pas \u00bb, observe un autre adolescent. Cette capacit\u00e9 \u00e0 int\u00e9grer l\u2019incertitude dans le r\u00e9cit constitue l\u2019un des apports les plus int\u00e9ressants de la r\u00e9alit\u00e9 virtuelle appliqu\u00e9e aux sciences historiques.<\/p>\n

Autre innovation notable : la dimension collective. Contrairement \u00e0 de nombreuses exp\u00e9riences num\u00e9riques pens\u00e9es pour un usage individuel, Le Tr\u00e9sor des B\u00e2tisseurs<\/em> mise sur le groupe. Les r\u00e9actions sont audibles, les \u00e9changes imm\u00e9diats. L\u2019apparition du chat Bastet d\u00e9clenche des sourires. \u00ab On voudrait le toucher \u00bb, lance un adolescent, oubliant un instant le casque. La technologie devient un support de conversation, et non un \u00e9cran de s\u00e9paration. \u00ab Ces quarante-cinq minutes m\u2019ont sembl\u00e9 tr\u00e8s courtes \u00bb, confie une lyc\u00e9enne \u00e0 la sortie, surprise par son propre niveau d\u2019attention.<\/p>\n

Cette r\u00e9ception enthousiaste s\u2019inscrit dans une \u00e9volution plus large des pratiques culturelles. En 2024, la fr\u00e9quentation des exp\u00e9riences immersives a progress\u00e9 de 20 \u00e0 30 %, port\u00e9e notamment par les familles et les groupes scolaires. Longtemps cantonn\u00e9e \u00e0 l\u2019\u00e9v\u00e9nementiel ou au divertissement, la r\u00e9alit\u00e9 virtuelle trouve d\u00e9sormais sa place dans le paysage culturel, \u00e0 mi-chemin entre mus\u00e9e, spectacle et dispositif p\u00e9dagogique. Elle r\u00e9pond \u00e0 une attente claire : vivre le savoir plut\u00f4t que le contempler.<\/p>\n

Avec Le Tr\u00e9sor des B\u00e2tisseurs<\/em>, Eclipso confirme une orientation strat\u00e9gique : utiliser l\u2019innovation technologique non comme une fin, mais comme un langage. Un langage capable de faire dialoguer g\u00e9n\u00e9rations, disciplines et sensibilit\u00e9s. La visite se termine, mais les discussions continuent. Sur les couleurs du Sphinx, sur la vie des b\u00e2tisseurs, sur ce que la technologie permet de comprendre du pass\u00e9. La r\u00e9alit\u00e9 virtuelle ne remplace pas les livres ni les mus\u00e9es, mais elle ouvre un espace nouveau : celui d\u2019une connaissance incarn\u00e9e, v\u00e9cue, partag\u00e9e.<\/p>\n

—<\/p>\n

Informations pratiques<\/strong><\/p>\n

Le Tr\u00e9sor des B\u00e2tisseurs<\/a>
\nCentres Eclipso \u2013 Paris, Lyon, Bordeaux – A Paris : 45 rue des Pirogues de Bercy, 12\u1d49
\nTout public \u00e0 partir de 8 ans
\nDur\u00e9e : environ 1 heure, dont 45 minutes d\u2019exp\u00e9dition immersive
\nTarifs : de 25 \u00e0 32 euros
\nLundi au vendredi : 14h \u2013 20h
\nWeek-end : 10h \u2013 20h<\/p>\n","protected":false},"excerpt":{"rendered":"

