{"id":6254,"date":"2026-03-21T12:21:37","date_gmt":"2026-03-21T11:21:37","guid":{"rendered":"https:\/\/great-artmag.com\/?p=6254"},"modified":"2026-04-30T19:23:55","modified_gmt":"2026-04-30T17:23:55","slug":"festival-circulations-2026-photographie-contemporaine","status":"publish","type":"post","link":"https:\/\/great-artmag.com\/en\/festival-circulations-2026-photographie-contemporaine\/","title":{"rendered":"Festival Circulation(s) 2026 : panorama de la photographie contemporaine"},"content":{"rendered":"

Le festival Circulation(s) 2026 confirme, pour sa 16e \u00e9dition, son r\u00f4le de laboratoire de la photographie contemporaine \u00e9mergente en Europe. Install\u00e9 au CENTQUATRE-PARIS, il d\u00e9ploie du 21 mars au 17 mai une cartographie sensible des tensions qui traversent les regards. Panorama des tendances \u00e0 travers 26 artistes issus de 15 pays. Hybridation des m\u00e9diums, retour du r\u00e9cit, politisation du regard, et surtout, une volont\u00e9 de r\u00e9inventer les formes de narration visuelle.<\/strong><\/p>\n

Une th\u00e9\u00e2tralisation assum\u00e9e<\/h3>\n

Cette expression agit comme un manifeste implicite de l\u2019\u00e9dition 2026. La photographie est un dispositif critique, un th\u00e9\u00e2tre du visible o\u00f9 fiction, archive et performance se confondent. Le festival dessine une g\u00e9n\u00e9ration qui ne croit plus \u00e0 la neutralit\u00e9 de l\u2019image.<\/p>\n

\"\"Dans cet ensemble dense et contrast\u00e9, certaines propositions s\u2019imposent avec une force particuli\u00e8re. Le travail du Br\u00e9silien Rafael Roncato, notamment, agit comme une cl\u00e9 de lecture transversale de cette \u00e9dition. Sa s\u00e9rie Tropical Trauma Misery Tour<\/em> s\u2019inscrit dans une r\u00e9flexion globale sur la fabrication des r\u00e9cits politiques \u00e0 l\u2019\u00e8re num\u00e9rique. \u00c0 partir de l\u2019agression au couteau de Jair Bolsonaro en 2018, Rafael Roncato construit une mythologie contemporaine o\u00f9 la v\u00e9rit\u00e9 factuelle se dissout dans une prolif\u00e9ration d\u2019images manipul\u00e9es, de m\u00e8mes et de narrations contradictoires. Le populisme brouille les fronti\u00e8res entre r\u00e9alit\u00e9 et fiction, pourrait r\u00e9sumer son approche. Mais l\u00e0 o\u00f9 d\u2019autres se contenteraient de documenter ce ph\u00e9nom\u00e8ne, Rafael Roncato choisit d\u2019en \u00e9pouser les codes. Son travail rel\u00e8ve d\u2019une m\u00e9ta-fiction visuelle. Il produit des images mises en sc\u00e8ne, des fragments d\u2019archives recompos\u00e9s, \u00e9galement des dispositifs narratifs volontairement instables. Il s\u2019agit de montrer de l\u2019int\u00e9rieur comment une croyance se construit.<\/p>\n

Les fragilit\u00e9s du r\u00e9el<\/h3>\n

Le travail de Rafael Roncato dialogue avec d\u2019autres propositions du festival.\u00a0 explorent, chacune \u00e0 leur mani\u00e8re, les fragilit\u00e9s du r\u00e9el. Mais l\u00e0 o\u00f9 certains convoquent l\u2019intime ou la m\u00e9moire, le photographe attaque frontalement les structures de pouvoir. Il rappelle que l\u2019image est toujours un outil politique, et que sa manipulation n\u2019est pas une d\u00e9rive r\u00e9cente. Plusieurs artistes femmes pr\u00e9sentes dans cette \u00e9dition m\u00e9ritent une attention particuli\u00e8re tant elles renouvellent les formes et les r\u00e9cits de la photographie actuelle.<\/p>\n

\"\"
Olia Koval, ‘Eruption”<\/figcaption><\/figure>\n

40 000 punaises rouges envahissent l’espace… La s\u00e9rie Eruption<\/em> de l’Ukrainienne Olia Koval s\u2019impose par sa puissance visuelle. L\u2019installation repose sur un dispositif radical. Ces punaises rouges transforment un espace familier en territoire hostile. Olia Koval, qui travaille \u00e0 partir de la guerre en Ukraine, refuse pourtant toute repr\u00e9sentation directe du conflit. L\u2019horreur se manifeste dans le d\u00e9tail. Mais aussi dans la r\u00e9p\u00e9tition, dans l\u2019accumulation. Cette approche \u00e9voque une esth\u00e9tique du sympt\u00f4me. Ce qui est montr\u00e9 n\u2019est pas la guerre mais ses effets psychiques. Et surtout, sa mani\u00e8re de contaminer les espaces intimes. \u00ab Documenter des fragments de la vie quotidienne \u00bb, dit-elle. La mat\u00e9rialit\u00e9 joue ici un r\u00f4le central. Fabriqu\u00e9es \u00e0 la main, les punaises introduisent une dimension artisanale qui contraste avec la violence du sujet. Ce choix renforce l\u2019ambigu\u00eft\u00e9 de l\u2019\u0153uvre. Entre beaut\u00e9 formelle et inqui\u00e9tude latente. L\u2019image d\u00e9borde le cadre pour investir l\u2019espace.<\/p>\n

