{"id":6806,"date":"2026-04-19T07:47:58","date_gmt":"2026-04-19T05:47:58","guid":{"rendered":"https:\/\/great-artmag.com\/?p=6806"},"modified":"2026-04-21T07:42:51","modified_gmt":"2026-04-21T05:42:51","slug":"festival-nous-2026-art-ia","status":"publish","type":"post","link":"https:\/\/great-artmag.com\/en\/festival-nous-2026-art-ia\/","title":{"rendered":"NO\u00dbS : le festival qui r\u00e9invente l\u2019art \u00e0 l\u2019\u00e8re de l\u2019IA"},"content":{"rendered":"<p><strong>Premi\u00e8re \u00e9dition du festival NO\u00dbS, co-imagin\u00e9e avec le magazine <a href=\"https:\/\/fisheyeimmersive.com\/\">Fisheye Immersive<\/a> : plus de 10 artistes investissent les archives de la Biblioth\u00e8que nationale de France. Objectif ? produire des \u0153uvres \u00e0 partir de l\u2019intelligence artificielle. Au programme : une dizaine d\u2019installations, performances et exp\u00e9riences immersives, mais aussi une s\u00e9rie de tables rondes. Du 9 au 19 avril 2026.<\/strong><\/p>\n<figure id=\"attachment_6809\" aria-describedby=\"caption-attachment-6809\" style=\"width: 332px\" class=\"wp-caption alignleft\"><img decoding=\"async\" class=\" wp-image-6809\" src=\"https:\/\/great-artmag.com\/wp-content\/uploads\/2026\/04\/Tobias-Gremmler-03.jpg\" alt=\"\" width=\"332\" height=\"187\" srcset=\"https:\/\/great-artmag.com\/wp-content\/uploads\/2026\/04\/Tobias-Gremmler-03.jpg 1050w, https:\/\/great-artmag.com\/wp-content\/uploads\/2026\/04\/Tobias-Gremmler-03-300x169.jpg 300w, https:\/\/great-artmag.com\/wp-content\/uploads\/2026\/04\/Tobias-Gremmler-03-1024x576.jpg 1024w, https:\/\/great-artmag.com\/wp-content\/uploads\/2026\/04\/Tobias-Gremmler-03-768x432.jpg 768w, https:\/\/great-artmag.com\/wp-content\/uploads\/2026\/04\/Tobias-Gremmler-03-746x420.jpg 746w, https:\/\/great-artmag.com\/wp-content\/uploads\/2026\/04\/Tobias-Gremmler-03-696x392.jpg 696w\" sizes=\"(max-width: 332px) 100vw, 332px\" \/><figcaption id=\"caption-attachment-6809\" class=\"wp-caption-text\">Tobias Gremmler<\/figcaption><\/figure>\n<p>Le festival NO\u00dbS s\u2019ouvre sur une position claire : refuser une technologie \u00ab hors-sol \u00bb qui effacerait le cr\u00e9ateur. Plus de 40 millions de documents issus des archives de la BnF deviennent ici une mati\u00e8re offerte aux artistes. L\u2019IA agit comme un pinceau capable de r\u00e9v\u00e9ler des formes, d\u2019interroger notre rapport au r\u00e9el. Dans un contexte o\u00f9 la d\u00e9fiance envers les images synth\u00e9tiques s\u2019intensifie, le festival NO\u00dbS propose de replacer la cr\u00e9ation au centre.<\/p>\n<h4>Des artistes face aux archives : une mati\u00e8re infinie<\/h4>\n<p>Les artistes ont travaill\u00e9 \u00e0 partir des fonds de la BnF. R\u00e9sultat : une diversit\u00e9 de pratiques qui t\u00e9moigne de la plasticit\u00e9 de l\u2019IA. <a href=\"https:\/\/justineemard.com\/\">Justine Emard<\/a> explore la figure de la sir\u00e8ne \u00e0 travers des r\u00e9seaux neuronaux nourris par les archives de Gallica, donnant naissance \u00e0 une installation immersive o\u00f9 la cr\u00e9ature oscille entre mythe et entit\u00e9 algorithmique. Le collectif <a href=\"https:\/\/www.obvious-art.com\/\">Obvious<\/a> travaille sur des dessins botaniques anciens pour g\u00e9n\u00e9rer des esp\u00e8ces fictives, entre science et sp\u00e9culation \u00e9cologique.