Avec Le Tr\u00e9sor des B\u00e2tisseurs, la r\u00e9alit\u00e9 virtuelle franchit un cap. Loin d\u2019un simple dispositif spectaculaire, l\u2019exp\u00e9rience s\u2019affirme comme un outil de m\u00e9diation culturelle \u00e0 part enti\u00e8re, pens\u00e9 pour \u00eatre v\u00e9cu collectivement. Parents, enfants et adolescents avancent ensemble dans l\u2019\u00c9gypte antique, casque sur la t\u00eate, guid\u00e9s par Mona, arch\u00e9ologue virtuelle con\u00e7ue comme un v\u00e9ritable personnage […]<\/p>\n","protected":false},"author":1,"featured_media":5660,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"tdm_status":"","tdm_grid_status":"","footnotes":""},"categories":[1195],"tags":[],"class_list":["post-5659","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-tendances-numeriques"],"yoast_head":"\nQuand la r\u00e9alit\u00e9 virtuelle r\u00e9invente la sortie culturelle : l\u2019exemple du Tr\u00e9sor des B\u00e2tisseurs - GREAT-ARTMAG<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/great-artmag.com\/en\/realite-virtuelle-tresor-des-batisseurs-eclipso\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Quand la r\u00e9alit\u00e9 virtuelle r\u00e9invente la sortie culturelle : l\u2019exemple du Tr\u00e9sor des B\u00e2tisseurs - GREAT-ARTMAG\" \/>\n<meta property=\"og:description\" content=\"Avec Le Tr\u00e9sor des B\u00e2tisseurs, la r\u00e9alit\u00e9 virtuelle franchit un cap. Loin d\u2019un simple dispositif spectaculaire, l\u2019exp\u00e9rience s\u2019affirme comme un outil de m\u00e9diation culturelle \u00e0 part enti\u00e8re, pens\u00e9 pour \u00eatre v\u00e9cu collectivement. Parents, enfants et adolescents avancent ensemble dans l\u2019\u00c9gypte antique, casque sur la t\u00eate, guid\u00e9s par Mona, arch\u00e9ologue virtuelle con\u00e7ue comme un v\u00e9ritable personnage […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/great-artmag.com\/en\/realite-virtuelle-tresor-des-batisseurs-eclipso\/\" \/>\n<meta property=\"og:site_name\" content=\"GREAT-ARTMAG\" \/>\n<meta property=\"article:published_time\" content=\"2026-01-12T19:36:15+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-01-12T19:37:10+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/great-artmag.com\/wp-content\/uploads\/2026\/01\/eclipso-scaled.jpeg\" \/>\n\t<meta property=\"og:image:width\" content=\"2560\" \/>\n\t<meta property=\"og:image:height\" content=\"1702\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Alexia Gugg\u00e9mos\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Alexia Gugg\u00e9mos\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/great-artmag.com\\\/en\\\/realite-virtuelle-tresor-des-batisseurs-eclipso\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/great-artmag.com\\\/en\\\/realite-virtuelle-tresor-des-batisseurs-eclipso\\\/\"},\"author\":{\"name\":\"Alexia Gugg\u00e9mos\",\"@id\":\"https:\\\/\\\/great-artmag.com\\\/en\\\/#\\\/schema\\\/person\\\/07a768635fe6f6d87951dc8ae985eeda\"},\"headline\":\"Quand la r\u00e9alit\u00e9 virtuelle r\u00e9invente la sortie culturelle : l\u2019exemple du Tr\u00e9sor des B\u00e2tisseurs\",\"datePublished\":\"2026-01-12T19:36:15+00:00\",\"dateModified\":\"2026-01-12T19:37:10+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/great-artmag.com\\\/en\\\/realite-virtuelle-tresor-des-batisseurs-eclipso\\\/\"},\"wordCount\":814,\"publisher\":{\"@id\":\"https:\\\/\\\/great-artmag.com\\\/en\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/great-artmag.com\\\/en\\\/realite-virtuelle-tresor-des-batisseurs-eclipso\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/great-artmag.com\\\/wp-content\\\/uploads\\\/2026\\\/01\\\/eclipso-scaled.jpeg\",\"articleSection\":[\"ART NUM\u00c9RIQUE & IA\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/great-artmag.com\\\/en\\\/realite-virtuelle-tresor-des-batisseurs-eclipso\\\/\",\"url\":\"https:\\\/\\\/great-artmag.com\\\/en\\\/realite-virtuelle-tresor-des-batisseurs-eclipso\\\/\",\"name\":\"Quand la r\u00e9alit\u00e9 virtuelle r\u00e9invente la sortie culturelle : l\u2019exemple du Tr\u00e9sor des B\u00e2tisseurs - GREAT-ARTMAG\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/great-artmag.com\\\/en\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/great-artmag.com\\\/en\\\/realite-virtuelle-tresor-des-batisseurs-eclipso\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/great-artmag.com\\\/en\\\/realite-virtuelle-tresor-des-batisseurs-eclipso\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/great-artmag.com\\\/wp-content\\\/uploads\\\/2026\\\/01\\\/eclipso-scaled.jpeg\",\"datePublished\":\"2026-01-12T19:36:15+00:00\",\"dateModified\":\"2026-01-12T19:37:10+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/great-artmag.com\\\/en\\\/realite-virtuelle-tresor-des-batisseurs-eclipso\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/great-artmag.com\\\/en\\\/realite-virtuelle-tresor-des-batisseurs-eclipso\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/great-artmag.com\\\/en\\\/realite-virtuelle-tresor-des-batisseurs-eclipso\\\/#primaryimage\",\"url\":\"https:\\\/\\\/great-artmag.com\\\/wp-content\\\/uploads\\\/2026\\\/01\\\/eclipso-scaled.jpeg\",\"contentUrl\":\"https:\\\/\\\/great-artmag.com\\\/wp-content\\\/uploads\\\/2026\\\/01\\\/eclipso-scaled.jpeg\",\"width\":2560,\"height\":1702},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/great-artmag.com\\\/en\\\/realite-virtuelle-tresor-des-batisseurs-eclipso\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Accueil\",\"item\":\"https:\\\/\\\/great-artmag.com\\\/en\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Quand la r\u00e9alit\u00e9 virtuelle r\u00e9invente la sortie culturelle : l\u2019exemple du Tr\u00e9sor des B\u00e2tisseurs\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/great-artmag.com\\\/en\\\/#website\",\"url\":\"https:\\\/\\\/great-artmag.com\\\/en\\\/\",\"name\":\"Great ArtMag\",\"description\":\"Le Magazine des H\u00e9donistes\",\"publisher\":{\"@id\":\"https:\\\/\\\/great-artmag.com\\\/en\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/great-artmag.com\\\/en\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/great-artmag.com\\\/en\\\/#organization\",\"name\":\"GREAT ARTMAG\",\"url\":\"https:\\\/\\\/great-artmag.com\\\/en\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/great-artmag.com\\\/en\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/great-artmag.com\\\/wp-content\\\/uploads\\\/2024\\\/07\\\/IMG_5403.jpg\",\"contentUrl\":\"https:\\\/\\\/great-artmag.com\\\/wp-content\\\/uploads\\\/2024\\\/07\\\/IMG_5403.jpg\",\"width\":860,\"height\":368,\"caption\":\"GREAT ARTMAG\"},\"image\":{\"@id\":\"https:\\\/\\\/great-artmag.com\\\/en\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.instagram.com\\\/great_artmag\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/great-artmag.com\\\/en\\\/#\\\/schema\\\/person\\\/07a768635fe6f6d87951dc8ae985eeda\",\"name\":\"Alexia Gugg\u00e9mos\",\"url\":\"https:\\\/\\\/great-artmag.com\\\/en\\\/author\\\/admin5782\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Quand la r\u00e9alit\u00e9 virtuelle r\u00e9invente la sortie culturelle : l\u2019exemple du Tr\u00e9sor des B\u00e2tisseurs - GREAT-ARTMAG","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/great-artmag.com\/en\/realite-virtuelle-tresor-des-batisseurs-eclipso\/","og_locale":"en_US","og_type":"article","og_title":"Quand la r\u00e9alit\u00e9 virtuelle r\u00e9invente la sortie culturelle : l\u2019exemple du Tr\u00e9sor des B\u00e2tisseurs - GREAT-ARTMAG","og_description":"Avec Le Tr\u00e9sor des B\u00e2tisseurs, la r\u00e9alit\u00e9 virtuelle franchit un cap. Loin d\u2019un simple dispositif spectaculaire, l\u2019exp\u00e9rience s\u2019affirme comme un outil de m\u00e9diation culturelle \u00e0 part enti\u00e8re, pens\u00e9 pour \u00eatre v\u00e9cu collectivement. Parents, enfants et adolescents avancent ensemble dans l\u2019\u00c9gypte antique, casque sur la t\u00eate, guid\u00e9s par Mona, arch\u00e9ologue virtuelle con\u00e7ue comme un v\u00e9ritable personnage […]","og_url":"https:\/\/great-artmag.com\/en\/realite-virtuelle-tresor-des-batisseurs-eclipso\/","og_site_name":"GREAT-ARTMAG","article_published_time":"2026-01-12T19:36:15+00:00","article_modified_time":"2026-01-12T19:37:10+00:00","og_image":[{"width":2560,"height":1702,"url":"https:\/\/great-artmag.com\/wp-content\/uploads\/2026\/01\/eclipso-scaled.jpeg","type":"image\/jpeg"}],"author":"Alexia Gugg\u00e9mos","twitter_card":"summary_large_image","twitter_misc":{"Written by":"Alexia Gugg\u00e9mos","Est. reading time":"4 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/great-artmag.com\/en\/realite-virtuelle-tresor-des-batisseurs-eclipso\/#article","isPartOf":{"@id":"https:\/\/great-artmag.com\/en\/realite-virtuelle-tresor-des-batisseurs-eclipso\/"},"author":{"name":"Alexia Gugg\u00e9mos","@id":"https:\/\/great-artmag.com\/en\/#\/schema\/person\/07a768635fe6f6d87951dc8ae985eeda"},"headline":"Quand la r\u00e9alit\u00e9 virtuelle r\u00e9invente la sortie