{"id":7034,"date":"2026-04-24T09:17:28","date_gmt":"2026-04-24T07:17:28","guid":{"rendered":"https:\/\/great-artmag.com\/?p=7034"},"modified":"2026-04-24T09:20:13","modified_gmt":"2026-04-24T07:20:13","slug":"exposition-la-croisette-a-initial-labo","status":"publish","type":"post","link":"https:\/\/great-artmag.com\/en\/exposition-la-croisette-a-initial-labo\/","title":{"rendered":"Exposition &#8220;La Croisette&#8221; \u00e0 Initial LABO : L&#8217;\u00e9cart des regards"},"content":{"rendered":"<p><strong>\u00c0 Initial LABO \u00e0 Boulogne-Billancourt, l\u2019exposition &#8220;La Croisette&#8221; r\u00e9unit les photographies de L\u00e9a Ghirardotti et d&#8217;Alexandra Mavros sous le commissariat de Emmeline Rideau et Lauranne Rivi\u00e8re. L&#8217;exploration sensible de deux regards sur un m\u00eame sujet, un m\u00eame lieu. Du 16 avril au 2 mai 2026.<\/strong><\/p>\n<h3><img decoding=\"async\" class=\" wp-image-7036 alignleft\" src=\"https:\/\/great-artmag.com\/wp-content\/uploads\/2026\/04\/initial-labo.jpg\" alt=\"\" width=\"264\" height=\"189\" srcset=\"https:\/\/great-artmag.com\/wp-content\/uploads\/2026\/04\/initial-labo.jpg 898w, https:\/\/great-artmag.com\/wp-content\/uploads\/2026\/04\/initial-labo-300x214.jpg 300w, https:\/\/great-artmag.com\/wp-content\/uploads\/2026\/04\/initial-labo-768x548.jpg 768w, https:\/\/great-artmag.com\/wp-content\/uploads\/2026\/04\/initial-labo-588x420.jpg 588w, https:\/\/great-artmag.com\/wp-content\/uploads\/2026\/04\/initial-labo-696x497.jpg 696w\" sizes=\"(max-width: 264px) 100vw, 264px\" \/>L&#8217;exposition &#8220;La Croisette&#8221; pose une position claire : photographier est un acte de cr\u00e9ation personnel<\/h3>\n<p>Confrontation du regard en duo. Les photographes <a href=\"https:\/\/www.instagram.com\/leaghirardotti\/\">L\u00e9a Ghirardotti<\/a> et <a href=\"https:\/\/www.instagram.com\/mavrospictures\/\">Alexandra Mavros<\/a> travaillent un m\u00eame sujet, au m\u00eame endroit, au m\u00eame moment, mais produisent deux \u00e9critures radicalement diff\u00e9rentes. L\u2019une est frontale, percutante, presque \u00e9lectrique. L\u2019autre est plus douce, diffuse, \u00e9th\u00e9r\u00e9e. L\u2019\u00e9cart devient le point de d\u00e9part de l\u2019exposition.<\/p>\n<p>Ce contraste affirme une id\u00e9e simple mais mal comprise. L\u2019appareil photo agit comme une extension du regard. Chaque image devient une traduction, une prise de position, un point de vue. Ce qui est montr\u00e9 n\u2019est jamais une reproduction, mais une construction, marqu\u00e9e par la sensibilit\u00e9 et la personnalit\u00e9 de celui ou celle qui d\u00e9clenche.<\/p>\n<p>La sc\u00e9nographie prolonge cette logique. Elle repose sur des polyptyques, de deux \u00e0 six images, qui organisent des relations internes : \u00e9chos, oppositions, variations. Les images ne sont pas isol\u00e9es, elles fonctionnent en syst\u00e8me. Chaque association peut \u00eatre formelle, th\u00e9matique ou narrative. L\u2019ensemble produit un paysage instable, en mouvement, qui oblige \u00e0 circuler plut\u00f4t qu\u2019\u00e0 consommer.