\"\"
Nathalie Bissig, “Thunder”<\/figcaption><\/figure>\n

Le tonnerre devient pr\u00e9sence<\/h3>\n

\u00c0 une autre \u00e9chelle, mais avec une intensit\u00e9 comparable, le travail de Nathalie Bissig explore les rapports entre l\u2019humain et le paysage. Sa s\u00e9rie Thunder<\/em> plonge dans les montagnes du canton d\u2019Uri, en Suisse, territoire de son enfance. Mais loin d\u2019une approche documentaire classique, la Suisse Nathalie Bissig construit un univers o\u00f9 nature et mythologie s\u2019entrem\u00ealent. \u00ab Que pensaient les gens lorsqu\u2019ils entendaient le tonnerre ? \u00bb Cette question ouvre un espace de projection. Elle d\u00e9place le regard vers une temporalit\u00e9 archa\u00efque, o\u00f9 les ph\u00e9nom\u00e8nes naturels \u00e9chappaient \u00e0 toute rationalisation scientifique. Les images de Nathalie Bissig sont travers\u00e9es par cette tension entre visible et invisible. Elles \u00e9voquent des rituels, des croyances, des peurs ancestrales. Le paysage n\u2019est jamais neutre : il est charg\u00e9 de r\u00e9cits collectifs. L\u2019inqui\u00e9tant et le miraculeux cohabitent. La photographe rappelle que la nature, loin d\u2019\u00eatre un d\u00e9cor, est un acteur \u00e0 part enti\u00e8re, porteur de forces et de r\u00e9cits.<\/p>\n

\"\"
T2i-et-NouN<\/figcaption><\/figure>\n

En qu\u00eate d’identit\u00e9s<\/h3>\n

Le duo fran\u00e7ais form\u00e9 par T2i et NouN propose avec Manman Dilo<\/em> une \u0153uvre qui articule photographie, mythologie et r\u00e9flexion post-coloniale. T2i est un rappeur, graphiste et r\u00e9alisateur bas\u00e9 en Guyane. Il a construit un univers visuel et musical singulier nourri de culture afro-amazonienne. NouN est une artiste visuelle form\u00e9e \u00e0 la Sorbonne \u00e0 Paris et \u00e0 Kourtrajm\u00e9, \u00e9voluant entre Paris et la Guyane. Dans ses travaux, elle explore les notions de corps et de regard d\u00e9colonial. Face \u00e0 la figure issue des cultures guyanaises, celle de la \u00ab m\u00e8re des eaux \u00bb, les artistes construisent une iconographie afrofuturiste. La figure mystique mi-femme mi-poisson d\u00e9passe largement sa dimension folklorique. Elle devient un symbole de r\u00e9sistance, une incarnation des m\u00e9moires afro-descendantes, mais aussi une all\u00e9gorie \u00e9cologique. Dans cette dystopie visuelle, Manman Dilo<\/em> reprend possession d\u2019un monde d\u00e9grad\u00e9.<\/p>\n

Enfin, le focus consacr\u00e9 \u00e0 l\u2019Irlande rappelle que le festival reste attentif aux sc\u00e8nes photographiques europ\u00e9ennes dans leur diversit\u00e9. Dans un contexte Circulation(s) propose une exp\u00e9rience pr\u00e9cieuse : celle de prendre le temps de regarder. Et peut-\u00eatre, comme le sugg\u00e8re Rafael Roncato, d\u2019apprendre \u00e0 naviguer dans un monde o\u00f9 la v\u00e9rit\u00e9 n\u2019est plus donn\u00e9e, mais \u00e0 construire.<\/p>\n

Infos pratiques \u2014 Festival Circulation(s) 2026<\/strong>
\n* Lieu : CENTQUATRE-PARIS (104 rue d\u2019Aubervilliers, 75019 Paris)
\n* Dates : du 21 mars au 17 mai 2026
\n* Horaires : Mercredi \u00e0 vendredi : 14h \u2013 19h \/ Week-end : 11h \u2013 19h
\n* Plein tarif : 8 \u20ac \/ Gratuit pour les moins de 26 ans, demandeurs d\u2019emploi
\n* Commissariat : collectif Fetart
\n* Site officiel : festival-circulations.com<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Le festival Circulation(s) 2026 confirme, pour sa 16e \u00e9dition, son r\u00f4le de laboratoire de la photographie contemporaine \u00e9mergente en Europe. Install\u00e9 au CENTQUATRE-PARIS, il d\u00e9ploie du 21 mars au 17 mai une cartographie sensible des tensions qui traversent les regards. Panorama des tendances \u00e0 travers 26 artistes issus de 15 pays. Hybridation des m\u00e9diums, retour […]<\/p>\n","protected":false},"author":1,"featured_media":6264,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"tdm_status":"","tdm_grid_status":"","footnotes":""},"categories":[1163],"tags":[1329,1169],"class_list":["post-6254","post","type-post","status-publish","format-standard","has-post-thumbnail","category-exposition","tag-femmes-artistes","tag-photographie"],"yoast_head":"\nFestival Circulation(s) 2026 : panorama de la photographie contemporaine - GREAT-ARTMAG<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/great-artmag.com\/en\/festival-circulations-2026-photographie-contemporaine\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Festival Circulation(s) 2026 : panorama de la photographie contemporaine - GREAT-ARTMAG\" \/>\n<meta property=\"og:description\" content=\"Le festival Circulation(s) 2026 confirme, pour sa 16e \u00e9dition, son r\u00f4le de laboratoire de la photographie contemporaine \u00e9mergente en Europe. 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