culturelle : l\u2019exemple du Tr\u00e9sor des B\u00e2tisseurs","datePublished":"2026-01-12T19:36:15+00:00","dateModified":"2026-01-12T19:37:10+00:00","mainEntityOfPage":{"@id":"https:\/\/great-artmag.com\/en\/realite-virtuelle-tresor-des-batisseurs-eclipso\/"},"wordCount":814,"publisher":{"@id":"https:\/\/great-artmag.com\/en\/#organization"},"image":{"@id":"https:\/\/great-artmag.com\/en\/realite-virtuelle-tresor-des-batisseurs-eclipso\/#primaryimage"},"thumbnailUrl":"https:\/\/great-artmag.com\/wp-content\/uploads\/2026\/01\/eclipso-scaled.jpeg","articleSection":["ART NUM\u00c9RIQUE & IA"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/great-artmag.com\/en\/realite-virtuelle-tresor-des-batisseurs-eclipso\/","url":"https:\/\/great-artmag.com\/en\/realite-virtuelle-tresor-des-batisseurs-eclipso\/","name":"Quand la r\u00e9alit\u00e9 virtuelle r\u00e9invente la sortie culturelle : l\u2019exemple du Tr\u00e9sor des B\u00e2tisseurs - GREAT-ARTMAG","isPartOf":{"@id":"https:\/\/great-artmag.com\/en\/#website"},"primaryImageOfPage":{"@id":"https:\/\/great-artmag.com\/en\/realite-virtuelle-tresor-des-batisseurs-eclipso\/#primaryimage"},"image":{"@id":"https:\/\/great-artmag.com\/en\/realite-virtuelle-tresor-des-batisseurs-eclipso\/#primaryimage"},"thumbnailUrl":"https:\/\/great-artmag.com\/wp-content\/uploads\/2026\/01\/eclipso-scaled.jpeg","datePublished":"2026-01-12T19:36:15+00:00","dateModified":"2026-01-12T19:37:10+00:00","breadcrumb":{"@id":"https:\/\/great-artmag.com\/en\/realite-virtuelle-tresor-des-batisseurs-eclipso\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/great-artmag.com\/en\/realite-virtuelle-tresor-des-batisseurs-eclipso\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/great-artmag.com\/en\/realite-virtuelle-tresor-des-batisseurs-eclipso\/#primaryimage","url":"https:\/\/great-artmag.com\/wp-content\/uploads\/2026\/01\/eclipso-scaled.jpeg","contentUrl":"https:\/\/great-artmag.com\/wp-content\/uploads\/2026\/01\/eclipso-scaled.jpeg","width":2560,"height":1702},{"@type":"BreadcrumbList","@id":"https:\/\/great-artmag.com\/en\/realite-virtuelle-tresor-des-batisseurs-eclipso\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Accueil","item":"https:\/\/great-artmag.com\/en\/"},{"@type":"ListItem","position":2,"name":"Quand la r\u00e9alit\u00e9 virtuelle r\u00e9invente la sortie culturelle : l\u2019exemple du Tr\u00e9sor des B\u00e2tisseurs"}]},{"@type":"WebSite","@id":"https:\/\/great-artmag.com\/en\/#website","url":"https:\/\/great-artmag.com\/en\/","name":"Great ArtMag","description":"Le Magazine des H\u00e9donistes","publisher":{"@id":"https:\/\/great-artmag.com\/en\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/great-artmag.com\/en\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/great-artmag.com\/en\/#organization","name":"GREAT ARTMAG","url":"https:\/\/great-artmag.com\/en\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/great-artmag.com\/en\/#\/schema\/logo\/image\/","url":"https:\/\/great-artmag.com\/wp-content\/uploads\/2024\/07\/IMG_5403.jpg","contentUrl":"https:\/\/great-artmag.com\/wp-content\/uploads\/2024\/07\/IMG_5403.jpg","width":860,"height":368,"caption":"GREAT ARTMAG"},"image":{"@id":"https:\/\/great-artmag.com\/en\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.instagram.com\/great_artmag"]},{"@type":"Person","@id":"https:\/\/great-artmag.com\/en\/#\/schema\/person\/07a768635fe6f6d87951dc8ae985eeda","name":"Alexia Gugg\u00e9mos","url":"https:\/\/great-artmag.com\/en\/author\/admin5782\/"}]}},"amp_enabled":true,"_links":{"self":[{"href":"https:\/\/great-artmag.com\/en\/wp-json\/wp\/v2\/posts\/5659","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/great-artmag.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/great-artmag.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/great-artmag.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/great-artmag.com\/en\/wp-json\/wp\/v2\/comments?post=5659"}],"version-history":[{"count":0,"href":"https:\/\/great-artmag.com\/en\/wp-json\/wp\/v2\/posts\/5659\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/great-artmag.com\/en\/wp-json\/wp\/v2\/media\/5660"}],"wp:attachment":[{"href":"https:\/\/great-artmag.com\/en\/wp-json\/wp\/v2\/media?parent=5659"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/great-artmag.com\/en\/wp-json\/wp\/v2\/categories?post=5659"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/great-artmag.com\/en\/wp-json\/wp\/v2\/tags?post=5659"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}