<\/p>\n<h5 data-path-to-node=\"5,0\"><strong>\u00ab Ce que la Photographie reproduit \u00e0 l\u2019infini n\u2019a eu lieu qu\u2019une fois : elle r\u00e9p\u00e8te m\u00e9caniquement ce qui ne pourra jamais plus se r\u00e9p\u00e9ter existentiellement. \u00bb Roland Barthes, <i data-path-to-node=\"5,1\" data-index-in-node=\"18\">La Chambre claire<\/i> (1980)<\/strong><\/h5>\n<h3><img decoding=\"async\" class=\" wp-image-7037 alignright\" src=\"https:\/\/great-artmag.com\/wp-content\/uploads\/2026\/04\/in-situ-initial-labo.jpg\" alt=\"\" width=\"246\" height=\"437\" srcset=\"https:\/\/great-artmag.com\/wp-content\/uploads\/2026\/04\/in-situ-initial-labo.jpg 900w, https:\/\/great-artmag.com\/wp-content\/uploads\/2026\/04\/in-situ-initial-labo-169x300.jpg 169w, https:\/\/great-artmag.com\/wp-content\/uploads\/2026\/04\/in-situ-initial-labo-576x1024.jpg 576w, https:\/\/great-artmag.com\/wp-content\/uploads\/2026\/04\/in-situ-initial-labo-768x1365.jpg 768w, https:\/\/great-artmag.com\/wp-content\/uploads\/2026\/04\/in-situ-initial-labo-864x1536.jpg 864w, https:\/\/great-artmag.com\/wp-content\/uploads\/2026\/04\/in-situ-initial-labo-236x420.jpg 236w, https:\/\/great-artmag.com\/wp-content\/uploads\/2026\/04\/in-situ-initial-labo-696x1237.jpg 696w\" sizes=\"(max-width: 246px) 100vw, 246px\" \/>Initial LABO : l&#8217;\u00e9crin de l&#8217;image \u00e0 Boulogne-Billancourt<\/h3>\n<p>Au c\u0153ur de Boulogne-Billancourt, <a href=\"https:\/\/initiallabo.com\/\">Initial LABO<\/a> s\u2019impose comme une destination incontournable pour les amoureux de l\u2019image. Acteur historique et majeur du tirage photographique professionnel, la maison a su se m\u00e9tamorphoser depuis 2018 en une plateforme cr\u00e9ative globale, o\u00f9 l&#8217;expertise technique rencontre l&#8217;effervescence artistique. Plus qu&#8217;un simple laboratoire de d\u00e9veloppement (argentique et num\u00e9rique), le lieu se d\u00e9ploie comme un v\u00e9ritable \u00e9cosyst\u00e8me : on y fl\u00e2ne entre une galerie exigeante, une librairie sp\u00e9cialis\u00e9e et une boutique pointue proposant bo\u00eetiers et accessoires de pointe.<\/p>\n<p>De la r\u00e9alisation de portraits d&#8217;identit\u00e9 homologu\u00e9s \u00e0 l&#8217;art d\u00e9licat de l&#8217;encadrement sur mesure, Initial LABO accompagne chaque projet avec une pr\u00e9cision d&#8217;orf\u00e8vre. Le point d&#8217;orgue de cette synergie ? La collection MATTED PICTURES, qui permet d\u2019acqu\u00e9rir des \u0153uvres sign\u00e9es par les photographes de renom collaborant quotidiennement avec les tireurs de la maison. Une adresse rare o\u00f9 le savoir-faire artisanal devient le moteur de la cr\u00e9ation contemporaine.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00c0 Initial LABO \u00e0 Boulogne-Billancourt, l\u2019exposition &#8220;La Croisette&#8221; r\u00e9unit les photographies de L\u00e9a Ghirardotti et d&#8217;Alexandra Mavros sous le commissariat de Emmeline Rideau et Lauranne Rivi\u00e8re. L&#8217;exploration sensible de deux regards sur un m\u00eame sujet, un m\u00eame lieu. Du 16 avril au 2 mai 2026. L&#8217;exposition &#8220;La Croisette&#8221; pose une position claire : photographier est [&hellip;]<\/p>\n","protected":false},"author":12,"featured_media":7035,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"tdm_status":"","tdm_grid_status":"","footnotes":""},"categories":[1163],"tags":[1169],"class_list":{"0":"post-7034","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-exposition","8":"tag-photographie"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Exposition &quot;La Croisette&quot; \u00e0 Initial LABO : L&#039;\u00e9cart des regards - GREAT-ARTMAG<\/title>\n<meta name=\"description\" content=\"L&#039;exploration de deux regards sur un m\u00eame sujet, un m\u00eame lieu. 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