{"id":6452,"date":"2026-03-30T17:41:03","date_gmt":"2026-03-30T15:41:03","guid":{"rendered":"https:\/\/great-artmag.com\/?p=6452"},"modified":"2026-04-08T07:37:00","modified_gmt":"2026-04-08T05:37:00","slug":"splendeurs-du-baroque-au-musee-jacquemart-andre","status":"publish","type":"post","link":"https:\/\/great-artmag.com\/en\/splendeurs-du-baroque-au-musee-jacquemart-andre\/","title":{"rendered":"Splendeurs du Baroque au Mus\u00e9e Jacquemart-Andr\u00e9"},"content":{"rendered":"

Drap\u00e9s en suspens, regards lev\u00e9s vers l\u2019invisible, ors vibrants : le baroque s\u2019impose comme une exp\u00e9rience physique avant m\u00eame d\u2019\u00eatre un style. Au c\u0153ur de Mus\u00e9e Jacquemart-Andr\u00e9 \u00e0 Paris, l\u2019exposition “Splendeurs du Baroque” d\u00e9ploie cette intensit\u00e9 avec une pr\u00e9cision presque th\u00e9\u00e2trale. Du 26 mars au 2 ao\u00fbt 2026.<\/strong><\/p>\n

\"\"
Vel\u00e1zquez, “Portrait de jeune fille” (1638-1642)<\/figcaption><\/figure>\n

Retour historique sur les \u0153uvres qui ont accompagn\u00e9 le \u00ab Si\u00e8cle d’or \u00bb avec l’affirmation de l’empire colonial espagnol sous les Habsbourg d’Espagne. Cela passe par l’affirmation du pouvoir et de la religion catholique dans l’art baroque. Moins fig\u00e9es, les sc\u00e8nes expriment davantage le mouvement et les visages peints sont plus vivants. Les \u00e9motions s’incarnent dans les portraits des mod\u00e8les peints. Tr\u00e8s t\u00f4t, Vel\u00e1squez s\u2019affirme comme un ma\u00eetre du portrait. De retour d\u2019un s\u00e9jour de deux ans en Italie, ses figures gagnent en force notamment par l\u2019usage de la technique du clair-obscur.<\/p>\n

“La Jeune fille de Vel\u00e1zquez POURRAIT BIEN \u00eatre la Joconde espagnole”, Pierre Curie, co-commissaire<\/p><\/blockquote>\n

Une vingtaine de portraits sur les 45 tableaux expos\u00e9s montre la puissance espagnole au XVIIe si\u00e8cle. La reine Isabelle de Bourbon, peinte par Diego Vel\u00e1squez (1599-1660), et le roi d\u2019Espagne Philippe IV, peint par Juan Carreno de Miranda (1614-1685), habillent d\u00e9j\u00e0 les murs de la premi\u00e8re salle. Ces deux portraits illustrent le pouvoir politique de l\u2019Espagne, mais aussi son influence artistique avec notamment Vel\u00e1squez dont la technique a inspir\u00e9 Juan Carreno de Miranda, portraitiste officiel de Philippe IV. Le portrait de jeune fille de Vel\u00e1squez, achev\u00e9 en 1642, est consid\u00e9r\u00e9 comme l\u2019un des joyaux de la Hispanic Society of America.<\/p>\n

\"\"
Peinture processionnelle, Nativit\u00e9 (vers 1620-1650)<\/figcaption><\/figure>\n

L’\u00e9vang\u00e9lisation des nouveaux territoires coloniaux d’Am\u00e9rique du Sud se traduit par une forte repr\u00e9sentation de la religion. La fuite en \u00c9gypte<\/em> de l’\u00e9cole de Cuzco montre l’influence catholique au P\u00e9rou avec une repr\u00e9sentation de Marie et de J\u00e9sus dans une peinture entour\u00e9e d’un cadre recouvert de nacre. Les repr\u00e9sentations religieuses se multiplient en Am\u00e9rique du Sud avec L’Immacul\u00e9e Conception<\/em> de Fray Alonso Lopez de Herrera au Mexique ou une peinture processionnelle de la Nativit\u00e9<\/em> au P\u00e9rou. Le Greco a peint de nombreux saints. Il s’est int\u00e9ress\u00e9 au saint Fran\u00e7ois ou \u00e0 saint Jacques en se focalisant sur le d\u00e9tail de leurs mains ou de leurs yeux, souvent lev\u00e9s vers le ciel. C’est ce qui caract\u00e9rise l’art du Greco dit “le mystique”.<\/p>\n

Salom\u00e9 Raucoule<\/p>\n

> En savoir plus sur l’exposition “Splendeurs du Baroque” au Mus\u00e9e Jacquemart-Andr\u00e9<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Drap\u00e9s en suspens, regards lev\u00e9s vers l\u2019invisible, ors vibrants : le baroque s\u2019impose comme une exp\u00e9rience physique avant m\u00eame d\u2019\u00eatre un style. Au c\u0153ur de Mus\u00e9e Jacquemart-Andr\u00e9 \u00e0 Paris, l\u2019exposition “Splendeurs du Baroque” d\u00e9ploie cette intensit\u00e9 avec une pr\u00e9cision presque th\u00e9\u00e2trale. Du 26 mars au 2 ao\u00fbt 2026. Retour historique sur les \u0153uvres qui ont […]<\/p>\n","protected":false},"author":10,"featured_media":6455,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"tdm_status":"","tdm_grid_status":"","footnotes":""},"categories":[1163],"tags":[1397,1396,1398],"class_list":{"0":"post-6452","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-exposition","8":"tag-baroque","9":"tag-portrait","10":"tag-velazquez"},"yoast_head":"\nSplendeurs du Baroque au Mus\u00e9e Jacquemart-Andr\u00e9 - GREAT-ARTMAG<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/great-artmag.com\/en\/splendeurs-du-baroque-au-musee-jacquemart-andre\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Splendeurs du Baroque au Mus\u00e9e Jacquemart-Andr\u00e9 - GREAT-ARTMAG\" \/>\n<meta property=\"og:description\" content=\"Drap\u00e9s en suspens, regards lev\u00e9s vers l\u2019invisible, ors vibrants : le baroque s\u2019impose comme une exp\u00e9rience physique avant m\u00eame d\u2019\u00eatre un style. Au c\u0153ur de Mus\u00e9e Jacquemart-Andr\u00e9 \u00e0 Paris, l\u2019exposition “Splendeurs du Baroque” d\u00e9ploie cette intensit\u00e9 avec une pr\u00e9cision presque th\u00e9\u00e2trale. Du 26 mars au 2 ao\u00fbt 2026. 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