<br \/>\n<a href=\"https:\/\/nilufar.com\/designers\/audrey-large\/\">Audrey Large<\/a> utilise l\u2019IA pour combler les silences de l\u2019histoire, reconstituant des savoirs m\u00e9dicaux f\u00e9minins effac\u00e9s.<\/p>\n<figure id=\"attachment_6808\" aria-describedby=\"caption-attachment-6808\" style=\"width: 313px\" class=\"wp-caption alignright\"><img decoding=\"async\" class=\" wp-image-6808\" src=\"https:\/\/great-artmag.com\/wp-content\/uploads\/2026\/04\/carte-glacier-alexandra-mocanu.jpg\" alt=\"\" width=\"313\" height=\"206\" srcset=\"https:\/\/great-artmag.com\/wp-content\/uploads\/2026\/04\/carte-glacier-alexandra-mocanu.jpg 1506w, https:\/\/great-artmag.com\/wp-content\/uploads\/2026\/04\/carte-glacier-alexandra-mocanu-300x198.jpg 300w, https:\/\/great-artmag.com\/wp-content\/uploads\/2026\/04\/carte-glacier-alexandra-mocanu-1024x675.jpg 1024w, https:\/\/great-artmag.com\/wp-content\/uploads\/2026\/04\/carte-glacier-alexandra-mocanu-768x506.jpg 768w, https:\/\/great-artmag.com\/wp-content\/uploads\/2026\/04\/carte-glacier-alexandra-mocanu-637x420.jpg 637w, https:\/\/great-artmag.com\/wp-content\/uploads\/2026\/04\/carte-glacier-alexandra-mocanu-696x459.jpg 696w, https:\/\/great-artmag.com\/wp-content\/uploads\/2026\/04\/carte-glacier-alexandra-mocanu-1068x704.jpg 1068w, https:\/\/great-artmag.com\/wp-content\/uploads\/2026\/04\/carte-glacier-alexandra-mocanu-741x486.jpg 741w\" sizes=\"(max-width: 313px) 100vw, 313px\" \/><figcaption id=\"caption-attachment-6808\" class=\"wp-caption-text\">RETINAA \u00d7 ALEXANDRA MOCANU &#8211; Relief (2026)<\/figcaption><\/figure>\n<h4>Hybridations techniques : du textile \u00e0 la 3D<\/h4>\n<p>L\u2019un des points forts de NO\u00dbS r\u00e9side dans la diversit\u00e9 des m\u00e9diums. Ainsi, l\u2019IA infiltre la mati\u00e8re. Le studio RETINAA et <a href=\"https:\/\/fisheyeimmersive.com\/article\/alexandra-mocanu-la-pratique-analogique-contrebalance-lexperimentation-numerique\/\">Alexandra Mocanu<\/a> croisent cartographie, donn\u00e9es g\u00e9ospatiales et broderie traditionnelle. Le duo <a href=\"https:\/\/kimchiandchips.com\/works\">Kimchi and Chips<\/a> transforme un texte censur\u00e9 en exp\u00e9rience visuelle \u00e9volutive, o\u00f9 la lecture devient physique. <a href=\"https:\/\/www.bjork.fr\/Tobias-Gremmler\">Tobias Gremmler<\/a> imprime en 3D les mouvements de danseurs, figeant le geste dans une forme en mutation permanente. Sp\u00e9cialis\u00e9 dans l\u2019art num\u00e9rique, il a notamment cr\u00e9\u00e9 une vid\u00e9o &#8220;Kung Fu Motion Visualization&#8221; repr\u00e9sentant les mouvements effectu\u00e9s par les sportifs. Il a \u00e9galement r\u00e9alis\u00e9 en 2022,\u00a0<a class=\"spip_out\" href=\"https:\/\/www.youtube.com\/watch?v=6BzkaJWc0X8\" rel=\"external\">le clip\u00a0<i>\u00c0\u00a0tout\u00a0jamais<\/i><\/a> de Myl\u00e8ne\u00a0Farmer. Ce dialogue entre techniques anciennes et technologies avanc\u00e9es rappelle une \u00e9vidence souvent oubli\u00e9e : chaque innovation artistique s\u2019inscrit dans une continuit\u00e9 mat\u00e9rielle.