{"id":7144,"date":"2026-04-30T00:22:50","date_gmt":"2026-04-29T22:22:50","guid":{"rendered":"https:\/\/great-artmag.com\/?p=7144"},"modified":"2026-04-30T08:48:58","modified_gmt":"2026-04-30T06:48:58","slug":"triennale-adiaf-collections-privees-2026","status":"publish","type":"post","link":"https:\/\/great-artmag.com\/en\/triennale-adiaf-collections-privees-2026\/","title":{"rendered":"Triennale ADIAF : Histoires sensibles des collections priv\u00e9es"},"content":{"rendered":"

Plus de 130 \u0153uvres issues de 77 collections priv\u00e9es sont \u00e0 d\u00e9couvrir au MAC de Marseille, jusqu\u2019au 20 septembre. La cit\u00e9 phoc\u00e9enne accueille \u00ab La vie climatique. Histoires sensibles des collections priv\u00e9es \u00bb, une exposition ambitieuse co-organis\u00e9e avec l’ADIAF, l’Association pour la Diffusion Internationale de l’Art Fran\u00e7ais.<\/strong><\/p>\n

\"\"<\/h3>\n

La 8e \u00e9dition de la triennale de l’ADIAF<\/a> est plac\u00e9e en 2026 sous la direction de l’historienne de l’art Monica Bianca. Elle est port\u00e9e par le commissariat de St\u00e9phanie Airaud et Sandra Delacourt. Une question frontale traverse le parcours : comment habiter un monde d\u00e9r\u00e9gl\u00e9 ?<\/p>\n

Quand l’art r\u00e9invente nos trajectoires<\/h3>\n

Dans les premi\u00e8res trav\u00e9es, les \u0153uvres interrogent les dispositifs de conservation, \u00e0 l’image des gestes de B\u00e9atrice Balcou. Cette r\u00e9flexion sur le vivant se prolonge dans une exploration des relations humaines, o\u00f9 le climat devient social. Mercedes Azpilicueta illustre parfaitement cette dynamique avec sa tapisserie au point Jacquard La Monja Alf\u00e9rez pasa…<\/em> (2021). Elle y r\u00e9invente l’art textile pour tisser une “cosmographie fantastique”. Les r\u00e9cits historiques et les st\u00e9r\u00e9otypes de genre traversent les \u00e2ges. Cette approche fait \u00e9cho aux toiles de Duncan Wylie, notamment avec le tableau Crossroads<\/em> (2023). Le peintre capture des silhouettes en \u00e9quilibre sur des rails. Ces “funambules” incarnent la fragilit\u00e9 des trajectoires humaines au sein d’un environnement mena\u00e7ant.<\/p>\n

\"\"D\u00e9construire les codes du regard<\/h3>\n

Cristina Garrido, avec Local Color Is a Foreign Invention<\/em> (2020), fragmente des ciels issus de la peinture occidentale. Elle souligne ainsi la standardisation du regard : le \u00ab beau temps \u00bb y appara\u00eet comme une norme impos\u00e9e par l’histoire de l’art. Cette d\u00e9construction est \u00e9galement au c\u0153ur de la d\u00e9marche de Rom\u00e9o Mivekannin<\/a>. Dans son \u0153uvre D\u2019apr\u00e8s Caravage, jeune homme mordu par un l\u00e9zard<\/em> (2022), il se r\u00e9approprie des images iconiques en substituant sa propre figure noire aux personnages originaux. Il d\u00e9tourne ainsi des repr\u00e9sentations historiquement charg\u00e9es pour interroger l’h\u00e9ritage colonial.<\/p>\n

\"\"D\u00e9passer les hi\u00e9rarchies<\/h3>\n

Marseille, ville-port travers\u00e9e par les flux, sert de laboratoire id\u00e9al \u00e0 cette s\u00e9lection issue de 77 collections priv\u00e9es. Si l\u2019abondance des 130 \u0153uvres peut parfois saturer le regard, la ligne directrice reste claire : relier sans cesse climat et autorit\u00e9. Cette volont\u00e9 de bousculer les ordres \u00e9tablis se retrouve notamment chez Gilles Barbier avec son \u0153uvre King\u2019s Head<\/em> (2008). En pr\u00e9sentant une t\u00eate royale d\u00e9chue, tournoyante et surmont\u00e9e d’une cascade d’entonnoirs, Barbier d\u00e9gonfle avec ironie les pr\u00e9tentions artistiques\u00a0 et les hi\u00e9rarchies esth\u00e9tiques. Cette d\u00e9risoire royaut\u00e9 rappelle que face au d\u00e9r\u00e8glement global, nos structures de domination sont bien mises \u00e0 l’\u00e9preuve.<\/p>\n

> Infos pratiques marseille-tourisme.com<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Plus de 130 \u0153uvres issues de 77 collections priv\u00e9es sont \u00e0 d\u00e9couvrir au MAC de Marseille, jusqu\u2019au 20 septembre. La cit\u00e9 phoc\u00e9enne accueille \u00ab La vie climatique. Histoires sensibles des collections priv\u00e9es \u00bb, une exposition ambitieuse co-organis\u00e9e avec l’ADIAF, l’Association pour la Diffusion Internationale de l’Art Fran\u00e7ais. La 8e \u00e9dition de la triennale de l’ADIAF […]<\/p>\n","protected":false},"author":1,"featured_media":7148,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"tdm_status":"","tdm_grid_status":"","footnotes":""},"categories":[1163],"tags":[1437,1176],"class_list":{"0":"post-7144","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-exposition","8":"tag-art-contemporain","9":"tag-collection"},"yoast_head":"\nTriennale ADIAF : Histoires sensibles des collections priv\u00e9es - GREAT-ARTMAG<\/title>\n<meta name=\"description\" content=\"Triennale ADIAF 2026 : Plus de 130 \u0153uvres issues de 77 collections priv\u00e9es sont \u00e0 d\u00e9couvrir au Mus\u00e9e d\u2019art contemporain de Marseille (MAC).\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/great-artmag.com\/en\/triennale-adiaf-collections-privees-2026\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Triennale ADIAF : Histoires sensibles des collections priv\u00e9es - 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