{"id":6162,"date":"2026-03-10T14:08:25","date_gmt":"2026-03-10T13:08:25","guid":{"rendered":"https:\/\/great-artmag.com\/?p=6162"},"modified":"2026-05-18T09:05:35","modified_gmt":"2026-05-18T07:05:35","slug":"retrospective-francois-morellet-au-centre-pompidou-metz-100-pour-cent","status":"publish","type":"post","link":"https:\/\/great-artmag.com\/en\/retrospective-francois-morellet-au-centre-pompidou-metz-100-pour-cent\/","title":{"rendered":"Centenaire Fran\u00e7ois Morellet au Centre Pompidou-Metz"},"content":{"rendered":"

L’exposition Fran\u00e7ois Morellet. 100 pour cent se d\u00e9roule du 3 avril au 28 septembre 2026 au Centre Pompidou-Metz. Con\u00e7ue par le commissaire Michel Gauthier pour c\u00e9l\u00e9brer le centenaire de la naissance de l’artiste (1926-2016). La r\u00e9trospective r\u00e9unit une centaine d’\u0153uvres couvrant plus de 70 ans de cr\u00e9ation. Elle met en lumi\u00e8re une \u0153uvre fond\u00e9e sur une tension fertile entre rigueur math\u00e9matique et d\u00e9rision visuelle.<\/strong><\/p>\n

\n

“Morellet, fils monstrueux de Mondrian et Picabia”<\/p>\n<\/blockquote>\n

Fran\u00e7ois Morellet, le fils monstrueux de Mondrian et Picabia<\/h3>\n

D\u00e8s les ann\u00e9es 1950, Fran\u00e7ois Morellet adopte un vocabulaire g\u00e9om\u00e9trique \u00e9l\u00e9mentaire. L’artiste met en place des protocoles de cr\u00e9ation stricts destin\u00e9s \u00e0 neutraliser totalement la subjectivit\u00e9 du geste artistique. Ses \u0153uvres r\u00e9sultent alors de syst\u00e8mes rigoureux comme des grilles, des trames, des calculs. Et parfois m\u00eame des tirages al\u00e9atoires \u00e0 partir d\u2019annuaires ou des d\u00e9cimales du nombre n. Cette strat\u00e9gie conceptuelle vise \u00e0 d\u00e9construire le mythe de l\u2019artiste inspir\u00e9 au profit d\u2019un art programm\u00e9 o\u00f9 la r\u00e8gle devient le seul moteur esth\u00e9tique. Mais chez Fran\u00e7ois Morellet, cette rigueur s\u2019accompagne toujours d\u2019un humour discret. L\u2019absurde et l\u2019impr\u00e9visible viennent perturber les structures \u00e9tablies.<\/p>\n

\"\"
Fran\u00e7ois Morellet, “Violet-bleu-vert-jaune-orange-rouge” (1953)
Paris, Centre Pompidou, Mus\u00e9e national d’art moderne, AM 1985-494 \u00a9 Adagp, Paris, 2026 Centre Pompidou, MNAM-CCI\/Audrey Laurans\/Dist. GrandPalaisRmn<\/figcaption><\/figure>\n

De l\u2019art optique et cin\u00e9tique aux installations de n\u00e9ons lumineux<\/h3>\n

Fran\u00e7ois Morellet rejoint le Groupe de Recherche d\u2019Art Visuel (GRAV) en 1960, aux c\u00f4t\u00e9s du c\u00e9l\u00e8bre plasticien Julio Le Parc. Ensemble, les membres du collectif explorent les possibilit\u00e9s infinies de l\u2019art optique et cin\u00e9tique. Les trames g\u00e9om\u00e9triques produisent des interf\u00e9rences visuelles dynamiques. La lumi\u00e8re \u00e9lectrique devient un mat\u00e9riau privil\u00e9gi\u00e9 de cr\u00e9ation. Les n\u00e9ons clignotants, les structures m\u00e9talliques ou les dispositifs lumineux complexes transforment la surface picturale traditionnelle en un environnement perceptif. L\u2019\u0153uvre d’art cesse d\u2019\u00eatre un tableau pour devenir une exp\u00e9rience immersive. Cette orientation novatrice fait de Fran\u00e7ois Morellet l\u2019un des pr\u00e9curseurs du minimalisme et de l\u2019installation.<\/p>\n

L\u2019Esprit d\u2019escalier : Le chef-d\u2019\u0153uvre discret de Morellet au Mus\u00e9e du Louvre<\/h3>\n