<\/p>\n<div class=\"mceTemp\"><\/div>\n<h4>Performances et pens\u00e9e critique<\/h4>\n<p>Le festival propose trois jours de conf\u00e9rences et de tables rondes r\u00e9unissant artistes, chercheurs et institutions internationales. Les enjeux abord\u00e9s sont concrets : souverainet\u00e9 des donn\u00e9es culturelles, transformation des pratiques artistiques, propri\u00e9t\u00e9 intellectuelle, r\u00f4le des artistes dans le d\u00e9veloppement technologique. Des performances, comme celles de <a href=\"https:\/\/www.joansando.com\/\">Joan Sandoval<\/a> ou du collectif <a href=\"https:\/\/7doigts.com\/\">Les 7 Doigts<\/a>, mettent en sc\u00e8ne la co-cr\u00e9ation en temps r\u00e9el entre corps et machine. L\u2019IA y appara\u00eet moins comme un outil que comme un partenaire instable, impr\u00e9visible. Dans cette perspective, l\u2019IA s&#8217;affirme comme un r\u00e9v\u00e9lateur : elle met en lumi\u00e8re les angles morts de l\u2019histoire, mais aussi les fragilit\u00e9s de notre rapport au r\u00e9el. En s\u2019appuyant sur le patrimoine, le festival NO\u00dbS propose une r\u00e9ponse : cr\u00e9er demain ne doit pas signifier effacer hier, mais en approfondir la lecture. Une premi\u00e8re \u00e9dition qui s\u2019impose d\u00e9j\u00e0 comme un jalon dans la r\u00e9flexion contemporaine sur l\u2019art et la technologie.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Premi\u00e8re \u00e9dition du festival NO\u00dbS, co-imagin\u00e9e avec le magazine Fisheye Immersive : plus de 10 artistes investissent les archives de la Biblioth\u00e8que nationale de France. Objectif ? produire des \u0153uvres \u00e0 partir de l\u2019intelligence artificielle. Au programme : une dizaine d\u2019installations, performances et exp\u00e9riences immersives, mais aussi une s\u00e9rie de tables rondes. Du 9 au [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":6807,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"tdm_status":"","tdm_grid_status":"","footnotes":""},"categories":[1195,1320,1334],"tags":[],"class_list":{"0":"post-6806","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-tendances-numeriques","8":"category-architecture","9":"category-theatre-spectacles_vivants"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>NO\u00dbS : le festival qui r\u00e9invente l\u2019art \u00e0 l\u2019\u00e8re de l\u2019IA - GREAT-ARTMAG<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/great-artmag.com\/en\/festival-nous-2026-art-ia\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"NO\u00dbS : le festival qui r\u00e9invente l\u2019art \u00e0 l\u2019\u00e8re de l\u2019IA - GREAT-ARTMAG\" \/>\n<meta property=\"og:description\" content=\"Premi\u00e8re \u00e9dition du festival NO\u00dbS, co-imagin\u00e9e avec le magazine Fisheye Immersive : plus de 10 artistes investissent les archives de la Biblioth\u00e8que nationale de France. 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