Parmi les interventions architecturales de Fran\u00e7ois Morellet, celle du Mus\u00e9e du Louvre \u00e0 Paris. En 2010, dans le cadre de la politique de commande publique du minist\u00e8re de la Culture, l’artiste con\u00e7oit L\u2019Esprit d\u2019escalier. Il s’agit d’un ensemble de vitraux install\u00e9s de mani\u00e8re p\u00e9renne dans l\u2019escalier Lefuel de l\u2019aile Richelieu. Cet escalier monumental, \u00e9difi\u00e9 entre 1852 et 1858 par l\u2019architecte Hector Lefuel, constitue l\u2019un des t\u00e9moignages de l\u2019architecture officielle du Second Empire. Fran\u00e7ois Morellet intervient avec une extr\u00eame retenue dans cet espace baign\u00e9 de lumi\u00e8re naturelle. Il fragmente les vitrages existants en superposant un dessin invers\u00e9 de la grille m\u00e9tallique originelle. Il a utilis\u00e9 une technique traditionnelle des ma\u00eetres verriers. Le motif g\u00e9om\u00e9trique se d\u00e9double, se d\u00e9cale et trouble imperceptiblement la perception du visiteur attentif. Cette intervention r\u00e9sume l\u2019essentiel de son parcours avec un \u00e9quilibre rare entre pr\u00e9cision formelle, intelligence architecturale et pur plaisir du regard.<\/p>\n

\"\"
Fran\u00e7ois Morellet, “2 doubles trames + 3\u00b0 – 3\u00b0 rouge sur bleu, mur du plateau La Reynie, Paris” (1971)
\u00a9 Archives Fran\u00e7ois Morellet \/ Adagp, Paris, 2026<\/figcaption><\/figure>\n

100 pour cent : Un dialogue durable avec l\u2019architecture et la ville de Metz<\/h3>\n

L\u2019exposition du Centre Pompidou-Metz souligne la dimension architecturale du travail de Fran\u00e7ois Morellet. D\u00e8s les ann\u00e9es 1970, le cr\u00e9ateur investit l\u2019espace urbain avec des interventions qu\u2019il qualifie lui-m\u00eame de d\u00e9sint\u00e9grations architecturales. Fid\u00e8le \u00e0 cette approche d’art public, la r\u00e9trospective se prolonge hors les murs du mus\u00e9e avec la r\u00e9activation d\u2019une \u0153uvre protocolaire monumentale sur la fa\u00e7ade du technicentre SNCF voisin. Ce geste fort inscrit l\u2019exposition dans la ville de Metz et rappelle combien l\u2019\u0153uvre globale de Fran\u00e7ois Morellet dialogue en permanence avec l\u2019architecture et le paysage environnant. En inaugurant le programme du centenaire, la r\u00e9trospective Morellet invite \u00e0 reconsid\u00e9rer l\u2019influence durable de l’artiste sur les pratiques actuelles.<\/p>\n

Infos pratiques<\/strong><\/h3>\n

Le mus\u00e9e est ouvert tous les jours sauf le mardi : de 10 h \u00e0 18 h du lundi au jeudi et jusqu\u2019\u00e0 19 h du vendredi au dimanche. Un catalogue illustr\u00e9 de 224 pages, publi\u00e9 par les \u00e9ditions du Centre Pompidou-Metz, accompagne l\u2019exposition (35 \u20ac).
\nAcc\u00e8s : 1 parvis des Droits-de-l\u2019Homme, 57000 Metz.
\nInformations et billetterie : centrepompidou-metz.fr<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

L’exposition Fran\u00e7ois Morellet. 100 pour cent se d\u00e9roule du 3 avril au 28 septembre 2026 au Centre Pompidou-Metz. Con\u00e7ue par le commissaire Michel Gauthier pour c\u00e9l\u00e9brer le centenaire de la naissance de l’artiste (1926-2016). La r\u00e9trospective r\u00e9unit une centaine d’\u0153uvres couvrant plus de 70 ans de cr\u00e9ation. Elle met en lumi\u00e8re une \u0153uvre fond\u00e9e sur […]<\/p>\n","protected":false},"author":1,"featured_media":6163,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[1163],"tags":[1366,1367,1368],"class_list":["post-6162","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-exposition","tag-abstraction","tag-centre-pompidou-metz","tag-minimalisme"],"yoast_head":"\nCentenaire Fran\u00e7ois Morellet au Centre Pompidou-Metz - GREAT-ARTMAG<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/great-artmag.com\/en\/retrospective-francois-morellet-au-centre-pompidou-metz-100-pour-cent\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Centenaire Fran\u00e7ois Morellet au Centre Pompidou-Metz - GREAT-ARTMAG\" \/>\n<meta property=\"og:description\" content=\"L’exposition Fran\u00e7ois Morellet. 100 pour cent se d\u00e9roule du 3 avril au 28 septembre 2026 au Centre Pompidou-Metz. Con\u00e7ue par le commissaire Michel Gauthier pour c\u00e9l\u00e9brer le centenaire de la naissance de l’artiste (1926-2016). La r\u00e9trospective r\u00e9unit une centaine d’\u0153uvres couvrant plus de 70 ans de cr\u00e9ation. 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